The Oxford handbook of sound art:
Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and perform...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schriftenreihe: | Oxford handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged |
| Beschreibung: | xxv, 597 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 0190274050 9780190274054 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048427410 | ||
| 003 | DE-604 | ||
| 005 | 20221114 | ||
| 007 | t | ||
| 008 | 220825s2021 agl| b||| 00||| eng d | ||
| 020 | |a 0190274050 |9 0190274050 | ||
| 020 | |a 9780190274054 |9 978-0-19-027405-4 | ||
| 035 | |a (OCoLC)1237860830 | ||
| 035 | |a (DE-599)BVBBV048427410 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-739 |a DE-B170 |a DE-255 | ||
| 084 | |a LR 56660 |0 (DE-625)159158:13528 |2 rvk | ||
| 100 | 1 | |a Grant, Jane |d ca. 20./21. Jh. |0 (DE-588)1049674642 |4 edt | |
| 245 | 1 | 0 | |a The Oxford handbook of sound art |c edited by Jane Grant, John Matthias, and David Prior |
| 246 | 1 | 3 | |a Handbook of sound art |
| 246 | 1 | 3 | |a Sound art |
| 246 | 1 | 0 | |a Handbook of sound art |
| 246 | 1 | 0 | |a Sound art |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2021] | |
| 264 | 4 | |c © 2021 | |
| 300 | |a xxv, 597 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Oxford handbooks | |
| 505 | 8 | 0 | |t Witnessing Space |r Andrea Polli |t Danfo |r Emeka Ogboh |t Felt Spaces |r Gernot Bohme |t Sound in the mediated space |r DooEun Choi |t Inhabitating the uninhabitable: encontering atmospheres as other worlds |r Jane Grant |t Keynote: sound art and time |r Christoph Cox |t Now in the network |r Michael Rofe |t The inter-human cortex |r John Matthias |t One municipality: sound, science, technology, and culture |r Pasha Ian Clothier |t Sound and wonder: siren, ethnometric museum and sound art theatre |r Ray Lee |t The art that is made out of time |r Stephen Kennedy |t Keynote: sound and thing |r Aden Evens |t Sacrificial floors and tables: making/ unmaking sound |r John Richards |t The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire |r David Prior |t A new materiality: post speaker sound art |r Fari Bradley |t The ding in itself |r John Mowitt |t Sound art as locative narrative |r Emma Whittaker |t Sound is silence |r Greg Hainge |t Materiality: the fabrication of sound |r Dugal McKinnon |t 'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound |r Angus Carlyle |t Against a falling fabric: neoliberal acousmatics |r Seth Kim-Cohen |t Echo's embrace: the art of building with sound |r Frances Crow |t Fukushima: silences that count |r Sophie Houdart |t Sonic sense: the meaning of the invisible |r Salomé Voegelin |t Last breath, sensing life |r Zeynep Bulut |t Soundfullness |r Christof Migone |t Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed |r Louise K. Wilson |
| 505 | 8 | 0 | |t Listening: flexibility through noise, resonance through rhythm |r Susan L. Denham and Istvan Winkler |t Intimate listening |r Mark Paterson |t Minor acoustics: sound art, relationality, and poetic Listening |r Brandon Labelle |t Composing fragmented relations with materials, locations, and archives |r Dr. Jen Southern and Dr. Samuel Thulin |t Sound art: hearing in particular |r John L. Drever |t The Sonic undercommons: sound art in radical black arts traditions |r Gascia Ouzounian |t Origin stories: race, silence, and what we call 'Sound Art' |r Jennifer Lynn Stoever |t A social sonic paradigm: sound art in Southern Africa |r Tegan Bristow, Joao Orrechia Zuniga |t State listening |r Ultra-Red |
| 520 | 3 | |a Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged | |
| 650 | 0 | 7 | |a Sound Studies |0 (DE-588)1036986756 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Klangkunst |0 (DE-588)4430771-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Akustik |0 (DE-588)4000988-9 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Sound art / History and criticism | |
| 653 | 0 | |a Art sonore / Histoire et critique | |
| 653 | 0 | |a Sound art | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Sound Studies |0 (DE-588)1036986756 |D s |
| 689 | 0 | 1 | |a Klangkunst |0 (DE-588)4430771-8 |D s |
| 689 | 0 | 2 | |a Akustik |0 (DE-588)4000988-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Matthias, John |d ca. 20./21. Jh. |0 (DE-588)1049675681 |4 edt | |
| 700 | 1 | |a Prior, David |d ca. 20./21. Jh. |0 (DE-588)1115209256 |4 edt | |
