Theophilus:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2016
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Theophilus (2016), for string quartet and electroacoustic, is linked in different ways with some works of W. A. Mozart. The title refers to one of the names of the Austrian composer. The quotes are from his first and last string quartet (K. 80 and K. 590), provided at the beginning of a onirism and surreal character with some "interference" from abstract sounds of electroacoustic and brief notes of the instruments. Subsequently, the Mozart works and the specific piece materials interact in a way that the tonal melodic lines are blurred, with a passage of great virtuosity and increasing the flow of information in order to generate a climax. As a conclusion, the elements of Theophilus are perceived with the same onirism like the first interventions K. 80, in other words, reversing the roles of the piece beginning. Theophilus won the Prize in the Konex Mozart Composition Competition 2016 (Argentina), the Award in the TRINAC-UNESCO 2016 (Argentina), the Award of Distinction in the Matera Intermedia 2016 (Italy), the 2nd Prize du Musicworks Electronic Music Composition Contest 2017 (Canada), and it was a finalist at the Salvatore Martirano Memorial Composition Award 2016 (USA). Also, the piece has been selected in the International Society for Contemporary Music for the World New Music Days 2017 (Canada) to represent Argentina. |
| Beschreibung: | 1 Online-Ressource (1 Partitur (20 Seiten)) |
Internformat
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| 500 | |a Theophilus (2016), for string quartet and electroacoustic, is linked in different ways with some works of W. A. Mozart. The title refers to one of the names of the Austrian composer. The quotes are from his first and last string quartet (K. 80 and K. 590), provided at the beginning of a onirism and surreal character with some "interference" from abstract sounds of electroacoustic and brief notes of the instruments. Subsequently, the Mozart works and the specific piece materials interact in a way that the tonal melodic lines are blurred, with a passage of great virtuosity and increasing the flow of information in order to generate a climax. As a conclusion, the elements of Theophilus are perceived with the same onirism like the first interventions K. 80, in other words, reversing the roles of the piece beginning. Theophilus won the Prize in the Konex Mozart Composition Competition 2016 (Argentina), the Award in the TRINAC-UNESCO 2016 (Argentina), the Award of Distinction in the Matera Intermedia 2016 (Italy), the 2nd Prize du Musicworks Electronic Music Composition Contest 2017 (Canada), and it was a finalist at the Salvatore Martirano Memorial Composition Award 2016 (USA). Also, the piece has been selected in the International Society for Contemporary Music for the World New Music Days 2017 (Canada) to represent Argentina. | ||
| 653 | |a Instruments and Electronics | ||
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Datensatz im Suchindex
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| author | Rudel Rey, Demian 1987- |
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| format | Electronic Musical Score Book |
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| id | DE-604.BV048425247 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:55Z |
| indexdate | 2024-07-10T09:37:49Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803529 |
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| physical | 1 Online-Ressource (1 Partitur (20 Seiten)) |
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| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | BabelScores |
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| spelling | Rudel Rey, Demian 1987- cmp Theophilus Demian Rudel Rey Paris BabelScores 2016 1 Online-Ressource (1 Partitur (20 Seiten)) ntm rdacontent c rdamedia cr rdacarrier Theophilus (2016), for string quartet and electroacoustic, is linked in different ways with some works of W. A. Mozart. The title refers to one of the names of the Austrian composer. The quotes are from his first and last string quartet (K. 80 and K. 590), provided at the beginning of a onirism and surreal character with some "interference" from abstract sounds of electroacoustic and brief notes of the instruments. Subsequently, the Mozart works and the specific piece materials interact in a way that the tonal melodic lines are blurred, with a passage of great virtuosity and increasing the flow of information in order to generate a climax. As a conclusion, the elements of Theophilus are perceived with the same onirism like the first interventions K. 80, in other words, reversing the roles of the piece beginning. Theophilus won the Prize in the Konex Mozart Composition Competition 2016 (Argentina), the Award in the TRINAC-UNESCO 2016 (Argentina), the Award of Distinction in the Matera Intermedia 2016 (Italy), the 2nd Prize du Musicworks Electronic Music Composition Contest 2017 (Canada), and it was a finalist at the Salvatore Martirano Memorial Composition Award 2016 (USA). Also, the piece has been selected in the International Society for Contemporary Music for the World New Music Days 2017 (Canada) to represent Argentina. Instruments and Electronics https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=3050&virtuemart_category_id=21 Verlag URL des Erstveröffentlichers Volltext violin 2 Viola 1 Cello 1 Electronics 1 |
| spellingShingle | Rudel Rey, Demian 1987- Theophilus |
| title | Theophilus |
| title_auth | Theophilus |
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| title_fullStr | Theophilus Demian Rudel Rey |
| title_full_unstemmed | Theophilus Demian Rudel Rey |
| title_short | Theophilus |
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