Chinese Whispers:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2016
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | For fluteclarinet, violincello and piano. 11"Meitar ensemble: Roy Amotz - flutesGilad Harel - clarinetsMoshe Aharonov - violinJonathan Gotlibovitch - celloAmit Dolberg - pianoGuy Feder - conductor In a complex joining of events, simple repetition directs the listener towards new elements and insights. Each reappearance of a given material allows the listener to absorb more and more details. Variating the repetitive structure guides the listener towards taking in the subtle differences; accenting or blurring certain elements, changing the dimension of a gesture, focusing on smaller elements of the entire gesture, etc. Chinese Whispers (or Telephone game, as named in the United States) is a reference to the universally known game. This Work is inspired by the idea contained in its tittle; using repetition and variation to slowly de-figure an original message.Human gestures such as stuttering and respiration are part of the language I used in this project. The piece is constructed of several parts, which zoom in on smaller elements of the initial material. This piece was written for the Meitar Ensemble to be premiered at the MATA festival, NYC. Shlomi Gvili - recording technicianEyal Mahabad - recording assistantNoam Dorembus - recording producer and tonmeister Ofer Pelz, Samuel Bonnet - mixRecorded at the Ogen Studio, Kibbutz HaOgen, mixed at CIRMMT, Montreal |
| Beschreibung: | 1 Online-Ressource (1 Partitur (42 Seiten)) |
Internformat
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048423997 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220825s2016 |||| s|||||||| | eng d | ||
| 024 | 2 | |a 9790232512648 |9 979-0-2325-1264-8 | |
| 035 | |a (ZDB-1-BCM)979-0-2325-1264-8 | ||
| 035 | |a (OCoLC)1344248474 | ||
| 035 | |a (DE-599)BVBBV048423997 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Pelz, Ofer |d 1978- |4 cmp | |
| 245 | 1 | 0 | |a Chinese Whispers |c Ofer Pelz |
| 264 | 1 | |a Paris |b BabelScores |c 2016 | |
| 300 | |a 1 Online-Ressource (1 Partitur (42 Seiten)) | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a For fluteclarinet, violincello and piano. 11"Meitar ensemble: Roy Amotz - flutesGilad Harel - clarinetsMoshe Aharonov - violinJonathan Gotlibovitch - celloAmit Dolberg - pianoGuy Feder - conductor In a complex joining of events, simple repetition directs the listener towards new elements and insights. Each reappearance of a given material allows the listener to absorb more and more details. Variating the repetitive structure guides the listener towards taking in the subtle differences; accenting or blurring certain elements, changing the dimension of a gesture, focusing on smaller elements of the entire gesture, etc. Chinese Whispers (or Telephone game, as named in the United States) is a reference to the universally known game. This Work is inspired by the idea contained in its tittle; using repetition and variation to slowly de-figure an original message.Human gestures such as stuttering and respiration are part of the language I used in this project. The piece is constructed of several parts, which zoom in on smaller elements of the initial material. This piece was written for the Meitar Ensemble to be premiered at the MATA festival, NYC. Shlomi Gvili - recording technicianEyal Mahabad - recording assistantNoam Dorembus - recording producer and tonmeister Ofer Pelz, Samuel Bonnet - mixRecorded at the Ogen Studio, Kibbutz HaOgen, mixed at CIRMMT, Montreal | ||
| 653 | |a Chamber Ensemble (5 - 9 instruments) | ||
| 856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1356&virtuemart_category_id=6 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-1-BCM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033802279 | ||
| 347 | |b PDF | ||
| 382 | 1 | |a Flute |n 1 |a Clarinet |n 1 |a Piano |n 1 |a Violin |n 1 |a Cello |n 1 | |
| 966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1356&virtuemart_category_id=6 |l BSB01 |p ZDB-1-BCM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184341030371328 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Pelz, Ofer 1978- |
| author_facet | Pelz, Ofer 1978- |
| author_role | cmp |
| author_sort | Pelz, Ofer 1978- |
| author_variant | o p op |
| building | Verbundindex |
| bvnumber | BV048423997 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-1264-8 (OCoLC)1344248474 (DE-599)BVBBV048423997 |