| 856 | 4 | 2 | |m Digitalisierung UB Passau - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033805692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033805692 | ||
Datensatz im Suchindex
| _version_ | 1804184345125060608 |
|---|---|
| adam_text | Contents Author biographies Introduction: Jane Grant, John Matthias, and David Prior ix xi PART I. SPACE i. Witnessing Space Andrea Polli 3 2. Danfo Emeka Ogboh 15 3. Felt Spaces Gernot Böhme 29 4. Sound in the Mediated Space DooEun Choi 37 5. Inhabiting the Uninhabitable: Encountering Atmospheres as Other Worlds Jane Grant 53 PART IL TIME 6. Keynote: Sound Art and Time Christoph Cox 69 7. Now in the Network Michael Rofe 87 8. The Inter-human Cortex John Matthias 103 9. One multiplicity: Sound, Science, Technology, and Culture Pasha Ian Clothier 113
vi CONTENTS io. Sound and Wonder: Siren, Ethometric Museum, and Sound Art Theatre Ray Lee 127 11. The Art that is Made Out of Time Stephen Kennedy 141 PART III. THINGS 12. Keynote: Sound and Thing Aden Evens 157 13. Sacrificial Floors and Tables: Making/Unmaking Sound John Richards 173 14. The Unreliable Mediator: Loudspeakers in Sound Art Heard through Music on a Long, Thin Wire David Prior 191 15. A New Materiality: Post-speaker Sound Art Fari Bradley 203 16. The Ding in Itself John Mowitt 219 17. Sound Art as Locative Narrative Emma Whittaker 231 PART IV. FABRIC 18. Sound is Silence Greg Hainge 255 19. Materiality: The Fabrication of Sound Dugal McKinnon 273 20. And I listened to the whistlings and patterings outside: Hearing the Wild Spaces as Sound Angus Carlyle 21. Against a Falling Fabric: Neoliberal Acousmatics Seth Kim-Cohen 287 307
CONTENTS VÌI 22. Echos Embrace: The Art of Building with Sound Frances Crow 321 23. Fukushima: Silences that Count Sophie Houdart 335 PART V. SENSES 24. Sonic Sense: The meaning of the Invisible Salomé Voegelin 349 25. Last breath, Sensing Life Zeynep Bulut 367 26. Soundfullessness Christof Migone 385 27. Chthonic: 72 hours below Earth day: The Sensed, the Remembered, the Lost, and the Reconstructed 403 Louise К Wilson 28. Listening: Flexibility through Noise, Resonance through Rhythm Susan L. Denham and István Winkler 421 29. Intimate Listening Mark Paterson 437 PART VI. RELATIONALITY 30. Minor Acoustics: Sound Art, Relationality, and Poetic Listening Brandon LaBelle 453 31. Composing Fragmented Relations with Materials, Locations, and Archives 471 Dr Jen Southern and Dr Samuel Thulin 32. Sound Art: Hearing in Particular John L. Drever 33. The Sonic Undercommons: Sound Art In Radical Black Arts Traditions Gascia Ouzounian 487 503
viii CONTENTS 34. Origin Stories: Race, Silence, and What We Call ‘Sound Art’ Jennifer Lynn Stoever 521 35. A Social Sonic Paradigm: Sound Art in Southern Africa Tegan Bristow and João Orecchia Zúñiga 541 36. State Listening Ultra-red 555 Index 569
|
| adam_txt |
Contents Author biographies Introduction: Jane Grant, John Matthias, and David Prior ix xi PART I. SPACE i. Witnessing Space Andrea Polli 3 2. Danfo Emeka Ogboh 15 3. Felt Spaces Gernot Böhme 29 4. Sound in the Mediated Space DooEun Choi 37 5. Inhabiting the Uninhabitable: Encountering Atmospheres as Other Worlds Jane Grant 53 PART IL TIME 6. Keynote: Sound Art and Time Christoph Cox 69 7. Now in the Network Michael Rofe 87 8. The Inter-human Cortex John Matthias 103 9. One multiplicity: Sound, Science, Technology, and Culture Pasha Ian Clothier 113
vi CONTENTS io. Sound and Wonder: Siren, Ethometric Museum, and Sound Art Theatre Ray Lee 127 11. The Art that is Made Out of Time Stephen Kennedy 141 PART III. THINGS 12. Keynote: Sound and Thing Aden Evens 157 13. Sacrificial Floors and Tables: Making/Unmaking Sound John Richards 173 14. The Unreliable Mediator: Loudspeakers in Sound Art Heard through Music on a Long, Thin Wire David Prior 191 15. A New Materiality: Post-speaker Sound Art Fari Bradley 203 16. The Ding in Itself John Mowitt 219 17. Sound Art as Locative Narrative Emma Whittaker 231 PART IV. FABRIC 18. Sound is Silence Greg Hainge 255 19. Materiality: The Fabrication of Sound Dugal McKinnon 273 20. And I listened to the whistlings and patterings outside: Hearing the Wild Spaces as Sound Angus Carlyle 21. Against a Falling Fabric: Neoliberal Acousmatics Seth Kim-Cohen 287 307
