Biennials as sites of historical narration: thinking through Göteborg International Biennial for Contemporary Art
A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Milan, Italy
Mousse Publishing
2022
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| Ausgabe: | First edition |
| Schlagworte: | |
| Zusammenfassung: | A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art The ways in which history is narrated is a highly debated subject—not least in relation to the anti-racist, environmental, and gender struggles defining the contemporary moment. This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness |
| Beschreibung: | Collected essays and interviews. - Cover title. - Includes bibliographical references |
| Beschreibung: | 469 Seiten Illustrationen 24 cm |
| ISBN: | 9788867494897 |
Internformat
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| 245 | 1 | 0 | |a Biennials as sites of historical narration |b thinking through Göteborg International Biennial for Contemporary Art |c edited by Lisa Rosendahl ; contributors: Ariella Aïsha Azoulay, Michael Barrett, Oyindamola Fakeye & Tosin Oshinowo, Natasha Ginwala, Ayesha Hameed, HAMN (Nasim Aghili & Malin Holgersson), Rebecka Kath Thor, Kooperative für Darstellungspolitik, Oskar Laurin, Jonas (J) Magnusson & Cecilia Grönberg, Cuauhtémoc Medina, Sofía Gallisá Muriente & Marina Reyes Franco, Rasheedah Phillips, Lisa Rosendahl, Lena Sawyer & Nana Osei-Kofi, Joanna Warsza |
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| 300 | |a 469 Seiten |b Illustrationen |c 24 cm | ||
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| 500 | |a Collected essays and interviews. - Cover title. - Includes bibliographical references | ||
| 520 | 3 | |a A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art | |
| 520 | 3 | |a The ways in which history is narrated is a highly debated subject—not least in relation to the anti-racist, environmental, and gender struggles defining the contemporary moment. This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness | |
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Datensatz im Suchindex
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| index_date | 2024-07-03T20:27:40Z |
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| isbn | 9788867494897 |
| language | English |
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| spelling | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art edited by Lisa Rosendahl ; contributors: Ariella Aïsha Azoulay, Michael Barrett, Oyindamola Fakeye & Tosin Oshinowo, Natasha Ginwala, Ayesha Hameed, HAMN (Nasim Aghili & Malin Holgersson), Rebecka Kath Thor, Kooperative für Darstellungspolitik, Oskar Laurin, Jonas (J) Magnusson & Cecilia Grönberg, Cuauhtémoc Medina, Sofía Gallisá Muriente & Marina Reyes Franco, Rasheedah Phillips, Lisa Rosendahl, Lena Sawyer & Nana Osei-Kofi, Joanna Warsza First edition Milan, Italy Mousse Publishing 2022 469 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Collected essays and interviews. - Cover title. - Includes bibliographical references A resource book for curatorial studies and exhibition history, based on the case of the Göteborg International Biennial for Contemporary Art The ways in which history is narrated is a highly debated subject—not least in relation to the anti-racist, environmental, and gender struggles defining the contemporary moment. This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness International Biennial for Contemporary Art Göteborg (DE-588)1086597397 gnd rswk-swf Geschichtlichkeit (DE-588)4020525-3 gnd rswk-swf Biennale (DE-588)4634328-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content International Biennial for Contemporary Art Göteborg (DE-588)1086597397 b DE-604 Biennale (DE-588)4634328-3 s Geschichtlichkeit (DE-588)4020525-3 s Rosendahl, Lisa 1974- (DE-588)1269625365 edt |
| spellingShingle | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art International Biennial for Contemporary Art Göteborg (DE-588)1086597397 gnd Geschichtlichkeit (DE-588)4020525-3 gnd Biennale (DE-588)4634328-3 gnd |
| subject_GND | (DE-588)1086597397 (DE-588)4020525-3 (DE-588)4634328-3 (DE-588)4143413-4 |
| title | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art |
| title_auth | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art |
| title_exact_search | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art |
| title_exact_search_txtP | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art |
| title_full | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art edited by Lisa Rosendahl ; contributors: Ariella Aïsha Azoulay, Michael Barrett, Oyindamola Fakeye & Tosin Oshinowo, Natasha Ginwala, Ayesha Hameed, HAMN (Nasim Aghili & Malin Holgersson), Rebecka Kath Thor, Kooperative für Darstellungspolitik, Oskar Laurin, Jonas (J) Magnusson & Cecilia Grönberg, Cuauhtémoc Medina, Sofía Gallisá Muriente & Marina Reyes Franco, Rasheedah Phillips, Lisa Rosendahl, Lena Sawyer & Nana Osei-Kofi, Joanna Warsza |
| title_fullStr | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art edited by Lisa Rosendahl ; contributors: Ariella Aïsha Azoulay, Michael Barrett, Oyindamola Fakeye & Tosin Oshinowo, Natasha Ginwala, Ayesha Hameed, HAMN (Nasim Aghili & Malin Holgersson), Rebecka Kath Thor, Kooperative für Darstellungspolitik, Oskar Laurin, Jonas (J) Magnusson & Cecilia Grönberg, Cuauhtémoc Medina, Sofía Gallisá Muriente & Marina Reyes Franco, Rasheedah Phillips, Lisa Rosendahl, Lena Sawyer & Nana Osei-Kofi, Joanna Warsza |
| title_full_unstemmed | Biennials as sites of historical narration thinking through Göteborg International Biennial for Contemporary Art edited by Lisa Rosendahl ; contributors: Ariella Aïsha Azoulay, Michael Barrett, Oyindamola Fakeye & Tosin Oshinowo, Natasha Ginwala, Ayesha Hameed, HAMN (Nasim Aghili & Malin Holgersson), Rebecka Kath Thor, Kooperative für Darstellungspolitik, Oskar Laurin, Jonas (J) Magnusson & Cecilia Grönberg, Cuauhtémoc Medina, Sofía Gallisá Muriente & Marina Reyes Franco, Rasheedah Phillips, Lisa Rosendahl, Lena Sawyer & Nana Osei-Kofi, Joanna Warsza |
| title_short | Biennials as sites of historical narration |
| title_sort | biennials as sites of historical narration thinking through goteborg international biennial for contemporary art |
| title_sub | thinking through Göteborg International Biennial for Contemporary Art |
| topic | International Biennial for Contemporary Art Göteborg (DE-588)1086597397 gnd Geschichtlichkeit (DE-588)4020525-3 gnd Biennale (DE-588)4634328-3 gnd |
| topic_facet | International Biennial for Contemporary Art Göteborg Geschichtlichkeit Biennale Aufsatzsammlung |
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