Psalmós 55:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2005
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | The Psalms are 3000 old... then... Book of Psalms, Sepher Tehillim, Zabur, one version for each monotheistic tradition. A composition of David? a collective and anonymous composition?... a savage poetry, archaic - attached to the origins - chaotic, without logic neither moral... (Claude Régy).The Psalm 55 has a striking contemporary resonance: the "town" dominated by the conflict, the violence, the war; the man excluded, isolated, constantly in flight; looking for the god's answer; prayer, call, scream, complaint; absence of God? Here, in french and in greek, the text is used as a vehicle of phonetic colors and as a "guide" for the form narratives. Melted in the sound, rarely perceived, the text is audible by moments deliberately brightened by a fragmented writing: a procedure of extraction of strophes and verses, of words, of syllables and of vowels isolated of the consonants. The vocal writing is based on three principal vocal modes, speaking-singing-screaming, regularly found in the psalms. Here the singing is generally represented by fluid and continuous textures (glissandi), the two others by pointillistic textures or discontinuous sections (rhythms or chords) |
| Beschreibung: | 1 Online-Ressource (1 Partitur (40 Seiten)) |
Internformat
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048423470 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| o||u| |||||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220825s2005 |||| s|||||||| | eng d | ||
| 024 | 2 | |a 9790232507033 |9 979-0-2325-0703-3 | |
| 035 | |a (ZDB-1-BCM)979-0-2325-0703-3 | ||
| 035 | |a (OCoLC)1344267399 | ||
| 035 | |a (DE-599)BVBBV048423470 | ||
| 040 | |a DE-604 |b ger | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Spiropoulos, Georgia |d 1974- |4 cmp | |
| 245 | 1 | 0 | |a Psalmós 55 |c Georgia Spiropoulos |
| 264 | 1 | |a Paris |b BabelScores |c 2005 | |
| 300 | |a 1 Online-Ressource (1 Partitur (40 Seiten)) | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a The Psalms are 3000 old... then... Book of Psalms, Sepher Tehillim, Zabur, one version for each monotheistic tradition. A composition of David? a collective and anonymous composition?... a savage poetry, archaic - attached to the origins - chaotic, without logic neither moral... (Claude Régy).The Psalm 55 has a striking contemporary resonance: the "town" dominated by the conflict, the violence, the war; the man excluded, isolated, constantly in flight; looking for the god's answer; prayer, call, scream, complaint; absence of God? Here, in french and in greek, the text is used as a vehicle of phonetic colors and as a "guide" for the form narratives. Melted in the sound, rarely perceived, the text is audible by moments deliberately brightened by a fragmented writing: a procedure of extraction of strophes and verses, of words, of syllables and of vowels isolated of the consonants. The vocal writing is based on three principal vocal modes, speaking-singing-screaming, regularly found in the psalms. Here the singing is generally represented by fluid and continuous textures (glissandi), the two others by pointillistic textures or discontinuous sections (rhythms or chords) | ||
| 653 | |a Vocal Music | ||
| 856 | 4 | 0 | |u https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=733&virtuemart_category_id=20 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-1-BCM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033801752 | ||
| 347 | |b PDF | ||
| 382 | 1 | |a voice |n 6 | |
| 966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=733&virtuemart_category_id=20 |l BSB01 |p ZDB-1-BCM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184340382351360 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Spiropoulos, Georgia 1974- |
| author_facet | Spiropoulos, Georgia 1974- |
| author_role | cmp |
| author_sort | Spiropoulos, Georgia 1974- |
| author_variant | g s gs |
| building | Verbundindex |
| bvnumber | BV048423470 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-0703-3 (OCoLC)1344267399 (DE-599)BVBBV048423470 |
