Distorted Attitudes IV-:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2015
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Distorted Attitudes IV- Facile synthesis is the fourth piece in this cycle, which is an observation on various perspectives and mindsets in society, some of which we would describe as distorted.Distortion is the alteration of the original shape (or other characteristic) of an object, image, sound, or waveform. Distortion is often unwanted; in some situations, however, it is desirable. Distorted Attitudes IV- Facile synthesis traces the integration of disparate traits, attitudes, and impulses to create a complete personality.In short, the violins and the viola are becoming cello. They are on the one hand different shapes of a cello, and on the other hand, individual beings with their own characteristics and qualities. The difference between their shapes has a vital influence on the quality of their sound. Within their own physical limitations, they embody individual attitudes even while following the same process towards a shared end result.All the instruments are treated both as though they were one and as though they were different qualities of a scattered unity. The constituent elements of separate materials, sound qualities, and abstract entities will transform into a single unified entity. Struggling to unify, Facile synthesis challenges whether such reconciliations are possible |
| Beschreibung: | 1 Online-Ressource (1 Partitur (18 Seiten)) |
Internformat
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048426327 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220825s2015 |||| s|||||||| | eng d | ||
| 024 | 2 | |a 9790232543697 |9 979-0-2325-4369-7 | |
| 035 | |a (ZDB-1-BCM)979-0-2325-4369-7 | ||
| 035 | |a (OCoLC)1344267636 | ||
| 035 | |a (DE-599)BVBBV048426327 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Abbasi, Anahita |d 1985- |4 cmp | |
| 245 | 1 | 0 | |a Distorted Attitudes IV- |c Anahita Abbasi |
| 264 | 1 | |a Paris |b BabelScores |c 2015 | |
| 300 | |a 1 Online-Ressource (1 Partitur (18 Seiten)) | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Distorted Attitudes IV- Facile synthesis is the fourth piece in this cycle, which is an observation on various perspectives and mindsets in society, some of which we would describe as distorted.Distortion is the alteration of the original shape (or other characteristic) of an object, image, sound, or waveform. Distortion is often unwanted; in some situations, however, it is desirable. Distorted Attitudes IV- Facile synthesis traces the integration of disparate traits, attitudes, and impulses to create a complete personality.In short, the violins and the viola are becoming cello. They are on the one hand different shapes of a cello, and on the other hand, individual beings with their own characteristics and qualities. The difference between their shapes has a vital influence on the quality of their sound. Within their own physical limitations, they embody individual attitudes even while following the same process towards a shared end result.All the instruments are treated both as though they were one and as though they were different qualities of a scattered unity. The constituent elements of separate materials, sound qualities, and abstract entities will transform into a single unified entity. Struggling to unify, Facile synthesis challenges whether such reconciliations are possible | ||
| 653 | |a Chamber Group ( 2 - 4 instruments ) | ||
| 856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4342&virtuemart_category_id=3 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-1-BCM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033804607 | ||
| 347 | |b PDF | ||
| 382 | 1 | |a Violin |n 1 |a violin |n 2 |a Viola |n 1 |a Cello |n 1 | |
| 966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4342&virtuemart_category_id=3 |l BSB01 |p ZDB-1-BCM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184343765057536 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Abbasi, Anahita 1985- |
| author_facet | Abbasi, Anahita 1985- |
| author_role | cmp |
| author_sort | Abbasi, Anahita 1985- |
| author_variant | a a aa |
| building | Verbundindex |
| bvnumber | BV048426327 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-4369-7 (OCoLC)1344267636 (DE-599)BVBBV048426327 |
