Three Imaginary Spaces after Hadid:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2007
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Three Imaginary Spaces after Hadid The initial idea behind this piece was to find a correlation between music and architecture. Music fills the time with sonic material in the sense architecture fills the space with material. In this piece there are three such imaginary spaces where different musical textures are used. However, in each case the whole sound spectrum from very low to very high is filled with musical material. In the first, there are two distinctive layers sometimes complementing each other and sometimes competing for the same space. In the second one, the objects are moving and the listener is observing that movement from a fixed position. It is almost like watching a car race. The third is is similar to the first in terms of massiveness but this time each element is part of a bigger whole |
| Beschreibung: | 1 Online-Ressource (1 Partitur (34 Seiten)) |
Internformat
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Datensatz im Suchindex
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| author | Yayalar, Tolga 1973- |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:54Z |
| indexdate | 2024-07-10T09:37:48Z |
| institution | BVB |
| language | English |
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| publishDate | 2007 |
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| publisher | BabelScores |
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| spelling | Yayalar, Tolga 1973- cmp Three Imaginary Spaces after Hadid Tolga Yayalar Paris BabelScores 2007 1 Online-Ressource (1 Partitur (34 Seiten)) ntm rdacontent c rdamedia cr rdacarrier Three Imaginary Spaces after Hadid The initial idea behind this piece was to find a correlation between music and architecture. Music fills the time with sonic material in the sense architecture fills the space with material. In this piece there are three such imaginary spaces where different musical textures are used. However, in each case the whole sound spectrum from very low to very high is filled with musical material. In the first, there are two distinctive layers sometimes complementing each other and sometimes competing for the same space. In the second one, the objects are moving and the listener is observing that movement from a fixed position. It is almost like watching a car race. The third is is similar to the first in terms of massiveness but this time each element is part of a bigger whole Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1509&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext flute 2 oboe 2 clarinet in Bb 2 bassoon 2 horn in F 3 trumpet in C 2 trombone 1 bassTrombone 1 percussion 1 harp 1 violin1 viola 3 cello 3 contrabass 2 |
| spellingShingle | Yayalar, Tolga 1973- Three Imaginary Spaces after Hadid |
| title | Three Imaginary Spaces after Hadid |
| title_auth | Three Imaginary Spaces after Hadid |
| title_exact_search | Three Imaginary Spaces after Hadid |
| title_exact_search_txtP | Three Imaginary Spaces after Hadid |
| title_full | Three Imaginary Spaces after Hadid Tolga Yayalar |
| title_fullStr | Three Imaginary Spaces after Hadid Tolga Yayalar |
| title_full_unstemmed | Three Imaginary Spaces after Hadid Tolga Yayalar |
| title_short | Three Imaginary Spaces after Hadid |
| title_sort | three imaginary spaces after hadid |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1509&virtuemart_category_id=1 |
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