Thomas Pynchon and the digital humanities: computational approaches to style
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2023
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xi, 271 Seiten Diagramme |
| ISBN: | 9781350211872 |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations Acknowledgments Note on the Texts Introduction 1 Some Formal Overviews of Pynchons Texts 2 3 1.1 Pynchon’s Productivity 1.2 Direct Discourse, Narration, and Verse 1.2.1 Songs/Poems Are Decreasing in Pynchon 1.2.2 Direct Discourse Is Increasing in Pynchon 1.2.3 Reading Dialogue and Character in Pynchon 1.3 Formal Overviews: Conclusion Archaic Stylistics in Mason Dixon 2.1 Capitalized Nouns 2.1.1 Capitalization in Pynchon: Scholarly Response 2.1.2 Querying and Close Reading Pynchon’s Irregular Capitalization 2.2 Archaic Spelling, Especially -ick 2.3 Religious/Profane Censorship 2.4 Archaic Use of Apostrophes 2.5 Archaic Pronouns and Verbs 2.6 Archaic Language and the Sacred/Profane inPynchon’s Texts 2.7 Archaic Stylistics in Mason Dixon:Conclusion Pynchon, “The Voice of Ambiguity,” Quantified 3.1 Ambiguity in Pynchon Studies 3.1.1 “Ambiguous” 3.1.2 “Ambiguity” Queried 3.2 Vagueness Words and Phrases 3.2.1 The Hiller/HogenraadVagueness Dictionary 3.2.2 Pynchon’s “Preferred” Vagueness Words viii xii xiii 1 15 15 16 18 22 24 29 35 35 40 44 48 51 54 58 59 64 73 74 76 79 85 86 97
νί Contents 3.2.3 A Brief Detour with Its 3.2.4 Pynchons Preferred” Vagueness Words, Continued 3.2.5 The Least Vague Passages in Bleeding Edge 3.3 Ambiguity/Vagueness: Conclusion 4 Pynchons Acronymania 4.1 Acronym Query 4.2 Calculated Overuse of Acronyms 4.3 Acronyms as Parody, Play, and Central Enigma 4.4 Acronymania: Conclusion 5 Pynchons Profanity, Queried and Coded 5.1 Profanity Queries and Changes to Profanity in English 5.2 A Very Brief History of Obscenity Prosecutions of Literature in Twentieth-Century America 5.3 Profanity in Pynchon’s Juvenilia and Early Short Stories 5.4 Profanity in V. and “The Secret Integration” 5.5 Profanity in The Crying of Lot 49 5.6 Pynchon’s Profanity: Conclusion 6 Pynchons Ellipsis Marks: Points and Dashes 6.1 A Brief History of Ellipsis Marks in English Literature 6.2 Ellipsis Marks in Pynchon and Comparison Corpora 6.3 Ellipsis Words 6.4 Prom Frequency to Close(r) Reading 6.5 Ellipsis Marks and Speech 6.6 Ellipsis Marks and Verse 6.6.1 Rilke’s Ellipses 6.6.2 Emily Dickinson’s Dashes 6.7 Ellipsis Marks: Conclusion Conclusion 142 144 152 158 160 171 173 176 181 181 187 189 190 194 199 207 Appendix I: Corpora, Software, Methods 1.1 Pynchon Corpus 1.1.1 Normalization of Mason Dixon 1.2 Us vs. Them: Comparison Corpora 1.2.1 Influence Corpus 1.3 Software 211 211 212 213 217 219 98 102 104 107 115 116 121 124 128 133 135
Contents 1.4 Statistics 1.5 Shared Data Appendix II: Literature Review of DigitalPynchon Studies Bibliography Index vii 220 շշ լ 227 239 265
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| adam_txt |
Contents List of Illustrations Acknowledgments Note on the Texts Introduction 1 Some Formal Overviews of Pynchons Texts 2 3 1.1 Pynchon’s Productivity 1.2 Direct Discourse, Narration, and Verse 1.2.1 Songs/Poems Are Decreasing in Pynchon 1.2.2 Direct Discourse Is Increasing in Pynchon 1.2.3 Reading Dialogue and Character in Pynchon 1.3 Formal Overviews: Conclusion Archaic Stylistics in Mason Dixon 2.1 Capitalized Nouns 2.1.1 Capitalization in Pynchon: Scholarly Response 2.1.2 Querying and Close Reading Pynchon’s Irregular Capitalization 2.2 Archaic Spelling, Especially -ick 2.3 Religious/Profane Censorship 2.4 Archaic Use of Apostrophes 2.5 Archaic Pronouns and Verbs 2.6 Archaic Language and the Sacred/Profane inPynchon’s Texts 2.7 Archaic Stylistics in Mason Dixon:Conclusion Pynchon, “The Voice of Ambiguity,” Quantified 3.1 Ambiguity in Pynchon Studies 3.1.1 “Ambiguous” 3.1.2 “Ambiguity” Queried 3.2 Vagueness Words and Phrases 3.2.1 The Hiller/HogenraadVagueness Dictionary 3.2.2 Pynchon’s “Preferred” Vagueness Words viii xii xiii 1 15 15 16 18 22 24 29 35 35 40 44 48 51 54 58 59 64 73 74 76 79 85 86 97