CONTENTS VÌI 22. Echos Embrace: The Art of Building with Sound Frances Crow 321 23. Fukushima: Silences that Count Sophie Houdart 335 PART V. SENSES 24. Sonic Sense: The meaning of the Invisible Salomé Voegelin 349 25. Last breath, Sensing Life Zeynep Bulut 367 26. Soundfullessness Christof Migone 385 27. Chthonic: 72 hours below Earth day: The Sensed, the Remembered, the Lost, and the Reconstructed 403 Louise К Wilson 28. Listening: Flexibility through Noise, Resonance through Rhythm Susan L. Denham and István Winkler 421 29. Intimate Listening Mark Paterson 437 PART VI. RELATIONALITY 30. Minor Acoustics: Sound Art, Relationality, and Poetic Listening Brandon LaBelle 453 31. Composing Fragmented Relations with Materials, Locations, and Archives 471 Dr Jen Southern and Dr Samuel Thulin 32. Sound Art: Hearing in Particular John L. Drever 33. The Sonic Undercommons: Sound Art In Radical Black Arts Traditions Gascia Ouzounian 487 503
viii CONTENTS 34. Origin Stories: Race, Silence, and What We Call ‘Sound Art’ Jennifer Lynn Stoever 521 35. A Social Sonic Paradigm: Sound Art in Southern Africa Tegan Bristow and João Orecchia Zúñiga 541 36. State Listening Ultra-red 555 Index 569 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Grant, Jane ca. 20./21. Jh Matthias, John ca. 20./21. Jh Prior, David ca. 20./21. Jh |
| author2_role | edt edt edt |
| author2_variant | j g jg j m jm d p dp |
| author_GND | (DE-588)1049674642 (DE-588)1049675681 (DE-588)1115209256 |
| author_additional | Andrea Polli Emeka Ogboh Gernot Bohme DooEun Choi Jane Grant Christoph Cox Michael Rofe John Matthias Pasha Ian Clothier Ray Lee Stephen Kennedy Aden Evens John Richards David Prior Fari Bradley John Mowitt Emma Whittaker Greg Hainge Dugal McKinnon Angus Carlyle Seth Kim-Cohen Frances Crow Sophie Houdart Salomé Voegelin Zeynep Bulut Christof Migone Louise K. Wilson Susan L. Denham and Istvan Winkler Mark Paterson Brandon Labelle Dr. Jen Southern and Dr. Samuel Thulin John L. Drever Gascia Ouzounian Jennifer Lynn Stoever Tegan Bristow, Joao Orrechia Zuniga Ultra-Red |
| author_facet | Grant, Jane ca. 20./21. Jh Matthias, John ca. 20./21. Jh Prior, David ca. 20./21. Jh |
| building | Verbundindex |
| bvnumber | BV048427410 |
| classification_rvk | LR 56660 |
| contents | Witnessing Space Danfo Felt Spaces Sound in the mediated space Inhabitating the uninhabitable: encontering atmospheres as other worlds Keynote: sound art and time Now in the network The inter-human cortex One municipality: sound, science, technology, and culture Sound and wonder: siren, ethnometric museum and sound art theatre The art that is made out of time Keynote: sound and thing Sacrificial floors and tables: making/ unmaking sound The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire A new materiality: post speaker sound art The ding in itself Sound art as locative narrative Sound is silence Materiality: the fabrication of sound 'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound Against a falling fabric: neoliberal acousmatics Echo's embrace: the art of building with sound Fukushima: silences that count Sonic sense: the meaning of the invisible Last breath, sensing life Soundfullness Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed Listening: flexibility through noise, resonance through rhythm Intimate listening Minor acoustics: sound art, relationality, and poetic Listening Composing fragmented relations with materials, locations, and archives Sound art: hearing in particular The Sonic undercommons: sound art in radical black arts traditions Origin stories: race, silence, and what we call 'Sound Art' A social sonic paradigm: sound art in Southern Africa State listening |
| ctrlnum | (OCoLC)1237860830 (DE-599)BVBBV048427410 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05120nam a2200553 c 4500</leader><controlfield tag="001">BV048427410</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221114 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220825s2021 agl| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0190274050</subfield><subfield code="9">0190274050</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190274054</subfield><subfield code="9">978-0-19-027405-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1237860830</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048427410</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56660</subfield><subfield code="0">(DE-625)159158:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Grant, Jane</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1049674642</subfield><subfield code="4">edt</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Oxford handbook of sound art</subfield><subfield code="c">edited by Jane Grant, John Matthias, and David Prior</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Handbook of