Folk and songs in Japan and beyond: ethnomusicological essays in honour of David W. Hughes
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2022
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | In honour of David W. Hughes |
| Beschreibung: | xv, 295 Seiten Illustrationen |
| ISBN: | 9781527583160 |
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Datensatz im Suchindex
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| adam_text | Table of Contents List of Figures and Tables......................................................................... xii Stylistic Conventions............................................................................... xiv Introduction: A Festschrift for David W. Hughes................................... 1 Matt Gillan Kiku Day Japanese Traditions Chapter 1.................................................................................................... 10 Tokyo Ondo in Historical Perspective: Nakayama Shimpei, Geisha Singers, and New Folk Song Hosokawa Shuhei Introduction Nakayama Shimpei’s Early Works Drama songs Children ’s songs The Birth of Toponymous Song: Suzaka Kouta Folk Style and Geisha Singing: Misasa Kouta Katsutarõ as a Recording Geisha How Tokyo Created New Bon-odori Marunouchi Ondo Hamachõ Ondo Tokyo Ondo Controlled upheaval How Tokyo Ondo Captivated the Masses Conclusion
viii Table of Contents Chapter 2.................................................................................................... 35 Orality in Naniwa-bushr. the Taikö ki Cycle of Pieces Alison Tokita Introduction Japanese Musical Story-telling and Oral Narrative Theory Theoretical concerns The Taiköki series ofpieces “Authorship ” and texts Orality of the Narrative Text Historical context Signs of orality in episodes by different story-singers Orality ofsections: makura and barashi The Orality of the Fushi in Naniwa-bushi Mode and shamisen tuning Musical structure and fushi Musical characteristics of fushi The basic structural unit The piece Yahagi no Hashi The piece Mikka no Jõbushin Conclusion Chapter 3.................................................................................................... 66 Musical Styles in Kumiudui·. Ryukyuan Traditional Music Drama Kaneshiro Atsumi Introduction Tonae (Recitation) Utuku-jin Wunna-jin The musicality ofrecitation Music Used When Characters Enter the Stage Example 1 Example 2 Example 3 Expressive Music Metaphor Range Variation Challenges Thinking of the style Influences Closing Thoughts
Folk and Songs in Japan and Beyond ix Music, Words, and Language Chapter 4....................................................................................................80 No Nonsense Revisited: The Application of Oral Mnemonics to the Japanese Shakuhachi Christian Mau Introduction Orality, Literacy, and Shõga Textualizing Music The Shakuhachi, Shõga and Written Notation Brief history ofshakuhachi Shõga and its notation system Textual Considerations Beyond Music and Transmission Conclusion Chapter 5.................................................................................................... 98 Vocal Identities Pedagogies of the Voice in Twentieth-Century Ryukyuan Classical Music Matt Gillan Introduction The Ryukyuan Uta-sanshin Tradition 1930s Okinawan Uta-sanshin Renaissance The importance ofHlGA Seishõ ’s work Generating the physical voice Vocal timbre Vocal Pedagogy in the Seirei-Isagawa Kunkunshī Testing Serei’s Agi-jin / Sagi-jin Theory and Pitch Inflection Analyzing posture and vocal register Analyzing vocal timbre Final Remarks Chapter 6.................................................................................................. 121 Excavating the Cuban Bata’s Drum Language Amanda Villepastour Introduction Organology, Drum Functions, and Ritual Context Drum terminology andfunctions Ensemble configurations Ceremonies Bata Conversations Musical Speech Form
x Table of Contents Song Form Direct Speech Form Major Finds Music Across Borders Chapter 7................................................................................................... 168 Folk Is Cool: The Dissemination M Min’yö Shakuhachi Outside Japan Kiku Day Introduction Historical Notes Shakuhachi in Min ’yö Min ’уб Shakuhachi in the Twenty-first Century Musical Exclusion and Theory on Critical Mass Tensions between genres Dissemination ofmin’yo shakuhachi unfolds Min’yö shakuhachi in taiko groups Shakuhachi min’yö activism Reflections Chapter 8.................................................................................................. 193 The Sounds of Nanyin and the Shifting Identities of the Hokkien Community in Ho Chi Minh City, Vietnam Hwee-San Tan Introduction The Chinese in Vietnam ֊ Old Settlers New Immigrants Nanyin in present-day Cholon Nanyin before the Reunification Nanyin in post-Reunification political contexts Conclusion Chapter 9.................................................................................................. 218 Cultural Boundaries Interactions Between Immigrants Hosts: Chinese Performing Arts in Japan’s Chinatowns Shino Arisawa Introduction The Meeting of Cultures Chinese Immigrants in Japan Chinese Performing Arts Performed by the Japanese Minshingaku Shishi-odori Ja-odori
