L'Arrivée:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2019
|
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | If in conventional cinema it is said that the best music is the one that is not heard, since it serves as an accompaniment and illustration of the image (which dominates in our visual culture), my approach to the work of L'arrivée by Peter Tscherkassky was to confront two worlds (visual and sound) in full dialogue and equality. His experimental cinema open the meaning of the image far away of our stereotypic visual environment. For this, I tried with sound to transmit, without illustrating, the same processes of editing and recontextualization of the video, in a work that wants to see the sounds, in the same way that the images are heard |
| Beschreibung: | 1 Online-Ressource (1 Partitur (16 Seiten)) |
Internformat
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| 500 | |a If in conventional cinema it is said that the best music is the one that is not heard, since it serves as an accompaniment and illustration of the image (which dominates in our visual culture), my approach to the work of L'arrivée by Peter Tscherkassky was to confront two worlds (visual and sound) in full dialogue and equality. His experimental cinema open the meaning of the image far away of our stereotypic visual environment. For this, I tried with sound to transmit, without illustrating, the same processes of editing and recontextualization of the video, in a work that wants to see the sounds, in the same way that the images are heard | ||
| 653 | |a Instrumental Music | ||
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| 382 | 1 | |a Saxophone |n 1 |a Percussions |n 1 |a Piano |n 1 |a Electric guitar |n 1 | |
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Datensatz im Suchindex
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| author | Gómez Alemany, Joan 1990- |
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| format | Electronic Musical Score Book |
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| id | DE-604.BV048426454 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:56Z |
| indexdate | 2024-07-10T09:37:50Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033804735 |
| oclc_num | 1344261761 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (16 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Gómez Alemany, Joan 1990- cmp L'Arrivée Joan Gómez Alemany Paris BabelScores 2019 1 Online-Ressource (1 Partitur (16 Seiten)) ntm rdacontent c rdamedia cr rdacarrier If in conventional cinema it is said that the best music is the one that is not heard, since it serves as an accompaniment and illustration of the image (which dominates in our visual culture), my approach to the work of L'arrivée by Peter Tscherkassky was to confront two worlds (visual and sound) in full dialogue and equality. His experimental cinema open the meaning of the image far away of our stereotypic visual environment. For this, I tried with sound to transmit, without illustrating, the same processes of editing and recontextualization of the video, in a work that wants to see the sounds, in the same way that the images are heard Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4542&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Saxophone 1 Percussions 1 Piano 1 Electric guitar 1 |
| spellingShingle | Gómez Alemany, Joan 1990- L'Arrivée |
| title | L'Arrivée |
| title_auth | L'Arrivée |
| title_exact_search | L'Arrivée |
| title_exact_search_txtP | L'Arrivée |
| title_full | L'Arrivée Joan Gómez Alemany |
| title_fullStr | L'Arrivée Joan Gómez Alemany |
| title_full_unstemmed | L'Arrivée Joan Gómez Alemany |
| title_short | L'Arrivée |
| title_sort | l arrivee |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4542&virtuemart_category_id=1 |
| work_keys_str_mv | AT gomezalemanyjoan larrivee |