sound art</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Sound art</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">Handbook of sound art</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">Sound art</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxv, 597 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford handbooks</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Witnessing Space</subfield><subfield code="r">Andrea Polli</subfield><subfield code="t">Danfo</subfield><subfield code="r">Emeka Ogboh</subfield><subfield code="t">Felt Spaces</subfield><subfield code="r">Gernot Bohme</subfield><subfield code="t">Sound in the mediated space</subfield><subfield code="r">DooEun Choi</subfield><subfield code="t">Inhabitating the uninhabitable: encontering atmospheres as other worlds</subfield><subfield code="r">Jane Grant</subfield><subfield code="t">Keynote: sound art and time</subfield><subfield code="r">Christoph Cox</subfield><subfield code="t">Now in the network</subfield><subfield code="r">Michael Rofe</subfield><subfield code="t">The inter-human cortex</subfield><subfield code="r">John Matthias</subfield><subfield code="t">One municipality: sound, science, technology, and culture</subfield><subfield code="r">Pasha Ian Clothier</subfield><subfield code="t">Sound and wonder: siren, ethnometric museum and sound art theatre</subfield><subfield code="r">Ray Lee</subfield><subfield code="t">The art that is made out of time</subfield><subfield code="r">Stephen Kennedy</subfield><subfield code="t">Keynote: sound and thing</subfield><subfield code="r">Aden Evens</subfield><subfield code="t">Sacrificial floors and tables: making/ unmaking sound</subfield><subfield code="r">John Richards</subfield><subfield code="t">The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire</subfield><subfield code="r">David Prior</subfield><subfield code="t">A new materiality: post speaker sound art</subfield><subfield code="r">Fari Bradley</subfield><subfield code="t">The ding in itself</subfield><subfield code="r">John Mowitt</subfield><subfield code="t">Sound art as locative narrative</subfield><subfield code="r">Emma Whittaker</subfield><subfield code="t">Sound is silence</subfield><subfield code="r">Greg Hainge</subfield><subfield code="t">Materiality: the fabrication of sound</subfield><subfield code="r">Dugal McKinnon</subfield><subfield code="t">'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound</subfield><subfield code="r">Angus Carlyle</subfield><subfield code="t">Against a falling fabric: neoliberal acousmatics</subfield><subfield code="r">Seth Kim-Cohen</subfield><subfield code="t">Echo's embrace: the art of building with sound</subfield><subfield code="r">Frances Crow</subfield><subfield code="t">Fukushima: silences that count</subfield><subfield code="r">Sophie Houdart</subfield><subfield code="t">Sonic sense: the meaning of the invisible</subfield><subfield code="r">Salomé Voegelin</subfield><subfield code="t">Last breath, sensing life</subfield><subfield code="r">Zeynep Bulut</subfield><subfield code="t">Soundfullness</subfield><subfield code="r">Christof Migone</subfield><subfield code="t">Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed</subfield><subfield code="r">Louise K. Wilson</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Listening: flexibility through noise, resonance through rhythm</subfield><subfield code="r">Susan L. Denham and Istvan Winkler</subfield><subfield code="t">Intimate listening</subfield><subfield code="r">Mark Paterson</subfield><subfield code="t">Minor acoustics: sound art, relationality, and poetic Listening</subfield><subfield code="r">Brandon Labelle</subfield><subfield code="t">Composing fragmented relations with materials, locations, and archives</subfield><subfield code="r">Dr. Jen Southern and Dr. Samuel Thulin</subfield><subfield code="t">Sound art: hearing in particular</subfield><subfield code="r">John L. Drever</subfield><subfield code="t">The Sonic undercommons: sound art in radical black arts traditions</subfield><subfield code="r">Gascia Ouzounian</subfield><subfield code="t">Origin stories: race, silence, and what we call 'Sound Art'</subfield><subfield code="r">Jennifer Lynn Stoever</subfield><subfield code="t">A social sonic paradigm: sound art in Southern Africa</subfield><subfield code="r">Tegan Bristow, Joao Orrechia Zuniga</subfield><subfield code="t">State listening</subfield><subfield code="r">Ultra-Red</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sound