Humoresques:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2013
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | As those by Schumann and Sibelius, my Humoresques propose a bittersweet, ambiguous atmosphere: a melancholic initial melody, shared between fluteand piano, metamorphoses through contrasted episodes in hammered tearings to dissolve into silence. My little ìCapricesî are a collection of short works written for wind and piano, presenting the traditional configuration of the "solo" putting forward the virtuosity of a soloist. This virtuosity is based, in a traditional way, both on the swiftness of numerous passages and on the variety and precision of articulation and nuances ñ as well as on the capacity of building a dramatic line through contrasted episodes. More singular is the writing of the pianoand the relationship between both instruments: the pianois presented as a monodic instrument equal to the wind instrument. The traditional relationship solo-accompaniment is thus rethought by the counterpoint of lines resulting from this approach. The accent is put on the whim with which the free development of a musical figure is varied throughout the piece. None systematism then, none ambitious research other than that of the pleasure of playing and listening |
| Beschreibung: | 1 Online-Ressource (1 Partitur (16 Seiten)) |
Internformat
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| 500 | |a As those by Schumann and Sibelius, my Humoresques propose a bittersweet, ambiguous atmosphere: a melancholic initial melody, shared between fluteand piano, metamorphoses through contrasted episodes in hammered tearings to dissolve into silence. My little ìCapricesî are a collection of short works written for wind and piano, presenting the traditional configuration of the "solo" putting forward the virtuosity of a soloist. This virtuosity is based, in a traditional way, both on the swiftness of numerous passages and on the variety and precision of articulation and nuances ñ as well as on the capacity of building a dramatic line through contrasted episodes. More singular is the writing of the pianoand the relationship between both instruments: the pianois presented as a monodic instrument equal to the wind instrument. The traditional relationship solo-accompaniment is thus rethought by the counterpoint of lines resulting from this approach. The accent is put on the whim with which the free development of a musical figure is varied throughout the piece. None systematism then, none ambitious research other than that of the pleasure of playing and listening | ||
| 653 | |a Instrumental Music | ||
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Datensatz im Suchindex
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| author | Schuehmacher, Gilles 1977- |
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| bvnumber | BV048423774 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-1022-4 (OCoLC)1344267047 (DE-599)BVBBV048423774 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048423774 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:54Z |
| indexdate | 2024-07-10T09:37:47Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033802056 |
| oclc_num | 1344267047 |
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| physical | 1 Online-Ressource (1 Partitur (16 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Schuehmacher, Gilles 1977- cmp Humoresques Gilles Schuehmacher Paris BabelScores 2013 1 Online-Ressource (1 Partitur (16 Seiten)) ntm rdacontent c rdamedia cr rdacarrier As those by Schumann and Sibelius, my Humoresques propose a bittersweet, ambiguous atmosphere: a melancholic initial melody, shared between fluteand piano, metamorphoses through contrasted episodes in hammered tearings to dissolve into silence. My little ìCapricesî are a collection of short works written for wind and piano, presenting the traditional configuration of the "solo" putting forward the virtuosity of a soloist. This virtuosity is based, in a traditional way, both on the swiftness of numerous passages and on the variety and precision of articulation and nuances ñ as well as on the capacity of building a dramatic line through contrasted episodes. More singular is the writing of the pianoand the relationship between both instruments: the pianois presented as a monodic instrument equal to the wind instrument. The traditional relationship solo-accompaniment is thus rethought by the counterpoint of lines resulting from this approach. The accent is put on the whim with which the free development of a musical figure is varied throughout the piece. None systematism then, none ambitious research other than that of the pleasure of playing and listening Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1064&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Flute 1 Piano 1 |
| spellingShingle | Schuehmacher, Gilles 1977- Humoresques |
| title | Humoresques |
| title_auth | Humoresques |
| title_exact_search | Humoresques |
| title_exact_search_txtP | Humoresques |
| title_full | Humoresques Gilles Schuehmacher |
| title_fullStr | Humoresques Gilles Schuehmacher |
| title_full_unstemmed | Humoresques Gilles Schuehmacher |
| title_short | Humoresques |
| title_sort | humoresques |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=1064&virtuemart_category_id=1 |
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