The Calligrapher's Manuscript:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2013
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | The Calligrapher's Manuscript takes its inspiration from the seventeenth-century calligrapher Johann Hering's private codex, in which various calligraphic techniques appear to be experimented with. Certain pages of the manuscript include texts from the bible and other sources, intensely adorned with elaborate ornaments. On other pages, the alphabet is written out in different fonts: first these are plain and predominantly Roman in style, but in later pages the script is increasingly decorated. Towards the very end, the letters themselves seem to have been forgotten altogether (or are perhaps completely engulfed by the ornamental figures) giving way to remarkably abstract designs, such as those on the cover of this score. The work was commissioned for the London Symphony Orchestra through the LSO Discovery Panufnik Young Composers Scheme, supported by the Helen Hamyln Trust. It was premiered by the London Symphony Orchestra, conducted by Robin Ticciati, in the Barbican Hall on 19 September 2013. A recording of the work will appear on the LSO Live Label in 2016 on a disc entitled The Panufnik Legacies 2 |
| Beschreibung: | 1 Online-Ressource (1 Partitur (50 Seiten)) |
Internformat
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| 500 | |a The Calligrapher's Manuscript takes its inspiration from the seventeenth-century calligrapher Johann Hering's private codex, in which various calligraphic techniques appear to be experimented with. Certain pages of the manuscript include texts from the bible and other sources, intensely adorned with elaborate ornaments. On other pages, the alphabet is written out in different fonts: first these are plain and predominantly Roman in style, but in later pages the script is increasingly decorated. Towards the very end, the letters themselves seem to have been forgotten altogether (or are perhaps completely engulfed by the ornamental figures) giving way to remarkably abstract designs, such as those on the cover of this score. The work was commissioned for the London Symphony Orchestra through the LSO Discovery Panufnik Young Composers Scheme, supported by the Helen Hamyln Trust. It was premiered by the London Symphony Orchestra, conducted by Robin Ticciati, in the Barbican Hall on 19 September 2013. A recording of the work will appear on the LSO Live Label in 2016 on a disc entitled The Panufnik Legacies 2 | ||
| 653 | |a Instrumental Music | ||
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Datensatz im Suchindex
| _version_ | 1804184341519007744 |
|---|---|
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| author | Kaner, Matthew 1986- |
| author_facet | Kaner, Matthew 1986- |
| author_role | cmp |
| author_sort | Kaner, Matthew 1986- |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV048424409 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-1719-3 (OCoLC)1344240591 (DE-599)BVBBV048424409 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048424409 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:54Z |
| indexdate | 2024-07-10T09:37:48Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033802691 |
| oclc_num | 1344240591 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (50 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Kaner, Matthew 1986- cmp The Calligrapher's Manuscript Matthew Kaner Paris BabelScores 2013 1 Online-Ressource (1 Partitur (50 Seiten)) ntm rdacontent c rdamedia cr rdacarrier The Calligrapher's Manuscript takes its inspiration from the seventeenth-century calligrapher Johann Hering's private codex, in which various calligraphic techniques appear to be experimented with. Certain pages of the manuscript include texts from the bible and other sources, intensely adorned with elaborate ornaments. On other pages, the alphabet is written out in different fonts: first these are plain and predominantly Roman in style, but in later pages the script is increasingly decorated. Towards the very end, the letters themselves seem to have been forgotten altogether (or are perhaps completely engulfed by the ornamental figures) giving way to remarkably abstract designs, such as those on the cover of this score. The work was commissioned for the London Symphony Orchestra through the LSO Discovery Panufnik Young Composers Scheme, supported by the Helen Hamyln Trust. It was premiered by the London Symphony Orchestra, conducted by Robin Ticciati, in the Barbican Hall on 19 September 2013. A recording of the work will appear on the LSO Live Label in 2016 on a disc entitled The Panufnik Legacies 2 Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1958&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Symphonic orchestra |
| spellingShingle | Kaner, Matthew 1986- The Calligrapher's Manuscript |
| title | The Calligrapher's Manuscript |
| title_auth | The Calligrapher's Manuscript |
| title_exact_search | The Calligrapher's Manuscript |
| title_exact_search_txtP | The Calligrapher's Manuscript |
| title_full | The Calligrapher's Manuscript Matthew Kaner |
| title_fullStr | The Calligrapher's Manuscript Matthew Kaner |
| title_full_unstemmed | The Calligrapher's Manuscript Matthew Kaner |
| title_short | The Calligrapher's Manuscript |
| title_sort | the calligrapher s manuscript |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1958&virtuemart_category_id=1 |
| work_keys_str_mv | AT kanermatthew thecalligraphersmanuscript |