Studies</subfield><subfield code="0">(DE-588)1036986756</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Klangkunst</subfield><subfield code="0">(DE-588)4430771-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Akustik</subfield><subfield code="0">(DE-588)4000988-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound art / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art sonore / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound art</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Sound Studies</subfield><subfield code="0">(DE-588)1036986756</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Klangkunst</subfield><subfield code="0">(DE-588)4430771-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Akustik</subfield><subfield code="0">(DE-588)4000988-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Matthias, John</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1049675681</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Prior, David</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1115209256</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Passau - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033805692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033805692</subfield></datafield></record></collection> |
| id | DE-604.BV048427410 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:27:59Z |
| indexdate | 2024-07-10T09:37:51Z |
| institution | BVB |
| isbn | 0190274050 9780190274054 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033805692 |
| oclc_num | 1237860830 |
| open_access_boolean | |
| owner | DE-11 DE-739 DE-B170 DE-255 |
| owner_facet | DE-11 DE-739 DE-B170 DE-255 |
| physical | xxv, 597 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford handbooks |
| spelling | Grant, Jane ca. 20./21. Jh. (DE-588)1049674642 edt The Oxford handbook of sound art edited by Jane Grant, John Matthias, and David Prior Handbook of sound art Sound art New York, NY Oxford University Press [2021] © 2021 xxv, 597 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Oxford handbooks Witnessing Space Andrea Polli Danfo Emeka Ogboh Felt Spaces Gernot Bohme Sound in the mediated space DooEun Choi Inhabitating the uninhabitable: encontering atmospheres as other worlds Jane Grant Keynote: sound art and time Christoph Cox Now in the network Michael Rofe The inter-human cortex John Matthias One municipality: sound, science, technology, and culture Pasha Ian Clothier Sound and wonder: siren, ethnometric museum and sound art theatre Ray Lee The art that is made out of time Stephen Kennedy Keynote: sound and thing Aden Evens Sacrificial floors and tables: making/ unmaking sound John Richards The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire David Prior A new materiality: post speaker sound art Fari Bradley The ding in itself John Mowitt Sound art as locative narrative Emma Whittaker Sound is silence Greg Hainge Materiality: the fabrication of sound Dugal McKinnon 'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound Angus Carlyle Against a falling fabric: neoliberal acousmatics Seth Kim-Cohen Echo's embrace: the art of building with sound Frances Crow Fukushima: silences that count Sophie Houdart Sonic sense: the meaning of the invisible Salomé Voegelin Last breath, sensing life Zeynep Bulut Soundfullness Christof Migone Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed Louise K. Wilson Listening: flexibility through noise, resonance through rhythm Susan L. Denham and Istvan Winkler Intimate listening Mark Paterson Minor acoustics: sound art, relationality, and poetic Listening Brandon Labelle Composing fragmented relations with materials, locations, and archives Dr. Jen Southern and Dr. Samuel Thulin Sound art: hearing in particular John L. Drever The Sonic undercommons: sound art in radical black arts traditions Gascia Ouzounian Origin stories: race, silence, and what we call 'Sound Art' Jennifer Lynn Stoever A social sonic paradigm: sound art in Southern Africa Tegan Bristow, Joao Orrechia Zuniga State listening Ultra-Red Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged Sound Studies (DE-588)1036986756 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Akustik (DE-588)4000988-9 gnd rswk-swf Sound art / History and criticism Art sonore / Histoire et critique Criticism, interpretation, etc Sound Studies (DE-588)1036986756 s Klangkunst (DE-588)4430771-8 s Akustik (DE-588)4000988-9 s DE-604 Matthias, John ca. 20./21. Jh. (DE-588)1049675681 edt Prior, David