Aisthesis: scenes from the aesthetic regime of art
"Composed in a series of scenes, Aisthesis-Rancière's definitive statement on the aesthetic-takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lec...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
London ; New York
Verso
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Composed in a series of scenes, Aisthesis-Rancière's definitive statement on the aesthetic-takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events--some famous, others forgotten--to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism." Klappentext Divided beauty (Dresden, 1764) -- Little gods of the street (Munich-Berlin, 1828) -- Plebeian heaven (Paris, 1830) -- The poet of the new world (Boston, 1841-New York, 1855) -- The gymnasts of the impossible (Paris, 1879) -- The dance of light (Paris, Folies Bergère, 1893) -- The immobile theatre (Paris 1894-95) -- Decorative art as social art: temple, house, factory (Paris-London-Berlin) -- Master of surfaces (Paris, 1902) -- The temple staircase (Moscow-Dresden, 1912) -- The machine and its shadow (Hollywood, 1916) -- The majesty of the moment (New York, 1921) -- Seeing things through things (Moscow, 1926) -- The cruel radiance of what is (Hale County, 1936-New York, 1941). |
| Beschreibung: | xvi, 272 Seiten |
| ISBN: | 9781781683088 |
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| 520 | 3 | |a "Composed in a series of scenes, Aisthesis-Rancière's definitive statement on the aesthetic-takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events--some famous, others forgotten--to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism." Klappentext | |
| 520 | 3 | |a Divided beauty (Dresden, 1764) -- Little gods of the street (Munich-Berlin, 1828) -- Plebeian heaven (Paris, 1830) -- The poet of the new world (Boston, 1841-New York, 1855) -- The gymnasts of the impossible (Paris, 1879) -- The dance of light (Paris, Folies Bergère, 1893) -- The immobile theatre (Paris 1894-95) -- Decorative art as social art: temple, house, factory (Paris-London-Berlin) -- Master of surfaces (Paris, 1902) -- The temple staircase (Moscow-Dresden, 1912) -- The machine and its shadow (Hollywood, 1916) -- The majesty of the moment (New York, 1921) -- Seeing things through things (Moscow, 1926) -- The cruel radiance of what is (Hale County, 1936-New York, 1941). | |
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Datensatz im Suchindex
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| author | Rancière, Jacques 1940- |
| author2 | Paul, Zakir |
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| author_GND | (DE-588)130468975 |
| author_facet | Rancière, Jacques 1940- Paul, Zakir |
| author_role | aut |
| author_sort | Rancière, Jacques 1940- |
| author_variant | j r jr |
| building | Verbundindex |
| bvnumber | BV048415031 |
| classification_rvk | CC 6900 CI 5400 CK 3157 |
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| dewey-full | 701.17 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.17 |
| dewey-search | 701.17 |
| dewey-sort | 3701.17 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie |
| discipline_str_mv | Kunstgeschichte Philosophie |
| era | Geschichte 1750-1950 gnd |
| era_facet | Geschichte 1750-1950 |
| format | Book |
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| id | DE-604.BV048415031 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:26:18Z |
| indexdate | 2024-07-10T09:37:34Z |
| institution | BVB |
| isbn | 9781781683088 |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033793425 |
| oclc_num | 1350772828 |
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| owner_facet | DE-355 DE-BY-UBR |
| physical | xvi, 272 Seiten |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Verso |
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| spelling | Rancière, Jacques 1940- Verfasser (DE-588)130468975 aut Aisthesis Aisthesis scenes from the aesthetic regime of art Jacques Rancière ; translated by Zakir Paul London ; New York Verso 2019 xvi, 272 Seiten txt rdacontent n rdamedia nc rdacarrier "Composed in a series of scenes, Aisthesis-Rancière's definitive statement on the aesthetic-takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events--some famous, others forgotten--to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism." Klappentext Divided beauty (Dresden, 1764) -- Little gods of the street (Munich-Berlin, 1828) -- Plebeian heaven (Paris, 1830) -- The poet of the new world (Boston, 1841-New York, 1855) -- The gymnasts of the impossible (Paris, 1879) -- The dance of light (Paris, Folies Bergère, 1893) -- The immobile theatre (Paris 1894-95) -- Decorative art as social art: temple, house, factory (Paris-London-Berlin) -- Master of surfaces (Paris, 1902) -- The temple staircase (Moscow-Dresden, 1912) -- The machine and its shadow (Hollywood, 1916) -- The majesty of the moment (New York, 1921) -- Seeing things through things (Moscow, 1926) -- The cruel radiance of what is (Hale County, 1936-New York, 1941). Aus dem Französischen übersetzt Geschichte 1750-1950 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Art / Philosophy Aesthetics Art and philosophy Art ; Philosophy Ästhetik (DE-588)4000626-8 s Wahrnehmung (DE-588)4064317-7 s DE-604 Geschichte 1750-1950 z Paul, Zakir trl Äquivalent 2013 Druck-Ausgabe, Hardcover 978-1-7816-8089-6 Erscheint auch als Online-Ausgabe, US 978-1-78168-309-5 Erscheint auch als Online-Ausgabe, UK 978-1-78168-477-1 DE-601 pdf/application https://www.gbv.de/dms/bowker/toc/9781781683088.pdf 2020-01-19 Aggregator Inhaltsverzeichnis |
| spellingShingle | Rancière, Jacques 1940- Aisthesis scenes from the aesthetic regime of art Wahrnehmung (DE-588)4064317-7 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4064317-7 (DE-588)4000626-8 |
| title | Aisthesis scenes from the aesthetic regime of art |
| title_alt | Aisthesis |
| title_auth | Aisthesis scenes from the aesthetic regime of art |
| title_exact_search | Aisthesis scenes from the aesthetic regime of art |
| title_exact_search_txtP | Aisthesis scenes from the aesthetic regime of art |
| title_full | Aisthesis scenes from the aesthetic regime of art Jacques Rancière ; translated by Zakir Paul |
| title_fullStr | Aisthesis scenes from the aesthetic regime of art Jacques Rancière ; translated by Zakir Paul |
| title_full_unstemmed | Aisthesis scenes from the aesthetic regime of art Jacques Rancière ; translated by Zakir Paul |
| title_short | Aisthesis |
| title_sort | aisthesis scenes from the aesthetic regime of art |
| title_sub | scenes from the aesthetic regime of art |
| topic | Wahrnehmung (DE-588)4064317-7 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Wahrnehmung Ästhetik |
| url | https://www.gbv.de/dms/bowker/toc/9781781683088.pdf |
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