νί Contents 3.2.3 A Brief Detour with Its 3.2.4 Pynchons "Preferred” Vagueness Words, Continued 3.2.5 The Least Vague Passages in Bleeding Edge 3.3 Ambiguity/Vagueness: Conclusion 4 Pynchons Acronymania 4.1 Acronym Query 4.2 Calculated Overuse of Acronyms 4.3 Acronyms as Parody, Play, and Central Enigma 4.4 Acronymania: Conclusion 5 Pynchons Profanity, Queried and Coded 5.1 Profanity Queries and Changes to Profanity in English 5.2 A Very Brief History of Obscenity Prosecutions of Literature in Twentieth-Century America 5.3 Profanity in Pynchon’s Juvenilia and Early Short Stories 5.4 Profanity in V. and “The Secret Integration” 5.5 Profanity in The Crying of Lot 49 5.6 Pynchon’s Profanity: Conclusion 6 Pynchons Ellipsis Marks: Points and Dashes 6.1 A Brief History of Ellipsis Marks in English Literature 6.2 Ellipsis Marks in Pynchon and Comparison Corpora 6.3 Ellipsis Words 6.4 Prom Frequency to Close(r) Reading 6.5 Ellipsis Marks and Speech 6.6 Ellipsis Marks and Verse 6.6.1 Rilke’s Ellipses 6.6.2 Emily Dickinson’s Dashes 6.7 Ellipsis Marks: Conclusion Conclusion 142 144 152 158 160 171 173 176 181 181 187 189 190 194 199 207 Appendix I: Corpora, Software, Methods 1.1 Pynchon Corpus 1.1.1 Normalization of Mason Dixon 1.2 Us vs. Them: Comparison Corpora 1.2.1 Influence Corpus 1.3 Software 211 211 212 213 217 219 98 102 104 107 115 116 121 124 128 133 135
Contents 1.4 Statistics 1.5 Shared Data Appendix II: Literature Review of DigitalPynchon Studies Bibliography Index vii 220 շշ լ 227 239 265 |
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| isbn | 9781350211872 |
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| spelling | Ketzan, Erik Verfasser (DE-588)1292071532 aut Thomas Pynchon and the digital humanities computational approaches to style Erik Ketzan Paperback edition London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2023 xi, 271 Seiten Diagramme txt rdacontent n rdamedia nc rdacarrier Pynchon, Thomas 1937- (DE-588)118597221 gnd rswk-swf Digital Humanities (DE-588)1038714850 gnd rswk-swf Statistische Stilistik (DE-588)1130711129 gnd rswk-swf Pynchon, Thomas 1937- (DE-588)118597221 p Digital Humanities (DE-588)1038714850 s Statistische Stilistik (DE-588)1130711129 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-3502-1183-4 Erscheint auch als Online-Ausgabe 978-1-3502-1185-8 Erscheint auch als Online-Ausgabe, PDF 978-1-3502-1184-1 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033798688&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Thomas Pynchon and the digital humanities computational approaches to style |
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| title_full | Thomas Pynchon and the digital humanities computational approaches to style Erik Ketzan |
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| title_full_unstemmed | Thomas Pynchon and the digital humanities computational approaches to style Erik Ketzan |
| title_short | Thomas Pynchon and the digital humanities |
| title_sort | thomas pynchon and the digital humanities computational approaches to style |
| title_sub | computational approaches to style |
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