Folk and Songs in Japan and Beyond xi Chinese Performing Arts Led by the Chinese Conclusion Chapter 10......................................................................................................236 Six Provocations on Decolonizing Music and Critical Race Discourses ShzrEeTAN A Rambling Introduction: Safe Spaces and Brave Conversations 1. Is everyone really onboard with the “Decolonizing Music” agenda? 2. Who should be leading musical decolonization campaigns? 3. Can we afford not to decolonize? 4. Anglo vs American debates, the Global South, and “New Yellow Peril” 5. Willul misunderstandings, bad faith and blame politics? 6. Decolonizing music and decolonizing ethnomusicology Unsettled Conclusions Contributor Biographies............................................................................... 256 An Insider’s Perspective on the Career of David W. Hughes................... 260 Gina Barnes Acknowledgments and Publications by David W. HUGHES......................265 Uncle Dave’s Guide to grammer; punchewation: an spellin Prepared by David W. Hughes.................................................................... 271 Glossary.......................................................................................................... 282
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| adam_txt |
Table of Contents List of Figures and Tables. xii Stylistic Conventions. xiv Introduction: A Festschrift for David W. Hughes. 1 Matt Gillan Kiku Day Japanese Traditions Chapter 1. 10 Tokyo Ondo in Historical Perspective: Nakayama Shimpei, Geisha Singers, and New Folk Song Hosokawa Shuhei Introduction Nakayama Shimpei’s Early Works Drama songs Children ’s songs The Birth of Toponymous Song: Suzaka Kouta Folk Style and Geisha Singing: Misasa Kouta Katsutarõ as a Recording Geisha How Tokyo Created New Bon-odori Marunouchi Ondo Hamachõ Ondo Tokyo Ondo Controlled upheaval How Tokyo Ondo Captivated the Masses Conclusion
viii Table of Contents Chapter 2. 35 Orality in Naniwa-bushr. the Taikö ki Cycle of Pieces Alison Tokita Introduction Japanese Musical Story-telling and Oral Narrative Theory Theoretical concerns The Taiköki series ofpieces “Authorship ” and texts Orality of the Narrative Text Historical context Signs of orality in episodes by different story-singers Orality ofsections: makura and barashi The Orality of the Fushi in Naniwa-bushi Mode and shamisen tuning Musical structure and fushi Musical characteristics of fushi The basic structural unit The piece Yahagi no Hashi The piece Mikka no Jõbushin Conclusion Chapter 3. 66 Musical Styles in Kumiudui·. Ryukyuan Traditional Music Drama Kaneshiro Atsumi Introduction Tonae (Recitation) Utuku-jin Wunna-jin The musicality ofrecitation Music Used When Characters Enter the Stage Example 1 Example 2 Example 3 Expressive Music Metaphor Range Variation Challenges Thinking of the style Influences Closing Thoughts
Folk and Songs in Japan and Beyond ix Music, Words, and Language Chapter 4.80 No Nonsense Revisited: The Application of Oral Mnemonics to the Japanese Shakuhachi Christian Mau Introduction Orality, Literacy, and Shõga Textualizing Music The Shakuhachi, Shõga and Written Notation Brief history ofshakuhachi Shõga and its notation system Textual Considerations Beyond Music and Transmission Conclusion Chapter 5. 98 Vocal Identities Pedagogies of the Voice in Twentieth-Century Ryukyuan Classical Music Matt Gillan Introduction The Ryukyuan Uta-sanshin Tradition 1930s Okinawan Uta-sanshin Renaissance The importance ofHlGA Seishõ ’s work Generating the physical voice Vocal timbre Vocal Pedagogy in the Seirei-Isagawa Kunkunshī Testing Serei’s Agi-jin / Sagi-jin Theory and Pitch Inflection Analyzing posture and vocal register Analyzing vocal timbre Final Remarks Chapter 6. 121 Excavating the Cuban Bata’s Drum Language Amanda Villepastour Introduction Organology, Drum Functions, and Ritual Context Drum terminology andfunctions Ensemble configurations Ceremonies Bata Conversations Musical Speech Form
