Current:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2011
|
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Beschreibung: | In the summer of 2011, I took a trip to Europe for two months. My time there yielded new perspectives on the movement of time and space. As I was traveling, a stream of thoughts materialized: though history may seem a thing of the past, in actuality, we witness its growth every day. Perceiving the juxtaposition between the past and present, such as attending a concert of contemporary music at Le Centquatre in Paris, which was a funeral house back in 1905, was surreal.Current deals largely with trigger and release within the passing of time; each musical idea transforms into the following one, and the piece is constantly moving and evolving. At the same time, the materials are all related and often refer to each other. I use cyclical form to encapsulate these ideas as they flow into one another throughout the piece. The use of improvisatory-sounding and virtuosic techniques intensifies the momentum, paying tribute to the standard classical and jazz pianorepertoires, and to highlight the pervasive bond between past and present.Current was commissioned by the Yvar Mikhashoff Trust for New Music for Jenny Q Chai. This work was funded in part by the Composer Assistance Program of the New Music USA. |
| Beschreibung: | 1 Online-Ressource (1 Partitur (26 Seiten)) |
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| 500 | |a In the summer of 2011, I took a trip to Europe for two months. My time there yielded new perspectives on the movement of time and space. As I was traveling, a stream of thoughts materialized: though history may seem a thing of the past, in actuality, we witness its growth every day. Perceiving the juxtaposition between the past and present, such as attending a concert of contemporary music at Le Centquatre in Paris, which was a funeral house back in 1905, was surreal.Current deals largely with trigger and release within the passing of time; each musical idea transforms into the following one, and the piece is constantly moving and evolving. At the same time, the materials are all related and often refer to each other. I use cyclical form to encapsulate these ideas as they flow into one another throughout the piece. The use of improvisatory-sounding and virtuosic techniques intensifies the momentum, paying tribute to the standard classical and jazz pianorepertoires, and to highlight the pervasive bond between past and present.Current was commissioned by the Yvar Mikhashoff Trust for New Music for Jenny Q Chai. This work was funded in part by the Composer Assistance Program of the New Music USA. | ||
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Datensatz im Suchindex
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| author | Fu-Tsun Wang, Ashley 1983- |
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| id | DE-604.BV048423536 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:53Z |
| indexdate | 2024-07-10T09:37:47Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033801818 |
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| physical | 1 Online-Ressource (1 Partitur (26 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Fu-Tsun Wang, Ashley 1983- cmp Current Ashley Fu-Tsun Wang Paris BabelScores 2011 1 Online-Ressource (1 Partitur (26 Seiten)) ntm rdacontent c rdamedia cr rdacarrier In the summer of 2011, I took a trip to Europe for two months. My time there yielded new perspectives on the movement of time and space. As I was traveling, a stream of thoughts materialized: though history may seem a thing of the past, in actuality, we witness its growth every day. Perceiving the juxtaposition between the past and present, such as attending a concert of contemporary music at Le Centquatre in Paris, which was a funeral house back in 1905, was surreal.Current deals largely with trigger and release within the passing of time; each musical idea transforms into the following one, and the piece is constantly moving and evolving. At the same time, the materials are all related and often refer to each other. I use cyclical form to encapsulate these ideas as they flow into one another throughout the piece. The use of improvisatory-sounding and virtuosic techniques intensifies the momentum, paying tribute to the standard classical and jazz pianorepertoires, and to highlight the pervasive bond between past and present.Current was commissioned by the Yvar Mikhashoff Trust for New Music for Jenny Q Chai. This work was funded in part by the Composer Assistance Program of the New Music USA. Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=809&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext piano 1 |
| spellingShingle | Fu-Tsun Wang, Ashley 1983- Current |
| title | Current |
| title_auth | Current |
| title_exact_search | Current |
| title_exact_search_txtP | Current |
| title_full | Current Ashley Fu-Tsun Wang |
| title_fullStr | Current Ashley Fu-Tsun Wang |
| title_full_unstemmed | Current Ashley Fu-Tsun Wang |
| title_short | Current |
| title_sort | current |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=809&virtuemart_category_id=1 |
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