What kind of a thing is a middle English lyric?:
"What Kind of a Thing is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicolog...
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| Format: | Buch |
| Sprache: | English |
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Philadelphia
University of Pennsylvania Press
[2022]
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| Schriftenreihe: | Middle Ages series
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "What Kind of a Thing is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as "lyrics," the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggests they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors' introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of "play," in several senses of that word. The book ends with eight "new Middle English lyrics" by seven contemporary poets"-- |
| Beschreibung: | xiv, 546 Seiten Illustrationen |
| ISBN: | 9780812253900 |
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| adam_text | Contents Preface ix Conventions xi List of Abbreviations Introduction. Why stonde we? why gowe ոօշէ? Cristina Maria Cervone and Nicholas Watson xiii i Chapter i. Lyric Editing Ardis Butterfield 30 Chapter 2. Wondering Through MiddleEnglish Lyric Cristina Maria Cervone 61 Chapter 3. Lyric Romance Christopher Cannon 88 Chapter 4. Language and Meter Ian Cornelius 106 Chapter y Lyric Value Ingrid Nelson 135 Chapter 6. Cognitive Poetics of Middle English Lyric Poetry Raymond W. Gibbs, Jr. 139 Chapter 7. Lyric Vessels Aden Kumler 182
viii Contents Chapter 8. The Sound of Rollean Lyric Andrew Albin 218 Chapter 9. The Lyric Christ Barbara Zimbalist 243 Chapter 10. The Religious Lyric in Medieval England (1130-1400): Three Disciplines and a Question Margot Fassler 268 Chapter π. Theory of the Fourteenth-Century English Lyric Andrew Galloway 303 Chapter 12. Response: Old Lyric Things Virginia Jackson 342 Chapter 13. Response: Hevy Hameres Stephanie Burt 333 New Medieval Lyrics: A Chapbook Hank McCoy’s Complaint Against the Danger Room, Stephanie Burt margerykempething 22, Pattie McCarthy The Word Water, Hunter Keough A Trinity-Riddle, Carter Revard when I left my second husband, Kate Caoimhe Arthur I am a wonder to behold, Bill Manhire Notes from March and April 2020, Miller Wolf Oberman What the Eagle Fan Says, ^Carter Revard 371 373 374 373 376 377 378 379 381 Notes 383 References 473 List of Contributors 321 Index 323 Acknowledgments 343
“This outstanding collection of essays boldly reconceptualizes Middle Eng lish lyric, brilliantly illuminating its formal intricacies, historical contexts, and power. Among other subjects, the essays explore lyric multilingualism, wonder, sonic richness, material inscription, narrativity, dialogism, perfor- mativity, figuration, and intersubjectivity. Destined to hold a distinguished place in studies of poetry and poetics, this book deserves to be widely read and reUshed by anyone interested in new angles of approach to poetry. —Jahan Ramazani, author of Poetry in a Global Age What Kind of a Thing Is a Middle English Lyric? considers issues pertain ing to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. Since the early 1900s, the poems have been categorized as lyrics,” the term now used for most kinds of short poetry. This volume asks fundamental questions about what these poems are, how they function formally and culturally, how they are related to other bodies of short poetry, and how they might illuminate and be illumi nated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of play, in several· senses of that word. The book ends with eight new Middle English lyrics by seven contemporary poets.
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Contents Preface ix Conventions xi List of Abbreviations Introduction. Why stonde we? why gowe ոօշէ? Cristina Maria Cervone and Nicholas Watson xiii i Chapter i. Lyric Editing Ardis Butterfield 30 Chapter 2. Wondering Through MiddleEnglish Lyric Cristina Maria Cervone 61 Chapter 3. Lyric Romance Christopher Cannon 88 Chapter 4. Language and Meter Ian Cornelius 106 Chapter y Lyric Value Ingrid Nelson 135 Chapter 6. Cognitive Poetics of Middle English Lyric Poetry Raymond W. Gibbs, Jr. 139 Chapter 7. Lyric Vessels Aden Kumler 182
viii Contents Chapter 8. The Sound of Rollean Lyric Andrew Albin 218 Chapter 9. The Lyric Christ Barbara Zimbalist 243 Chapter 10. The Religious Lyric in Medieval England (1130-1400): Three Disciplines and a Question Margot Fassler 268 Chapter π. Theory of the Fourteenth-Century English Lyric Andrew Galloway 303 Chapter 12. Response: Old Lyric Things Virginia Jackson 342 Chapter 13. Response: Hevy Hameres Stephanie Burt 333 New Medieval Lyrics: A Chapbook Hank McCoy’s Complaint Against the Danger Room, Stephanie Burt margerykempething 22, Pattie McCarthy The Word Water, Hunter Keough A Trinity-Riddle, Carter Revard when I left my second husband, Kate Caoimhe Arthur I am a wonder to behold, Bill Manhire Notes from March and April 2020, Miller Wolf Oberman What the Eagle Fan Says, ^Carter Revard 371 373 374 373 376 377 378 379 381 Notes 383 References 473 List of Contributors 321 Index 323 Acknowledgments 343
“This outstanding collection of essays boldly reconceptualizes Middle Eng lish lyric, brilliantly illuminating its formal intricacies, historical contexts, and power. Among other subjects, the essays explore lyric multilingualism, wonder, sonic richness, material inscription, narrativity, dialogism, perfor- mativity, figuration, and intersubjectivity. Destined to hold a distinguished place in studies of poetry and poetics, this book deserves to be widely read and reUshed by anyone interested in new angles of approach to poetry." —Jahan Ramazani, author of Poetry in a Global Age What Kind of a Thing Is a Middle English Lyric? considers issues pertain ing to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. Since the early 1900s, the poems have been categorized as "lyrics,” the term now used for most kinds of short poetry. This volume asks fundamental questions about what these poems are, how they function formally and culturally, how they are related to other bodies of short poetry, and how they might illuminate and be illumi nated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of "play," in several· senses of that word. The book ends with eight "new Middle English lyrics" by seven contemporary poets. |
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| spelling | What kind of a thing is a middle English lyric? edited by Cristina Maria Cervone and Nicholas Watson Philadelphia University of Pennsylvania Press [2022] xiv, 546 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Middle Ages series "What Kind of a Thing is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as "lyrics," the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggests they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors' introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of "play," in several senses of that word. The book ends with eight "new Middle English lyrics" by seven contemporary poets"-- Lyrik (DE-588)4036774-5 gnd rswk-swf Mittelenglisch (DE-588)4039676-9 gnd rswk-swf English poetry / Middle English, 1100-1500 / History and criticism Lyric poetry / History and criticism English poetry / Middle English Lyric poetry 1100-1500 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Mittelenglisch (DE-588)4039676-9 s Lyrik (DE-588)4036774-5 s DE-604 Cervone, Cristina Maria (DE-588)1161443916 edt Watson, Nicholas 1959- (DE-588)1124088741 edt Erscheint auch als Online-Ausgabe 978-0-8122-9851-2 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033792358&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033792358&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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