Suspended God: music and a theology of doubt
"Heaney traces the hidden history of music's presence in Christian thought, including its often unrecognized influence on key figures such as von Balthasar, Barth and Bonhoeffer. She uses Lonergan's theological framework to explore musical composition as a theological act, showing why...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury T&T Clark
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Heaney traces the hidden history of music's presence in Christian thought, including its often unrecognized influence on key figures such as von Balthasar, Barth and Bonhoeffer. She uses Lonergan's theological framework to explore musical composition as a theological act, showing why, when and how music is a useful symbolic form. The book introduces eleven ground-breaking theologians, and each chapter offers an entry point into the thought of the theologian being presented through an original piece of music. Heaney argues that music is a universally important means of making sense of life with which theology needs to engage as a means of expression and of development. Musical composition is presented as an appropriate and even necessary form of doing theology in its quest to engage with the past, mediate truth to the present and tradition it into the future"-- |
| Beschreibung: | xviii, 435 Seiten |
| ISBN: | 9780567695604 9780567695611 |
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| 505 | 8 | |a Introduction: an apologetics of theological thinking -- Part I. The theological dimension of Christian songwriting. Truth matters and living in the incomplete -- The hidden story of music in theology -- Unsung sources: theology in the public square of music-making -- From theory to interiority: when is song-writing theological? -- Part II. musicking theology: a theopoetical weaving of Christian thinkers through music. Can the arts contribute to our knowledge of truth? -- Is Scripture a world for women? -- Is beauty superfluous to human life and Christian faith? -- How to believe in God in such an unjust world? -- Is original sin an outdated doctrine? -- Who's going to go to Heaven? -- What is it with Christianity and martyrdom? -- Is celibacy ever a good idea? -- Where on earth is God -- Is how we name God important? -- How can we know if God is trustworthy? -- What role does sexuality have in Christian faith? -- Coda: an invitation to autoethnography: being an Irish theologian | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List of figures xiii Foreword xiv Acknowledgements xvii Introduction: An apologetics of theological thinking 1 Theology for the twenty-first century 1 The role of doubt in a theology of faith 3 Theology as multimodal: Meaning in musical form 6 Who is the book for? 8 PART I The theological dimension of Christian songwriting 13 1 Truth matters and living in the incomplete 15 It is the theologian who does theology 15 A brief history of truth and doubt 19 In defence of doubt in a theology of faith 24 Broken bridges: Theological aesthetics, beauty and the arts 30 The embodied, open form of music 37 2 The hidden story of music in theology 39 Music and musicking: Defining our terms 39 Unwritten scores: Behind the scenes of theological creativity 43 The discord of epistemological dissonance 53 A syncopated story: Key figures 56
viii CONTENTS 3 Unsung sources: Theology in the public square of music-making 65 Unsung sources 65 In the beginning was sound 67 From faith-shaped musicking to God-sized ventriloquism 69 Musical figures of theology performed 76 The counter-reform of music: Postmodern and post-tonal musical movements 82 A coda: Theological endings? 91 4 From theory to interiority: When is song-writing theological? 95 A theological method with space for the arts 96 A theological method defined by questions 100 Accessing Foundations: The sense music makes of faith 109 Patterns of consciousness in theological self-appropriation and authenticity 112 Caveats and consequences: Foundations, doctrines and the community of faith 115 PART II Musicking theology: A theopoetical weaving of Christian thinkers through music 119 Introduction to Part II 5 119 Can the arts contribute to our knowledge of truth? 123 What place do music and the arts have in human life and knowledge? 123 Bernard Lonergan, SJ: An ‘orthodox who thinks a lot!’ 127 Look, sense, breathe: Stretching human experience so God can break in 135 Come Alive 140 6 Is Scripture a world for women? 144 The issue of women and Scripture: A foundational problem 144 Sandra Marie Schneiders: ‘Some woman for one woman!’ 153
