damped:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2019
|
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | This piece began with the notion of a damped harmonic oscillator. At the very beginning, it was truly the visual representation of a damped harmonic oscillator that got my attention: a sine wave that continues to compress until it's nothing at all. This became musically abstracted with the interplay of the violinand cello pitch contours in the first section of the piece. However, I began to think about what damping could really mean, musically speaking. The idea that most consumed me while composing was the application of bow overpressure, which threads the piece together. The last section of the piece mimics the cycling and crunching effect of a damped harmonic oscillator. The material builds until at the very end it becomes so high in frequency that it essentially calls for the musician's fingers to "push" their bows off the strings and onto the bridge, such that sound becomes so high that it is, metaphorically speaking, "no longer heard. |
| Beschreibung: | 1 Online-Ressource (1 Partitur (20 Seiten)) |
Internformat
MARC
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| 500 | |a This piece began with the notion of a damped harmonic oscillator. At the very beginning, it was truly the visual representation of a damped harmonic oscillator that got my attention: a sine wave that continues to compress until it's nothing at all. This became musically abstracted with the interplay of the violinand cello pitch contours in the first section of the piece. However, I began to think about what damping could really mean, musically speaking. The idea that most consumed me while composing was the application of bow overpressure, which threads the piece together. The last section of the piece mimics the cycling and crunching effect of a damped harmonic oscillator. The material builds until at the very end it becomes so high in frequency that it essentially calls for the musician's fingers to "push" their bows off the strings and onto the bridge, such that sound becomes so high that it is, metaphorically speaking, "no longer heard. | ||
| 653 | |a Instrumental Music | ||
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Datensatz im Suchindex
| _version_ | 1804184343903469568 |
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| adam_txt | |
| any_adam_object | |
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| author | Kay, Kevin 1995- |
| author_facet | Kay, Kevin 1995- |
| author_role | cmp |
| author_sort | Kay, Kevin 1995- |
| author_variant | k k kk |
| building | Verbundindex |
| bvnumber | BV048426443 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-4495-3 (OCoLC)1344242622 (DE-599)BVBBV048426443 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048426443 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:56Z |
| indexdate | 2024-07-10T09:37:50Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033804724 |
| oclc_num | 1344242622 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (20 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Kay, Kevin 1995- cmp damped Kevin Kay Paris BabelScores 2019 1 Online-Ressource (1 Partitur (20 Seiten)) ntm rdacontent c rdamedia cr rdacarrier This piece began with the notion of a damped harmonic oscillator. At the very beginning, it was truly the visual representation of a damped harmonic oscillator that got my attention: a sine wave that continues to compress until it's nothing at all. This became musically abstracted with the interplay of the violinand cello pitch contours in the first section of the piece. However, I began to think about what damping could really mean, musically speaking. The idea that most consumed me while composing was the application of bow overpressure, which threads the piece together. The last section of the piece mimics the cycling and crunching effect of a damped harmonic oscillator. The material builds until at the very end it becomes so high in frequency that it essentially calls for the musician's fingers to "push" their bows off the strings and onto the bridge, such that sound becomes so high that it is, metaphorically speaking, "no longer heard. Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4506&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Violin 1 Cello 1 |
| spellingShingle | Kay, Kevin 1995- damped |
| title | damped |
| title_auth | damped |
| title_exact_search | damped |
| title_exact_search_txtP | damped |
| title_full | damped Kevin Kay |
| title_fullStr | damped Kevin Kay |
| title_full_unstemmed | damped Kevin Kay |
| title_short | damped |
| title_sort | damped |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4506&virtuemart_category_id=1 |
| work_keys_str_mv | AT kaykevin damped |