Dos Interludios:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2008
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | These pieces, completed in November 2008, are clearly contrasting character one each other, but with the same objective: fully exploit the technical and expressive possibilities of the instrument, adapted to the poetic world typical of each piece and work as a whole. The primary purpose is the lyricism, the ability to adapt and modify the concept of lyricism, as material needs. The first interlude, Largo, is a piece of calm atmosphere, relaxed, Quasi cantabile. A simple piece, transparent. It works as a prelude to the second interlude, preparing the way for the second, more extensive and pianistically ambitious, can sound at its best. Resonances succeed, colors, brightness, always calm and expressive. Calm nature that gradually will be invaded by a more tense and visceral ambient, more suited to the next piece. The second interlude, Poco mosso, ma con spirito, is an interlude, Quasi cadenza. A virtuosic character piece, written as a concert cadence, where the character completely quiet, almost contemplative, of the interlude before is left and immersed in a more tense, sharp, fleeting, visceral ambient. Flashes through the piano, operation of the various registers, abrupt changes, but always with the lyricism as a priority, that at times interspersed bars of melodic intention, as of tense waiting, then give way again to vertigo, vanishing all at once in a fleeting final. |
| Beschreibung: | 1 Online-Ressource (1 Partitur (20 Seiten)) |
Internformat
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| 500 | |a These pieces, completed in November 2008, are clearly contrasting character one each other, but with the same objective: fully exploit the technical and expressive possibilities of the instrument, adapted to the poetic world typical of each piece and work as a whole. The primary purpose is the lyricism, the ability to adapt and modify the concept of lyricism, as material needs. The first interlude, Largo, is a piece of calm atmosphere, relaxed, Quasi cantabile. A simple piece, transparent. It works as a prelude to the second interlude, preparing the way for the second, more extensive and pianistically ambitious, can sound at its best. Resonances succeed, colors, brightness, always calm and expressive. Calm nature that gradually will be invaded by a more tense and visceral ambient, more suited to the next piece. The second interlude, Poco mosso, ma con spirito, is an interlude, Quasi cadenza. A virtuosic character piece, written as a concert cadence, where the character completely quiet, almost contemplative, of the interlude before is left and immersed in a more tense, sharp, fleeting, visceral ambient. Flashes through the piano, operation of the various registers, abrupt changes, but always with the lyricism as a priority, that at times interspersed bars of melodic intention, as of tense waiting, then give way again to vertigo, vanishing all at once in a fleeting final. | ||
| 653 | |a Instrumental Music | ||
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Datensatz im Suchindex
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| author | LUNA, Demian 1975- |
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| ctrlnum | (ZDB-1-BCM)979-0-2325-3310-0 (OCoLC)1344235712 (DE-599)BVBBV048425342 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048425342 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:55Z |
| indexdate | 2024-07-10T09:37:49Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803624 |
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| physical | 1 Online-Ressource (1 Partitur (20 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | BabelScores |
| record_format | marc |
| spelling | LUNA, Demian 1975- cmp Dos Interludios Demian LUNA Paris BabelScores 2008 1 Online-Ressource (1 Partitur (20 Seiten)) ntm rdacontent c rdamedia cr rdacarrier These pieces, completed in November 2008, are clearly contrasting character one each other, but with the same objective: fully exploit the technical and expressive possibilities of the instrument, adapted to the poetic world typical of each piece and work as a whole. The primary purpose is the lyricism, the ability to adapt and modify the concept of lyricism, as material needs. The first interlude, Largo, is a piece of calm atmosphere, relaxed, Quasi cantabile. A simple piece, transparent. It works as a prelude to the second interlude, preparing the way for the second, more extensive and pianistically ambitious, can sound at its best. Resonances succeed, colors, brightness, always calm and expressive. Calm nature that gradually will be invaded by a more tense and visceral ambient, more suited to the next piece. The second interlude, Poco mosso, ma con spirito, is an interlude, Quasi cadenza. A virtuosic character piece, written as a concert cadence, where the character completely quiet, almost contemplative, of the interlude before is left and immersed in a more tense, sharp, fleeting, visceral ambient. Flashes through the piano, operation of the various registers, abrupt changes, but always with the lyricism as a priority, that at times interspersed bars of melodic intention, as of tense waiting, then give way again to vertigo, vanishing all at once in a fleeting final. Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3150&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Piano 1 |
| spellingShingle | LUNA, Demian 1975- Dos Interludios |
| title | Dos Interludios |
| title_auth | Dos Interludios |
| title_exact_search | Dos Interludios |
| title_exact_search_txtP | Dos Interludios |
| title_full | Dos Interludios Demian LUNA |
| title_fullStr | Dos Interludios Demian LUNA |
| title_full_unstemmed | Dos Interludios Demian LUNA |
| title_short | Dos Interludios |
| title_sort | dos interludios |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3150&virtuemart_category_id=1 |
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