| format | Electronic Musical Score Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02727ncm a2200373 c 4500</leader><controlfield tag="001">BV048426327</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| o||u| ||||||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220825s2015 |||| s|||||||| | eng d</controlfield><datafield tag="024" ind1="2" ind2=" "><subfield code="a">9790232543697</subfield><subfield code="9">979-0-2325-4369-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-BCM)979-0-2325-4369-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344267636</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048426327</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Abbasi, Anahita</subfield><subfield code="d">1985-</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Distorted Attitudes IV-</subfield><subfield code="c">Anahita Abbasi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Paris</subfield><subfield code="b">BabelScores</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 Partitur (18 Seiten))</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Distorted Attitudes IV- Facile synthesis is the fourth piece in this cycle, which is an observation on various perspectives and mindsets in society, some of which we would describe as distorted.Distortion is the alteration of the original shape (or other characteristic) of an object, image, sound, or waveform. Distortion is often unwanted; in some situations, however, it is desirable. Distorted Attitudes IV- Facile synthesis traces the integration of disparate traits, attitudes, and impulses to create a complete personality.In short, the violins and the viola are becoming cello. They are on the one hand different shapes of a cello, and on the other hand, individual beings with their own characteristics and qualities. The difference between their shapes has a vital influence on the quality of their sound. Within their own physical limitations, they embody individual attitudes even while following the same process towards a shared end result.All the instruments are treated both as though they were one and as though they were different qualities of a scattered unity. The constituent elements of separate materials, sound qualities, and abstract entities will transform into a single unified entity. Struggling to unify, Facile synthesis challenges whether such reconciliations are possible</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Chamber Group ( 2 - 4 instruments )</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4342&virtuemart_category_id=3</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-BCM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033804607</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="382" ind1=" " ind2="1"><subfield code="a">Violin</subfield><subfield code="n">1</subfield><subfield code="a">violin</subfield><subfield code="n">2</subfield><subfield code="a">Viola</subfield><subfield code="n">1</subfield><subfield code="a">Cello</subfield><subfield code="n">1</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4342&virtuemart_category_id=3</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-BCM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048426327 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:56Z |
| indexdate | 2024-07-10T09:37:50Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033804607 |
| oclc_num | 1344267636 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (18 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Abbasi, Anahita 1985- cmp Distorted Attitudes IV- Anahita Abbasi Paris BabelScores 2015 1 Online-Ressource (1 Partitur (18 Seiten)) ntm rdacontent c rdamedia cr rdacarrier Distorted Attitudes IV- Facile synthesis is the fourth piece in this cycle, which is an observation on various perspectives and mindsets in society, some of which we would describe as distorted.Distortion is the alteration of the original shape (or other characteristic) of an object, image, sound, or waveform. Distortion is often unwanted; in some situations, however, it is desirable. Distorted Attitudes IV- Facile synthesis traces the integration of disparate traits, attitudes, and impulses to create a complete personality.In short, the violins and the viola are becoming cello. They are on the one hand different shapes of a cello, and on the other hand, individual beings with their own characteristics and qualities. The difference between their shapes has a vital influence on the quality of their sound. Within their own physical limitations, they embody individual attitudes even while following the same process towards a shared end result.All the instruments are treated both as though they were one and as though they were different qualities of a scattered unity. The constituent elements of separate materials, sound qualities, and abstract entities will transform into a single unified entity. Struggling to unify, Facile synthesis challenges whether such reconciliations are possible Chamber Group ( 2 - 4 instruments ) https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4342&virtuemart_category_id=3 Verlag URL des Erstveröffentlichers Volltext Violin 1 violin 2 Viola 1 Cello 1 |
| spellingShingle | Abbasi, Anahita 1985- Distorted Attitudes IV- |
| title | Distorted Attitudes IV- |
| title_auth | Distorted Attitudes IV- |
| title_exact_search | Distorted Attitudes IV- |
| title_exact_search_txtP | Distorted Attitudes IV- |
| title_full | Distorted Attitudes IV- Anahita Abbasi |
| title_fullStr | Distorted Attitudes IV- Anahita Abbasi |
| title_full_unstemmed | Distorted Attitudes IV- Anahita Abbasi |
| title_short | Distorted Attitudes IV- |
| title_sort | distorted attitudes iv |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4342&virtuemart_category_id=3 |
| work_keys_str_mv | AT abbasianahita distortedattitudesiv |