Trois Pièces pour Contrebasse:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2014
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Trois Pièces pour Contrebasse:The first piece of the cycle is a "Recitativo" in homage to Domenico Dragonetti (the virtuoso Italian double bassist of the 19th century). The musical material stems from the name (and its pitch equivalence) used as an inspiration to create the expression of the piece.The second piece ("Ligne Fuyante") is percussive and rhythmical, combining various techniques (tapping, pizz, legno, etc..) to explore the whole extended register(s) of the double bass.The third piece ("Raining waves") is based on the multiple possible uses of natural harmonics - creating rich microtonal resonance(s) - to create an ever-changing continuum of sound waves based on pizzicati and bariolage techniques |
| Beschreibung: | 1 Online-Ressource (1 Partitur (20 Seiten)) |
Internformat
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Datensatz im Suchindex
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| author | Loridan, Martin 1980- |
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| ctrlnum | (ZDB-1-BCM)979-0-2325-1553-3 (OCoLC)1344260079 (DE-599)BVBBV048424278 |
| format | Electronic Musical Score Book |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:54Z |
| indexdate | 2024-07-10T09:37:48Z |
| institution | BVB |
| language | English |
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| physical | 1 Online-Ressource (1 Partitur (20 Seiten)) |
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| publishDate | 2014 |
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| spelling | Loridan, Martin 1980- cmp Trois Pièces pour Contrebasse Martin Loridan Paris BabelScores 2014 1 Online-Ressource (1 Partitur (20 Seiten)) ntm rdacontent c rdamedia cr rdacarrier Trois Pièces pour Contrebasse:The first piece of the cycle is a "Recitativo" in homage to Domenico Dragonetti (the virtuoso Italian double bassist of the 19th century). The musical material stems from the name (and its pitch equivalence) used as an inspiration to create the expression of the piece.The second piece ("Ligne Fuyante") is percussive and rhythmical, combining various techniques (tapping, pizz, legno, etc..) to explore the whole extended register(s) of the double bass.The third piece ("Raining waves") is based on the multiple possible uses of natural harmonics - creating rich microtonal resonance(s) - to create an ever-changing continuum of sound waves based on pizzicati and bariolage techniques Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1645&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Double bass 1 |
| spellingShingle | Loridan, Martin 1980- Trois Pièces pour Contrebasse |
| title | Trois Pièces pour Contrebasse |
| title_auth | Trois Pièces pour Contrebasse |
| title_exact_search | Trois Pièces pour Contrebasse |
| title_exact_search_txtP | Trois Pièces pour Contrebasse |
| title_full | Trois Pièces pour Contrebasse Martin Loridan |
| title_fullStr | Trois Pièces pour Contrebasse Martin Loridan |
| title_full_unstemmed | Trois Pièces pour Contrebasse Martin Loridan |
| title_short | Trois Pièces pour Contrebasse |
| title_sort | trois pieces pour contrebasse |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1645&virtuemart_category_id=1 |
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