Brushes:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch Partitur Buch |
Sprache: | English |
Veröffentlicht: |
Paris
BabelScores
2014
|
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Beschreibung: | Brushes ...is a 13 min piece for electric guitar and baritone sax. Its title refers to «drum» brushes, which are used for special effects throughout the piece, and also to paint brushes, as the piece is inspired by the world of painting.The piece is conceived as a big musical canvas, where intertwined processes emerge from fast initial gestures (as those of a painter sketching), leading into different forms, colors and textures. Sometimes guitar and saxophone blend creating the illusion of a single tool, like a rapid pencil gesture; sometimes they go different ways becoming brush and canvas, or brush and paint.The score is divided into three movements (A,B,C) and a coda, mean to played without a pause. Each movement fluctuates between two processes, each one with different tempos an materials (B and C are divided into two sections, where the fast-slow structure is reversed). These processes often collide, modifying each other, creating a global «canvas» expanding from noisy sonic movements into slow-evolving harmonic textures |
Beschreibung: | 1 Online-Ressource (1 Partitur (24 Seiten)) |
Internformat
MARC
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041 | 0 | |a eng | |
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500 | |a Brushes ...is a 13 min piece for electric guitar and baritone sax. Its title refers to «drum» brushes, which are used for special effects throughout the piece, and also to paint brushes, as the piece is inspired by the world of painting.The piece is conceived as a big musical canvas, where intertwined processes emerge from fast initial gestures (as those of a painter sketching), leading into different forms, colors and textures. Sometimes guitar and saxophone blend creating the illusion of a single tool, like a rapid pencil gesture; sometimes they go different ways becoming brush and canvas, or brush and paint.The score is divided into three movements (A,B,C) and a coda, mean to played without a pause. Each movement fluctuates between two processes, each one with different tempos an materials (B and C are divided into two sections, where the fast-slow structure is reversed). These processes often collide, modifying each other, creating a global «canvas» expanding from noisy sonic movements into slow-evolving harmonic textures | ||
653 | |a Instrumental Music | ||
856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3229&virtuemart_category_id=1 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-1-BCM | ||
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Quintans, Santiago 1975- |
author_facet | Quintans, Santiago 1975- |
author_role | cmp |
author_sort | Quintans, Santiago 1975- |
author_variant | s q sq |
building | Verbundindex |
bvnumber | BV048425417 |
collection | ZDB-1-BCM |
ctrlnum | (ZDB-1-BCM)979-0-2325-3386-5 (OCoLC)1344248481 (DE-599)BVBBV048425417 |
format | Electronic Musical Score Book |
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id | DE-604.BV048425417 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:27:55Z |
indexdate | 2024-07-10T09:37:49Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803699 |
oclc_num | 1344248481 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 Partitur (24 Seiten)) |
psigel | ZDB-1-BCM |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | BabelScores |
record_format | marc |
spelling | Quintans, Santiago 1975- cmp Brushes Santiago Quintans Paris BabelScores 2014 1 Online-Ressource (1 Partitur (24 Seiten)) ntm rdacontent c rdamedia cr rdacarrier Brushes ...is a 13 min piece for electric guitar and baritone sax. Its title refers to «drum» brushes, which are used for special effects throughout the piece, and also to paint brushes, as the piece is inspired by the world of painting.The piece is conceived as a big musical canvas, where intertwined processes emerge from fast initial gestures (as those of a painter sketching), leading into different forms, colors and textures. Sometimes guitar and saxophone blend creating the illusion of a single tool, like a rapid pencil gesture; sometimes they go different ways becoming brush and canvas, or brush and paint.The score is divided into three movements (A,B,C) and a coda, mean to played without a pause. Each movement fluctuates between two processes, each one with different tempos an materials (B and C are divided into two sections, where the fast-slow structure is reversed). These processes often collide, modifying each other, creating a global «canvas» expanding from noisy sonic movements into slow-evolving harmonic textures Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3229&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Saxophone 1 Electric guitar 1 |
spellingShingle | Quintans, Santiago 1975- Brushes |
title | Brushes |
title_auth | Brushes |
title_exact_search | Brushes |
title_exact_search_txtP | Brushes |
title_full | Brushes Santiago Quintans |
title_fullStr | Brushes Santiago Quintans |
title_full_unstemmed | Brushes Santiago Quintans |
title_short | Brushes |
title_sort | brushes |
url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3229&virtuemart_category_id=1 |
work_keys_str_mv | AT quintanssantiago brushes |