Tensor II:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2010
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | The word "tensor" refers to the device that joins two different elements by a tension mechanism. The tensor doesn't make part of the elements connected although converting itself in part of the final whole composed by the Element 1, the tensor and the Element 2. This work seeks to show this idea by a passage, a corridor between two attitudes of my own music referred also to my two formative periods in music. The first period is linked with my apprenticeship in Chile, a sound discovering focused on the research of timber and on the technical possibilities of instruments. The second period is my journey in Italy and the discovery (or recovery) of the more handicraft aspects of music writing. Within the score, the corridor between timbre and pitch starts from air sounds, in order to undertake a journey toward defined notes. A very gradual addition of pitch is made thanks to Aeolian sounds, pizzicato on the cast iron plate, distorted or uncontrolled sounds without mouthpiece or scratch effects on the viola and cello. At the end, chaotic addition of strata reaches a common sequence of notes, setting a stable flow that arrives to the world of defined pitch |
| Beschreibung: | 1 Online-Ressource (1 Partitur (36 Seiten)) |
Internformat
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| 500 | |a The word "tensor" refers to the device that joins two different elements by a tension mechanism. The tensor doesn't make part of the elements connected although converting itself in part of the final whole composed by the Element 1, the tensor and the Element 2. This work seeks to show this idea by a passage, a corridor between two attitudes of my own music referred also to my two formative periods in music. The first period is linked with my apprenticeship in Chile, a sound discovering focused on the research of timber and on the technical possibilities of instruments. The second period is my journey in Italy and the discovery (or recovery) of the more handicraft aspects of music writing. Within the score, the corridor between timbre and pitch starts from air sounds, in order to undertake a journey toward defined notes. A very gradual addition of pitch is made thanks to Aeolian sounds, pizzicato on the cast iron plate, distorted or uncontrolled sounds without mouthpiece or scratch effects on the viola and cello. At the end, chaotic addition of strata reaches a common sequence of notes, setting a stable flow that arrives to the world of defined pitch | ||
| 653 | |a Chamber Ensemble (5 - 9 instruments) | ||
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Datensatz im Suchindex
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| author | Contreras Vázquez, Manuel 1977- |
| author_facet | Contreras Vázquez, Manuel 1977- |
| author_role | cmp |
| author_sort | Contreras Vázquez, Manuel 1977- |
| author_variant | v m c vm vmc |
| building | Verbundindex |
| bvnumber | BV048424973 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-2319-4 (OCoLC)1344260623 (DE-599)BVBBV048424973 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048424973 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:55Z |
| indexdate | 2024-07-10T09:37:49Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803255 |
| oclc_num | 1344260623 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (36 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Contreras Vázquez, Manuel 1977- cmp Tensor II Manuel Contreras Vázquez Paris BabelScores 2010 1 Online-Ressource (1 Partitur (36 Seiten)) ntm rdacontent c rdamedia cr rdacarrier The word "tensor" refers to the device that joins two different elements by a tension mechanism. The tensor doesn't make part of the elements connected although converting itself in part of the final whole composed by the Element 1, the tensor and the Element 2. This work seeks to show this idea by a passage, a corridor between two attitudes of my own music referred also to my two formative periods in music. The first period is linked with my apprenticeship in Chile, a sound discovering focused on the research of timber and on the technical possibilities of instruments. The second period is my journey in Italy and the discovery (or recovery) of the more handicraft aspects of music writing. Within the score, the corridor between timbre and pitch starts from air sounds, in order to undertake a journey toward defined notes. A very gradual addition of pitch is made thanks to Aeolian sounds, pizzicato on the cast iron plate, distorted or uncontrolled sounds without mouthpiece or scratch effects on the viola and cello. At the end, chaotic addition of strata reaches a common sequence of notes, setting a stable flow that arrives to the world of defined pitch Chamber Ensemble (5 - 9 instruments) https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2625&virtuemart_category_id=6 Verlag URL des Erstveröffentlichers Volltext flutein G 1 bass clarinet 1 prepared piano 1 viola 1 cello 1 |
| spellingShingle | Contreras Vázquez, Manuel 1977- Tensor II |
| title | Tensor II |
| title_auth | Tensor II |
| title_exact_search | Tensor II |
| title_exact_search_txtP | Tensor II |
| title_full | Tensor II Manuel Contreras Vázquez |
| title_fullStr | Tensor II Manuel Contreras Vázquez |
| title_full_unstemmed | Tensor II Manuel Contreras Vázquez |
| title_short | Tensor II |
| title_sort | tensor ii |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2625&virtuemart_category_id=6 |
| work_keys_str_mv | AT contrerasvazquezmanuel tensorii |