Le Rythme des Autres:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2010
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | A fairly autobiographical title, if ever. Even psychological ? The musical rhythm, of course, but also the rhythms of Others, of other's life... Exploring the contrasts, the dialectics between melody and accompaniement, at a time when, more or less, all move away from it (credo of a fidelity to pitch organization ?). Different musical groups are attracting to each other, face, confront, then exclude from each other. A clarification process. I. "Attraction" : a common texture in which differents materials are attracted to each other, before acquiring their own autonomy. II. "Confrontation" : the groups break, split into a series of duets, punctuated by solo percussions. Exotism ? No. Just need of a shocking contrast. Presence of an Other, and attempt of inclusion. III. "Exclusion" : coming back to the situation to which led the first movement : opposition (or dialectics ?) between melody and accompaniement. But sequels of the former confrontation. Then, an inextinguishable melody, an ineluctable slowing down, an inexpressible melancholy. Comprehending and including the Rhythm of Others, here is the harm of this century. Bar 400 : impossibility, therefore rupture |
| Beschreibung: | 1 Online-Ressource (1 Partitur (29 Seiten)) |
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| 500 | |a A fairly autobiographical title, if ever. Even psychological ? The musical rhythm, of course, but also the rhythms of Others, of other's life... Exploring the contrasts, the dialectics between melody and accompaniement, at a time when, more or less, all move away from it (credo of a fidelity to pitch organization ?). Different musical groups are attracting to each other, face, confront, then exclude from each other. A clarification process. I. "Attraction" : a common texture in which differents materials are attracted to each other, before acquiring their own autonomy. II. "Confrontation" : the groups break, split into a series of duets, punctuated by solo percussions. Exotism ? No. Just need of a shocking contrast. Presence of an Other, and attempt of inclusion. III. "Exclusion" : coming back to the situation to which led the first movement : opposition (or dialectics ?) between melody and accompaniement. But sequels of the former confrontation. Then, an inextinguishable melody, an ineluctable slowing down, an inexpressible melancholy. Comprehending and including the Rhythm of Others, here is the harm of this century. Bar 400 : impossibility, therefore rupture | ||
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Datensatz im Suchindex
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| author | Servière, Antonin 1977- |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:53Z |
| indexdate | 2024-07-10T09:37:46Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033801177 |
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| physical | 1 Online-Ressource (1 Partitur (29 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | BabelScores |
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| spelling | Servière, Antonin 1977- cmp Le Rythme des Autres Antonin Servière Paris BabelScores 2010 1 Online-Ressource (1 Partitur (29 Seiten)) ntm rdacontent c rdamedia cr rdacarrier A fairly autobiographical title, if ever. Even psychological ? The musical rhythm, of course, but also the rhythms of Others, of other's life... Exploring the contrasts, the dialectics between melody and accompaniement, at a time when, more or less, all move away from it (credo of a fidelity to pitch organization ?). Different musical groups are attracting to each other, face, confront, then exclude from each other. A clarification process. I. "Attraction" : a common texture in which differents materials are attracted to each other, before acquiring their own autonomy. II. "Confrontation" : the groups break, split into a series of duets, punctuated by solo percussions. Exotism ? No. Just need of a shocking contrast. Presence of an Other, and attempt of inclusion. III. "Exclusion" : coming back to the situation to which led the first movement : opposition (or dialectics ?) between melody and accompaniement. But sequels of the former confrontation. Then, an inextinguishable melody, an ineluctable slowing down, an inexpressible melancholy. Comprehending and including the Rhythm of Others, here is the harm of this century. Bar 400 : impossibility, therefore rupture Instruments and Electronics https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=83&virtuemart_category_id=21 Verlag URL des Erstveröffentlichers Volltext Trumpet 1 Trombone 1 Percussions 1 Piano 1 Violin 1 Viola 1 Cello 1 |
| spellingShingle | Servière, Antonin 1977- Le Rythme des Autres |
| title | Le Rythme des Autres |
| title_auth | Le Rythme des Autres |
| title_exact_search | Le Rythme des Autres |
| title_exact_search_txtP | Le Rythme des Autres |
| title_full | Le Rythme des Autres Antonin Servière |
| title_fullStr | Le Rythme des Autres Antonin Servière |
| title_full_unstemmed | Le Rythme des Autres Antonin Servière |
| title_short | Le Rythme des Autres |
| title_sort | le rythme des autres |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=83&virtuemart_category_id=21 |
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