ca. 20./21. Jh. (DE-588)1115209256 edt Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033805692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of sound art Witnessing Space Danfo Felt Spaces Sound in the mediated space Inhabitating the uninhabitable: encontering atmospheres as other worlds Keynote: sound art and time Now in the network The inter-human cortex One municipality: sound, science, technology, and culture Sound and wonder: siren, ethnometric museum and sound art theatre The art that is made out of time Keynote: sound and thing Sacrificial floors and tables: making/ unmaking sound The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire A new materiality: post speaker sound art The ding in itself Sound art as locative narrative Sound is silence Materiality: the fabrication of sound 'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound Against a falling fabric: neoliberal acousmatics Echo's embrace: the art of building with sound Fukushima: silences that count Sonic sense: the meaning of the invisible Last breath, sensing life Soundfullness Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed Listening: flexibility through noise, resonance through rhythm Intimate listening Minor acoustics: sound art, relationality, and poetic Listening Composing fragmented relations with materials, locations, and archives Sound art: hearing in particular The Sonic undercommons: sound art in radical black arts traditions Origin stories: race, silence, and what we call 'Sound Art' A social sonic paradigm: sound art in Southern Africa State listening Sound Studies (DE-588)1036986756 gnd Klangkunst (DE-588)4430771-8 gnd Akustik (DE-588)4000988-9 gnd |
| subject_GND | (DE-588)1036986756 (DE-588)4430771-8 (DE-588)4000988-9 |
| title | The Oxford handbook of sound art |
| title_alt | Handbook of sound art Sound art Witnessing Space Danfo Felt Spaces Sound in the mediated space Inhabitating the uninhabitable: encontering atmospheres as other worlds Keynote: sound art and time Now in the network The inter-human cortex One municipality: sound, science, technology, and culture Sound and wonder: siren, ethnometric museum and sound art theatre The art that is made out of time Keynote: sound and thing Sacrificial floors and tables: making/ unmaking sound The unreliable mediator: loudspeakers in sound art heard through music on a long, thin wire A new materiality: post speaker sound art The ding in itself Sound art as locative narrative Sound is silence Materiality: the fabrication of sound 'And I listened to the whistlings and patterings outside': hearing the wild spaces as sound Against a falling fabric: neoliberal acousmatics Echo's embrace: the art of building with sound Fukushima: silences that count Sonic sense: the meaning of the invisible Last breath, sensing life Soundfullness Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost, and the reconstructed Listening: flexibility through noise, resonance through rhythm Intimate listening Minor acoustics: sound art, relationality, and poetic Listening Composing fragmented relations with materials, locations, and archives Sound art: hearing in particular The Sonic undercommons: sound art in radical black arts traditions Origin stories: race, silence, and what we call 'Sound Art' A social sonic paradigm: sound art in Southern Africa State listening |
| title_auth | The Oxford handbook of sound art |
| title_exact_search | The Oxford handbook of sound art |
| title_exact_search_txtP | The Oxford handbook of sound art |
| title_full | The Oxford handbook of sound art edited by Jane Grant, John Matthias, and David Prior |
| title_fullStr | The Oxford handbook of sound art edited by Jane Grant, John Matthias, and David Prior |
| title_full_unstemmed | The Oxford handbook of sound art edited by Jane Grant, John Matthias, and David Prior |
| title_short | The Oxford handbook of sound art |
| title_sort | the oxford handbook of sound art |
| topic | Sound Studies (DE-588)1036986756 gnd Klangkunst (DE-588)4430771-8 gnd Akustik (DE-588)4000988-9 gnd |
| topic_facet | Sound Studies Klangkunst Akustik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033805692&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT grantjane theoxfordhandbookofsoundart AT matthiasjohn theoxfordhandbookofsoundart AT priordavid theoxfordhandbookofsoundart AT grantjane handbookofsoundart AT matthiasjohn handbookofsoundart AT priordavid handbookofsoundart AT grantjane soundart AT matthiasjohn soundart AT priordavid soundart |