Sensory perception, history and geology: the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought
William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to c...
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1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2022
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Schriftenreihe: | Cambridge elements. Elements in histories of emotions and the senses
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Schlagworte: | |
Zusammenfassung: | William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to current ways of seeing and feeling but were born of colonizing ambitions whose devastating genocidal and ecocidal consequences intensify today. This Element demonstrates how landscape paintings of unfamiliar terrains required historical and geological subject matter to supply tactile associations for empirical recognition of space, whereas idealism conferred unmediated but no less coercive sensory access. Close visual and verbal analysis using photographs of pictorial sites trace vividly different responses to the question, from those of William Hazlitt and John Ruskin in Britain to those of nineteenth-century authors and artists in the United States and Australia, including Ralph Waldo Emerson, Thomas Cole, William Haseltine, Fitz Henry Lane and Eugene von Guérard. |
Beschreibung: | 79 Seiten Illustrationen 23 cm |
ISBN: | 100909548X 9781009095488 |
Internformat
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520 | 3 | |a William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to current ways of seeing and feeling but were born of colonizing ambitions whose devastating genocidal and ecocidal consequences intensify today. This Element demonstrates how landscape paintings of unfamiliar terrains required historical and geological subject matter to supply tactile associations for empirical recognition of space, whereas idealism conferred unmediated but no less coercive sensory access. Close visual and verbal analysis using photographs of pictorial sites trace vividly different responses to the question, from those of William Hazlitt and John Ruskin in Britain to those of nineteenth-century authors and artists in the United States and Australia, including Ralph Waldo Emerson, Thomas Cole, William Haseltine, Fitz Henry Lane and Eugene von Guérard. | |
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id | DE-604.BV048421493 |
illustrated | Illustrated |
index_date | 2024-07-03T20:27:46Z |
indexdate | 2024-07-10T09:37:45Z |
institution | BVB |
isbn | 100909548X 9781009095488 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033799782 |
oclc_num | 1344239717 |
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owner | DE-255 |
owner_facet | DE-255 |
physical | 79 Seiten Illustrationen 23 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge elements. Elements in histories of emotions and the senses |
spelling | Read, Richard 1951- Verfasser (DE-588)1252553781 aut Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read, UWA School of Design Cambridge Cambridge University Press 2022 79 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Cambridge elements. Elements in histories of emotions and the senses William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to current ways of seeing and feeling but were born of colonizing ambitions whose devastating genocidal and ecocidal consequences intensify today. This Element demonstrates how landscape paintings of unfamiliar terrains required historical and geological subject matter to supply tactile associations for empirical recognition of space, whereas idealism conferred unmediated but no less coercive sensory access. Close visual and verbal analysis using photographs of pictorial sites trace vividly different responses to the question, from those of William Hazlitt and John Ruskin in Britain to those of nineteenth-century authors and artists in the United States and Australia, including Ralph Waldo Emerson, Thomas Cole, William Haseltine, Fitz Henry Lane and Eugene von Guérard. Molyneux, William 1656-1698 (DE-588)11933982X gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Landschaftsmalerei (DE-588)4114355-3 s Philosophie (DE-588)4045791-6 s Ästhetik (DE-588)4000626-8 s Visuelle Wahrnehmung (DE-588)4078921-4 s DE-604 Molyneux, William 1656-1698 (DE-588)11933982X p Erscheint auch als Online-Ausgabe 978-1-009-09180-0 (DE-604)BV047855877 |
spellingShingle | Read, Richard 1951- Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Molyneux, William 1656-1698 (DE-588)11933982X gnd Landschaftsmalerei (DE-588)4114355-3 gnd Philosophie (DE-588)4045791-6 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)11933982X (DE-588)4114355-3 (DE-588)4045791-6 (DE-588)4078921-4 (DE-588)4000626-8 |
title | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
title_auth | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
title_exact_search | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
title_exact_search_txtP | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
title_full | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read, UWA School of Design |
title_fullStr | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read, UWA School of Design |
title_full_unstemmed | Sensory perception, history and geology the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought Richard Read, UWA School of Design |
title_short | Sensory perception, history and geology |
title_sort | sensory perception history and geology the afterlife of molyneux s question in british american and australian landscape painting and cultural thought |
title_sub | the afterlife of Molyneux's Question in British, American and Australian landscape painting and cultural thought |
topic | Molyneux, William 1656-1698 (DE-588)11933982X gnd Landschaftsmalerei (DE-588)4114355-3 gnd Philosophie (DE-588)4045791-6 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Molyneux, William 1656-1698 Landschaftsmalerei Philosophie Visuelle Wahrnehmung Ästhetik |
work_keys_str_mv | AT readrichard sensoryperceptionhistoryandgeologytheafterlifeofmolyneuxsquestioninbritishamericanandaustralianlandscapepaintingandculturalthought |