| format | Electronic Musical Score Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02552ncm a2200373 c 4500</leader><controlfield tag="001">BV048423470</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| o||u| ||||||</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220825s2005 |||| s|||||||| | eng d</controlfield><datafield tag="024" ind1="2" ind2=" "><subfield code="a">9790232507033</subfield><subfield code="9">979-0-2325-0703-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-BCM)979-0-2325-0703-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344267399</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048423470</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Spiropoulos, Georgia</subfield><subfield code="d">1974-</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Psalmós 55</subfield><subfield code="c">Georgia Spiropoulos</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Paris</subfield><subfield code="b">BabelScores</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 Partitur (40 Seiten))</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The Psalms are 3000 old... then... Book of Psalms, Sepher Tehillim, Zabur, one version for each monotheistic tradition. A composition of David? a collective and anonymous composition?... a savage poetry, archaic - attached to the origins - chaotic, without logic neither moral... (Claude Régy).The Psalm 55 has a striking contemporary resonance: the "town" dominated by the conflict, the violence, the war; the man excluded, isolated, constantly in flight; looking for the god's answer; prayer, call, scream, complaint; absence of God? Here, in french and in greek, the text is used as a vehicle of phonetic colors and as a "guide" for the form narratives. Melted in the sound, rarely perceived, the text is audible by moments deliberately brightened by a fragmented writing: a procedure of extraction of strophes and verses, of words, of syllables and of vowels isolated of the consonants. The vocal writing is based on three principal vocal modes, speaking-singing-screaming, regularly found in the psalms. Here the singing is generally represented by fluid and continuous textures (glissandi), the two others by pointillistic textures or discontinuous sections (rhythms or chords)</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Vocal Music</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=733&virtuemart_category_id=20</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-BCM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033801752</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="b">PDF</subfield></datafield><datafield tag="382" ind1=" " ind2="1"><subfield code="a">voice</subfield><subfield code="n">6</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=733&virtuemart_category_id=20</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-BCM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048423470 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:53Z |
| indexdate | 2024-07-10T09:37:47Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033801752 |
| oclc_num | 1344267399 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (40 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Spiropoulos, Georgia 1974- cmp Psalmós 55 Georgia Spiropoulos Paris BabelScores 2005 1 Online-Ressource (1 Partitur (40 Seiten)) ntm rdacontent c rdamedia cr rdacarrier The Psalms are 3000 old... then... Book of Psalms, Sepher Tehillim, Zabur, one version for each monotheistic tradition. A composition of David? a collective and anonymous composition?... a savage poetry, archaic - attached to the origins - chaotic, without logic neither moral... (Claude Régy).The Psalm 55 has a striking contemporary resonance: the "town" dominated by the conflict, the violence, the war; the man excluded, isolated, constantly in flight; looking for the god's answer; prayer, call, scream, complaint; absence of God? Here, in french and in greek, the text is used as a vehicle of phonetic colors and as a "guide" for the form narratives. Melted in the sound, rarely perceived, the text is audible by moments deliberately brightened by a fragmented writing: a procedure of extraction of strophes and verses, of words, of syllables and of vowels isolated of the consonants. The vocal writing is based on three principal vocal modes, speaking-singing-screaming, regularly found in the psalms. Here the singing is generally represented by fluid and continuous textures (glissandi), the two others by pointillistic textures or discontinuous sections (rhythms or chords) Vocal Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=733&virtuemart_category_id=20 Verlag URL des Erstveröffentlichers Volltext voice 6 |
| spellingShingle | Spiropoulos, Georgia 1974- Psalmós 55 |
| title | Psalmós 55 |
| title_auth | Psalmós 55 |
| title_exact_search | Psalmós 55 |
| title_exact_search_txtP | Psalmós 55 |
| title_full | Psalmós 55 Georgia Spiropoulos |
| title_fullStr | Psalmós 55 Georgia Spiropoulos |
| title_full_unstemmed | Psalmós 55 Georgia Spiropoulos |
| title_short | Psalmós 55 |
| title_sort | psalmos 55 |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=733&virtuemart_category_id=20 |
| work_keys_str_mv | AT spiropoulosgeorgia psalmos55 |