Umbrales II:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch Partitur Buch |
Sprache: | English |
Veröffentlicht: |
Paris
BabelScores
2018
|
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Beschreibung: | The piece is originated from two main concerns: on the one hand, to explore the ambiguity zone that exists between complex and simple sounds, and on the other hand, to look for an approach to the sound as if it were a plastic object, i.e. to create a sound sculpture, giving the sound a modeling treatment similar to the one that would be given to a clay mass, for example |
Beschreibung: | 1 Online-Ressource (1 Partitur (18 Seiten)) |
Internformat
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500 | |a The piece is originated from two main concerns: on the one hand, to explore the ambiguity zone that exists between complex and simple sounds, and on the other hand, to look for an approach to the sound as if it were a plastic object, i.e. to create a sound sculpture, giving the sound a modeling treatment similar to the one that would be given to a clay mass, for example | ||
653 | |a Instrumental Music | ||
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Datensatz im Suchindex
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author | Loría, Eduardo 1992- |
author_facet | Loría, Eduardo 1992- |
author_role | cmp |
author_sort | Loría, Eduardo 1992- |
author_variant | e l el |
building | Verbundindex |
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format | Electronic Musical Score Book |
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id | DE-604.BV048426975 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:27:57Z |
indexdate | 2024-07-10T09:37:51Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033805256 |
oclc_num | 1344257431 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 Partitur (18 Seiten)) |
psigel | ZDB-1-BCM |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | BabelScores |
record_format | marc |
spelling | Loría, Eduardo 1992- cmp Umbrales II Eduardo Loría Paris BabelScores 2018 1 Online-Ressource (1 Partitur (18 Seiten)) ntm rdacontent c rdamedia cr rdacarrier The piece is originated from two main concerns: on the one hand, to explore the ambiguity zone that exists between complex and simple sounds, and on the other hand, to look for an approach to the sound as if it were a plastic object, i.e. to create a sound sculpture, giving the sound a modeling treatment similar to the one that would be given to a clay mass, for example Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=5640&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext English horn 1 Clarinet 1 Bass clarinet 1 Horn (French Horn) 1 Percussions 1 Viola 1 Double bass 1 |
spellingShingle | Loría, Eduardo 1992- Umbrales II |
title | Umbrales II |
title_auth | Umbrales II |
title_exact_search | Umbrales II |
title_exact_search_txtP | Umbrales II |
title_full | Umbrales II Eduardo Loría |
title_fullStr | Umbrales II Eduardo Loría |
title_full_unstemmed | Umbrales II Eduardo Loría |
title_short | Umbrales II |
title_sort | umbrales ii |
url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=5640&virtuemart_category_id=1 |
work_keys_str_mv | AT loriaeduardo umbralesii |