x Table of Contents Song Form Direct Speech Form Major Finds Music Across Borders Chapter 7. 168 Folk Is Cool: The Dissemination M Min’yö Shakuhachi Outside Japan Kiku Day Introduction Historical Notes Shakuhachi in Min ’yö Min ’уб Shakuhachi in the Twenty-first Century Musical Exclusion and Theory on Critical Mass Tensions between genres Dissemination ofmin’yo shakuhachi unfolds Min’yö shakuhachi in taiko groups Shakuhachi min’yö activism Reflections Chapter 8. 193 The Sounds of Nanyin and the Shifting Identities of the Hokkien Community in Ho Chi Minh City, Vietnam Hwee-San Tan Introduction The Chinese in Vietnam ֊ Old Settlers New Immigrants Nanyin in present-day Cholon Nanyin before the Reunification Nanyin in post-Reunification political contexts Conclusion Chapter 9. 218 Cultural Boundaries Interactions Between Immigrants Hosts: Chinese Performing Arts in Japan’s Chinatowns Shino Arisawa Introduction The Meeting of Cultures Chinese Immigrants in Japan Chinese Performing Arts Performed by the Japanese Minshingaku Shishi-odori Ja-odori
Folk and Songs in Japan and Beyond xi Chinese Performing Arts Led by the Chinese Conclusion Chapter 10.236 Six Provocations on Decolonizing Music and Critical Race Discourses ShzrEeTAN A Rambling Introduction: Safe Spaces and Brave Conversations 1. Is everyone really onboard with the “Decolonizing Music” agenda? 2. Who should be leading musical decolonization campaigns? 3. Can we afford not to decolonize? 4. Anglo vs American debates, the Global South, and “New Yellow Peril” 5. Willul misunderstandings, bad faith and blame politics? 6. Decolonizing music and decolonizing ethnomusicology Unsettled Conclusions Contributor Biographies. 256 An Insider’s Perspective on the Career of David W. Hughes. 260 Gina Barnes Acknowledgments and Publications by David W. HUGHES.265 Uncle Dave’s Guide to grammer; punchewation: an spellin Prepared by David W. Hughes. 271 Glossary. 282 |
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| spelling | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes edited by Matt Gillan, Kiku Day and Patrick Huang Newcastle upon Tyne Cambridge Scholars Publishing 2022 xv, 295 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier In honour of David W. Hughes Hughes, David W. 1945- (DE-588)142783781 gnd rswk-swf Geschichte gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Asien (DE-588)4003217-6 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Folk songs, Japanese / History and criticism Music / Japan / History and criticism Folk songs, Japanese Music Japan Criticism, interpretation, etc (DE-588)4016928-5 Festschrift gnd-content Japan (DE-588)4028495-5 g Volkslied (DE-588)4063852-2 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Rezeption (DE-588)4049716-1 s Asien (DE-588)4003217-6 g Geschichte z Hughes, David W. 1945- (DE-588)142783781 p Hughes, David W. 1945- (DE-588)142783781 hnr Gillan, Matt (DE-588)1035067358 edt Erscheint auch als Online-Ausgabe 978-1-5275-8317-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033792100&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes Hughes, David W. 1945- (DE-588)142783781 gnd Musikalische Analyse (DE-588)4040814-0 gnd Volkslied (DE-588)4063852-2 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)142783781 (DE-588)4040814-0 (DE-588)4063852-2 (DE-588)4049716-1 (DE-588)4003217-6 (DE-588)4028495-5 (DE-588)4016928-5 |
| title | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes |
| title_auth | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes |
| title_exact_search | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes |
| title_exact_search_txtP | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes |
| title_full | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes edited by Matt Gillan, Kiku Day and Patrick Huang |
| title_fullStr | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes edited by Matt Gillan, Kiku Day and Patrick Huang |
| title_full_unstemmed | Folk and songs in Japan and beyond ethnomusicological essays in honour of David W. Hughes edited by Matt Gillan, Kiku Day and Patrick Huang |
| title_short | Folk and songs in Japan and beyond |
| title_sort | folk and songs in japan and beyond ethnomusicological essays in honour of david w hughes |
| title_sub | ethnomusicological essays in honour of David W. Hughes |
| topic | Hughes, David W. 1945- (DE-588)142783781 gnd Musikalische Analyse (DE-588)4040814-0 gnd Volkslied (DE-588)4063852-2 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Hughes, David W. 1945- Musikalische Analyse Volkslied Rezeption Asien Japan Festschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033792100&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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