Emergency Procedures:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2013
|
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | Emergency Procedures (2013) could be seen as a concerto for four soloists and Ensemble. Nevertheless these soloists neither play musical instruments nor relate to the ensemble only in a musical way.The piece belongs to a broader context of reflecting on contemporary,daily situations in a concert setting. We are going to see and hear objects that carry specific meanings e.g. metal detectors, alarms, sirens, a Geiger counter (radiation detector), motors, hammers etc., as well as sampled sounds related to the world of emergency and safety procedures. The four soloists interact with theses objects and have their actions and gestures mirrored, amplified and-or contradicted by? the ensemble. Composing has become to me more and more a way to create a musical environment, i.e., a scenery where some seemingly familiar situation unfolds. These situations draw inspiration from our real world, but they soon create their own rules and inner relationships. The work Emergency Procedures is thus not a concrete depiction of real events, but a staged commentary on the gestures, sounds and rituals associated with emergency situations |
| Beschreibung: | 1 Online-Ressource (1 Partitur (68 Seiten)) |
Internformat
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048424033 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220825s2013 |||| s|||||||| | eng d | ||
| 024 | 2 | |a 9790232513041 |9 979-0-2325-1304-1 | |
| 035 | |a (ZDB-1-BCM)979-0-2325-1304-1 | ||
| 035 | |a (OCoLC)1344237483 | ||
| 035 | |a (DE-599)BVBBV048424033 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Moreira, Daniel |d 1984- |4 cmp | |
| 245 | 1 | 0 | |a Emergency Procedures |c Daniel Moreira |
| 264 | 1 | |a Paris |b BabelScores |c 2013 | |
| 300 | |a 1 Online-Ressource (1 Partitur (68 Seiten)) | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Emergency Procedures (2013) could be seen as a concerto for four soloists and Ensemble. Nevertheless these soloists neither play musical instruments nor relate to the ensemble only in a musical way.The piece belongs to a broader context of reflecting on contemporary,daily situations in a concert setting. We are going to see and hear objects that carry specific meanings e.g. metal detectors, alarms, sirens, a Geiger counter (radiation detector), motors, hammers etc., as well as sampled sounds related to the world of emergency and safety procedures. The four soloists interact with theses objects and have their actions and gestures mirrored, amplified and-or contradicted by? the ensemble. Composing has become to me more and more a way to create a musical environment, i.e., a scenery where some seemingly familiar situation unfolds. These situations draw inspiration from our real world, but they soon create their own rules and inner relationships. The work Emergency Procedures is thus not a concrete depiction of real events, but a staged commentary on the gestures, sounds and rituals associated with emergency situations | ||
| 653 | |a Instruments and Electronics | ||
| 856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1396&virtuemart_category_id=21 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-1-BCM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033802315 | ||
| 347 | |b PDF | ||
| 382 | 1 | |a flutein C |n 1 |a oboe |n 1 |a bass clarinet in Bb |n 2 |a contraforte |n 1 |a horn in F |n 1 |a trumpet in Bb |n 2 |a trombone |n 1 |a percussion |n 3 |a violin |n 2 |a viola |n 1 |a cello |n 2 |a contrabass |n 1 |a electronics |n 1 | |
| 966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1396&virtuemart_category_id=21 |l BSB01 |p ZDB-1-BCM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184341077557248 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Moreira, Daniel 1984- |
| author_facet | Moreira, Daniel 1984- |
| author_role | cmp |
| author_sort | Moreira, Daniel 1984- |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV048424033 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-1304-1 (OCoLC)1344237483 (DE-599)BVBBV048424033 |
| format | Electronic Musical Score Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02694ncm a2200373 c 4500</leader><controlfield tag="001">BV048424033</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| o||u| ||||||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220825s2013 |||| s|||||||| | eng d</controlfield><datafield tag="024" ind1="2" ind2=" "><subfield code="a">9790232513041</subfield><subfield code="9">979-0-2325-1304-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-BCM)979-0-2325-1304-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344237483</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048424033</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Moreira, Daniel</subfield><subfield code="d">1984-</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Emergency Procedures</subfield><subfield code="c">Daniel Moreira</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Paris</subfield><subfield code="b">BabelScores</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 Partitur (68 