| format | Electronic Musical Score Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02802ncm a2200373 c 4500</leader><controlfield tag="001">BV048423997</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| o||u| ||||||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220825s2016 |||| s|||||||| | eng d</controlfield><datafield tag="024" ind1="2" ind2=" "><subfield code="a">9790232512648</subfield><subfield code="9">979-0-2325-1264-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-BCM)979-0-2325-1264-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344248474</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048423997</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pelz, Ofer</subfield><subfield code="d">1978-</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Chinese Whispers</subfield><subfield code="c">Ofer Pelz</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Paris</subfield><subfield code="b">BabelScores</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 Partitur (42 Seiten))</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">For fluteclarinet, violincello and piano. 11"Meitar ensemble: Roy Amotz - flutesGilad Harel - clarinetsMoshe Aharonov - violinJonathan Gotlibovitch - celloAmit Dolberg - pianoGuy Feder - conductor In a complex joining of events, simple repetition directs the listener towards new elements and insights. Each reappearance of a given material allows the listener to absorb more and more details. Variating the repetitive structure guides the listener towards taking in the subtle differences; accenting or blurring certain elements, changing the dimension of a gesture, focusing on smaller elements of the entire gesture, etc. Chinese Whispers (or Telephone game, as named in the United States) is a reference to the universally known game. This Work is inspired by the idea contained in its tittle; using repetition and variation to slowly de-figure an original message.Human gestures such as stuttering and respiration are part of the language I used in this project. The piece is constructed of several parts, which zoom in on smaller elements of the initial material. This piece was written for the Meitar Ensemble to be premiered at the MATA festival, NYC. Shlomi Gvili - recording technicianEyal Mahabad - recording assistantNoam Dorembus - recording producer and tonmeister Ofer Pelz, Samuel Bonnet - mixRecorded at the Ogen Studio, Kibbutz HaOgen, mixed at CIRMMT, Montreal</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Chamber Ensemble (5 - 9 instruments)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1356&virtuemart_category_id=6</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-BCM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033802279</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="382" ind1=" " ind2="1"><subfield code="a">Flute</subfield><subfield code="n">1</subfield><subfield code="a">Clarinet</subfield><subfield code="n">1</subfield><subfield code="a">Piano</subfield><subfield code="n">1</subfield><subfield code="a">Violin</subfield><subfield code="n">1</subfield><subfield code="a">Cello</subfield><subfield code="n">1</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1356&virtuemart_category_id=6</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-BCM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048423997 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:54Z |
| indexdate | 2024-07-10T09:37:48Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033802279 |
| oclc_num | 1344248474 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (42 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Pelz, Ofer 1978- cmp Chinese Whispers Ofer Pelz Paris BabelScores 2016 1 Online-Ressource (1 Partitur (42 Seiten)) ntm rdacontent c rdamedia cr rdacarrier For fluteclarinet, violincello and piano. 11"Meitar ensemble: Roy Amotz - flutesGilad Harel - clarinetsMoshe Aharonov - violinJonathan Gotlibovitch - celloAmit Dolberg - pianoGuy Feder - conductor In a complex joining of events, simple repetition directs the listener towards new elements and insights. Each reappearance of a given material allows the listener to absorb more and more details. Variating the repetitive structure guides the listener towards taking in the subtle differences; accenting or blurring certain elements, changing the dimension of a gesture, focusing on smaller elements of the entire gesture, etc. Chinese Whispers (or Telephone game, as named in the United States) is a reference to the universally known game. This Work is inspired by the idea contained in its tittle; using repetition and variation to slowly de-figure an original message.Human gestures such as stuttering and respiration are part of the language I used in this project. The piece is constructed of several parts, which zoom in on smaller elements of the initial material. This piece was written for the Meitar Ensemble to be premiered at the MATA festival, NYC. Shlomi Gvili - recording technicianEyal Mahabad - recording assistantNoam Dorembus - recording producer and tonmeister Ofer Pelz, Samuel Bonnet - mixRecorded at the Ogen Studio, Kibbutz HaOgen, mixed at CIRMMT, Montreal Chamber Ensemble (5 - 9 instruments) https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1356&virtuemart_category_id=6 Verlag URL des Erstveröffentlichers Volltext Flute 1 Clarinet 1 Piano 1 Violin 1 Cello 1 |
| spellingShingle | Pelz, Ofer 1978- Chinese Whispers |
| title | Chinese Whispers |
| title_auth | Chinese Whispers |
| title_exact_search | Chinese Whispers |
| title_exact_search_txtP | Chinese Whispers |
| title_full | Chinese Whispers Ofer Pelz |
| title_fullStr | Chinese Whispers Ofer Pelz |
| title_full_unstemmed | Chinese Whispers Ofer Pelz |
| title_short | Chinese Whispers |
| title_sort | chinese whispers |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1356&virtuemart_category_id=6 |
| work_keys_str_mv | AT pelzofer chinesewhispers |