Cras Lucebit [German system bassoon]:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch Partitur Buch |
Sprache: | English |
Veröffentlicht: |
Paris
BabelScores
2012
|
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Beschreibung: | In this piece coexists a research of an expression referring to the sacred, to ancient music, and a reinterpretation of those aspects from electronic music and personal composing techniques. The electronic part uses, among others, bell sounds that refer to the countryside atmosphere where we can hear church bells ringing in the distance. The high-pitched register of the bassoon refers here to the ancient wood instruments.The timbre of this instrument is so rich that it permits us to imagine it is made of a superposition of crystal bells. One of this piece's emphasis is the fusion of bassoon and bells sounds through electronics.The relation between the electronic and the bassoon determine the evolution of the piece. At the beginning a texture with electronic characteristics is developed while the bassoon is subordinate to it. Then, slowly, the bassoon blossoms, the temporality and the piece gesture become instrumental |
Beschreibung: | 1 Online-Ressource (1 Partitur (10 Seiten)) |
Internformat
MARC
LEADER | 00000ncm a2200000 c 4500 | ||
---|---|---|---|
001 | BV048425744 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
006 | m|||| o||u| |||||| | ||
007 | cr|uuu---uuuuu | ||
008 | 220825s2012 |||| s|||||||| | eng d | ||
024 | 2 | |a 9790232537191 |9 979-0-2325-3719-1 | |
035 | |a (ZDB-1-BCM)979-0-2325-3719-1 | ||
035 | |a (OCoLC)1344251183 | ||
035 | |a (DE-599)BVBBV048425744 | ||
040 | |a DE-604 |b ger | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a García-Velásquez, Pedro |d 1984- |4 cmp | |
245 | 1 | 0 | |a Cras Lucebit [German system bassoon] |c Pedro García-Velásquez |
264 | 1 | |a Paris |b BabelScores |c 2012 | |
300 | |a 1 Online-Ressource (1 Partitur (10 Seiten)) | ||
336 | |b ntm |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a In this piece coexists a research of an expression referring to the sacred, to ancient music, and a reinterpretation of those aspects from electronic music and personal composing techniques. The electronic part uses, among others, bell sounds that refer to the countryside atmosphere where we can hear church bells ringing in the distance. The high-pitched register of the bassoon refers here to the ancient wood instruments.The timbre of this instrument is so rich that it permits us to imagine it is made of a superposition of crystal bells. One of this piece's emphasis is the fusion of bassoon and bells sounds through electronics.The relation between the electronic and the bassoon determine the evolution of the piece. At the beginning a texture with electronic characteristics is developed while the bassoon is subordinate to it. Then, slowly, the bassoon blossoms, the temporality and the piece gesture become instrumental | ||
653 | |a Instruments and Electronics | ||
856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3648&virtuemart_category_id=21 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-1-BCM | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033804026 | ||
347 | |b PDF | ||
382 | 1 | |a Bassoon |n 1 | |
966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3648&virtuemart_category_id=21 |l BSB01 |p ZDB-1-BCM |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804184343106551808 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | García-Velásquez, Pedro 1984- |
author_facet | García-Velásquez, Pedro 1984- |
author_role | cmp |
author_sort | García-Velásquez, Pedro 1984- |
author_variant | p g v pgv |
building | Verbundindex |
bvnumber | BV048425744 |
collection | ZDB-1-BCM |
ctrlnum | (ZDB-1-BCM)979-0-2325-3719-1 (OCoLC)1344251183 (DE-599)BVBBV048425744 |
format | Electronic Musical Score Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02351ncm a2200373 c 4500</leader><controlfield tag="001">BV048425744</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| o||u| ||||||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220825s2012 |||| s|||||||| | eng d</controlfield><datafield tag="024" ind1="2" ind2=" "><subfield code="a">9790232537191</subfield><subfield code="9">979-0-2325-3719-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-BCM)979-0-2325-3719-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344251183</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048425744</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">García-Velásquez, Pedro</subfield><subfield code="d">1984-</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cras Lucebit [German system bassoon]</subfield><subfield code="c">Pedro García-Velásquez</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Paris</subfield><subfield code="b">BabelScores</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 Partitur (10 Seiten))</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In this piece coexists a research of an expression referring to the sacred, to ancient music, and a reinterpretation of those aspects from electronic music and personal composing techniques. The electronic part uses, among others, bell sounds that refer to the countryside atmosphere where we can hear church bells ringing in the distance. The high-pitched register of the bassoon refers here to the ancient wood instruments.The timbre of this instrument is so rich that it permits us to imagine it is made of a superposition of crystal bells. One of this piece's emphasis is the fusion of bassoon and bells sounds through electronics.The relation between the electronic and the bassoon determine the evolution of the piece. At the beginning a texture with electronic characteristics is developed while the bassoon is subordinate to it. Then, slowly, the bassoon blossoms, the temporality and the piece gesture become instrumental</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Instruments and Electronics</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3648&virtuemart_category_id=21</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-BCM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033804026</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="382" ind1=" " ind2="1"><subfield code="a">Bassoon</subfield><subfield code="n">1</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3648&virtuemart_category_id=21</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-BCM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048425744 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:27:56Z |
indexdate | 2024-07-10T09:37:50Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033804026 |
oclc_num | 1344251183 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 Partitur (10 Seiten)) |
psigel | ZDB-1-BCM |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | BabelScores |
record_format | marc |
spelling | García-Velásquez, Pedro 1984- cmp Cras Lucebit [German system bassoon] Pedro García-Velásquez Paris BabelScores 2012 1 Online-Ressource (1 Partitur (10 Seiten)) ntm rdacontent c rdamedia cr rdacarrier In this piece coexists a research of an expression referring to the sacred, to ancient music, and a reinterpretation of those aspects from electronic music and personal composing techniques. The electronic part uses, among others, bell sounds that refer to the countryside atmosphere where we can hear church bells ringing in the distance. The high-pitched register of the bassoon refers here to the ancient wood instruments.The timbre of this instrument is so rich that it permits us to imagine it is made of a superposition of crystal bells. One of this piece's emphasis is the fusion of bassoon and bells sounds through electronics.The relation between the electronic and the bassoon determine the evolution of the piece. At the beginning a texture with electronic characteristics is developed while the bassoon is subordinate to it. Then, slowly, the bassoon blossoms, the temporality and the piece gesture become instrumental Instruments and Electronics https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3648&virtuemart_category_id=21 Verlag URL des Erstveröffentlichers Volltext Bassoon 1 |
spellingShingle | García-Velásquez, Pedro 1984- Cras Lucebit [German system bassoon] |
title | Cras Lucebit [German system bassoon] |
title_auth | Cras Lucebit [German system bassoon] |
title_exact_search | Cras Lucebit [German system bassoon] |
title_exact_search_txtP | Cras Lucebit [German system bassoon] |
title_full | Cras Lucebit [German system bassoon] Pedro García-Velásquez |
title_fullStr | Cras Lucebit [German system bassoon] Pedro García-Velásquez |
title_full_unstemmed | Cras Lucebit [German system bassoon] Pedro García-Velásquez |
title_short | Cras Lucebit [German system bassoon] |
title_sort | cras lucebit german system bassoon |
url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3648&virtuemart_category_id=21 |
work_keys_str_mv | AT garciavelasquezpedro craslucebitgermansystembassoon |