Seiten))</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Emergency Procedures (2013) could be seen as a concerto for four soloists and Ensemble. Nevertheless these soloists neither play musical instruments nor relate to the ensemble only in a musical way.The piece belongs to a broader context of reflecting on contemporary,daily situations in a concert setting. We are going to see and hear objects that carry specific meanings e.g. metal detectors, alarms, sirens, a Geiger counter (radiation detector), motors, hammers etc., as well as sampled sounds related to the world of emergency and safety procedures. The four soloists interact with theses objects and have their actions and gestures mirrored, amplified and-or contradicted by? the ensemble. Composing has become to me more and more a way to create a musical environment, i.e., a scenery where some seemingly familiar situation unfolds. These situations draw inspiration from our real world, but they soon create their own rules and inner relationships. The work Emergency Procedures is thus not a concrete depiction of real events, but a staged commentary on the gestures, sounds and rituals associated with emergency situations</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Instruments and Electronics</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1396&virtuemart_category_id=21</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-BCM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033802315</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="382" ind1=" " ind2="1"><subfield code="a">flutein C</subfield><subfield code="n">1</subfield><subfield code="a">oboe</subfield><subfield code="n">1</subfield><subfield code="a">bass clarinet in Bb</subfield><subfield code="n">2</subfield><subfield code="a">contraforte</subfield><subfield code="n">1</subfield><subfield code="a">horn in F</subfield><subfield code="n">1</subfield><subfield code="a">trumpet in Bb</subfield><subfield code="n">2</subfield><subfield code="a">trombone</subfield><subfield code="n">1</subfield><subfield code="a">percussion</subfield><subfield code="n">3</subfield><subfield code="a">violin</subfield><subfield code="n">2</subfield><subfield code="a">viola</subfield><subfield code="n">1</subfield><subfield code="a">cello</subfield><subfield code="n">2</subfield><subfield code="a">contrabass</subfield><subfield code="n">1</subfield><subfield code="a">electronics</subfield><subfield code="n">1</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1396&virtuemart_category_id=21</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-BCM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048424033 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:54Z |
| indexdate | 2024-07-10T09:37:48Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033802315 |
| oclc_num | 1344237483 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (68 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Moreira, Daniel 1984- cmp Emergency Procedures Daniel Moreira Paris BabelScores 2013 1 Online-Ressource (1 Partitur (68 Seiten)) ntm rdacontent c rdamedia cr rdacarrier Emergency Procedures (2013) could be seen as a concerto for four soloists and Ensemble. Nevertheless these soloists neither play musical instruments nor relate to the ensemble only in a musical way.The piece belongs to a broader context of reflecting on contemporary,daily situations in a concert setting. We are going to see and hear objects that carry specific meanings e.g. metal detectors, alarms, sirens, a Geiger counter (radiation detector), motors, hammers etc., as well as sampled sounds related to the world of emergency and safety procedures. The four soloists interact with theses objects and have their actions and gestures mirrored, amplified and-or contradicted by? the ensemble. Composing has become to me more and more a way to create a musical environment, i.e., a scenery where some seemingly familiar situation unfolds. These situations draw inspiration from our real world, but they soon create their own rules and inner relationships. The work Emergency Procedures is thus not a concrete depiction of real events, but a staged commentary on the gestures, sounds and rituals associated with emergency situations Instruments and Electronics https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1396&virtuemart_category_id=21 Verlag URL des Erstveröffentlichers Volltext flutein C 1 oboe 1 bass clarinet in Bb 2 contraforte 1 horn in F 1 trumpet in Bb 2 trombone 1 percussion 3 violin 2 viola 1 cello 2 contrabass 1 electronics 1 |
| spellingShingle | Moreira, Daniel 1984- Emergency Procedures |
| title | Emergency Procedures |
| title_auth | Emergency Procedures |
| title_exact_search | Emergency Procedures |
| title_exact_search_txtP | Emergency Procedures |
| title_full | Emergency Procedures Daniel Moreira |
| title_fullStr | Emergency Procedures Daniel Moreira |
| title_full_unstemmed | Emergency Procedures Daniel Moreira |
| title_short | Emergency Procedures |
| title_sort | emergency procedures |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1396&virtuemart_category_id=21 |
| work_keys_str_mv | AT moreiradaniel emergencyprocedures |