CONTENTS Colliding worlds: From claimless to powerful 159 Nameless 164 7 Is beauty superfluous to human life and Christian faith? 168 When did we lose sight of God’s beauty and power of attraction? 168 Hans Urs von Balthasar: Theology on our knees 171 Eyes closed to see: Beauty, glory and the crucified Christ 182 Every Moving Light 187 8 How to believe in God in such an unjust world? 190 Poverty and faith in God: A different reading 190 Jon Sobrino SJ: When suffering wakes up knowledge 196 Between you and I: No salvation without the poor 201 Jerusalem: Salvation in the Poor 205 9 Is original sin an outdated doctrine? 209 When new life is so heartbreakingly beautiful, why do Christians talk about sin? 209 Sebastian Moore: Taking human experience seriously 212 We all change names: The original blessing of (God’s and our) goodness 218 Song Unfolding (for Julian) 225 10 Who’s going to go to Heaven? 229 What will happen to those we love who are not Christians? 229 Karl Rahner, SJ: Our ‘last’ systematic theologian? 233 Standing in the gap as theology becomes Church teaching 241 Meet My Friend 247 11 What is it with Christianity and martyrdom? 251 What can one life achieve in such a messed-up world? 251 Dietrich Bonhoeffer: When thought costs a life 254 One Life: Faith in the public square of the Body of Christ 265 Strange Life 269 ix
x CONTENTS 12 Is celibacy ever a good idea? 274 Why would Christianity bless an option to not love? 274 Teresa of Avila: From friend of God to doctor of the Church 280 You complete me: When love demands the consecration of one’s whole being 288 I Think I Might 291 13 Where on earth is God? 296 Where on earth can God be found? 296 Denis Edwards: A natural theologian 300 Where are you and where am I? Finding God in the world 306 Meet You in the Middle of the Air 314 14 Is how we name God important? 320 Between past, present and future: ‘What is your name’? 320 Elizabeth A. Johnson, CSJ: On a quest for the living God 323 She who is 330 God by Any Other Name 335 15 How can we know if God is trustworthy? 339 How do the ‘reasons of the heart’ fit into faith seeking understanding? 339 Pierangelo Sequeri: Theologizing ‘from the centre of the soul to one’s fingertips’ 343 Show me your face: God as utterly trustworthy 349 Lament: In the Pouring Rain 354 16 What role does sexuality have in Christian faith? 358 Does Christian faith frustrate or empower romance and human sexuality? 358 Rosemary Luling Haughton: A fully lived life (1927-) 361 Come move in me: God is passionate 371 Can I Have This Dance? 378
CONTENTS Coda: An invitation to autoethnography: Being an Irish theologian 383 Down Under 386 Bibliography 389 Name Index 417 Subject Index 425 xi
|
| adam_txt |
CONTENTS List of figures xiii Foreword xiv Acknowledgements xvii Introduction: An apologetics of theological thinking 1 Theology for the twenty-first century 1 The role of doubt in a theology of faith 3 Theology as multimodal: Meaning in musical form 6 Who is the book for? 8 PART I The theological dimension of Christian songwriting 13 1 Truth matters and living in the incomplete 15 It is the theologian who does theology 15 A brief history of truth and doubt 19 In defence of doubt in a theology of faith 24 Broken bridges: Theological aesthetics, beauty and the arts 30 The embodied, open form of music 37 2 The hidden story of music in theology 39 Music and musicking: Defining our terms 39 Unwritten scores: Behind the scenes of theological creativity 43 The discord of epistemological dissonance 53 A syncopated story: Key figures 56
viii CONTENTS 3 Unsung sources: Theology in the public square of music-making 65 Unsung sources 65 In the beginning was sound 67 From faith-shaped musicking to God-sized ventriloquism 69 Musical figures of theology performed 76 The counter-reform of music: Postmodern and post-tonal musical movements 82 A coda: Theological endings? 91 4 From theory to interiority: When is song-writing theological? 95 A theological method with space for the arts 96 A theological method defined by questions 100 Accessing Foundations: The sense music makes of faith 109 Patterns of consciousness in theological self-appropriation and authenticity 112 Caveats and consequences: Foundations, doctrines and the community of faith 115 PART II Musicking theology: A theopoetical weaving of Christian thinkers through music 119 Introduction to Part II 5 119 Can the arts contribute to our knowledge of truth? 123 What place do music and the arts have in human life and knowledge? 123 Bernard Lonergan, SJ: An ‘orthodox who thinks a lot!’ 127 Look, sense, breathe: Stretching human experience so God can break in 135 Come Alive 140 6 Is Scripture a world for women? 144 The issue of women and Scripture: A foundational problem 144 Sandra Marie Schneiders: ‘Some woman for one woman!’ 153
CONTENTS Colliding worlds: From claimless to powerful 159 Nameless 164 7 Is beauty superfluous to human life and Christian faith? 168 When did we lose sight of God’s beauty and power of attraction? 168 Hans Urs von Balthasar: Theology on our knees 171 Eyes closed to see: Beauty, glory and the crucified Christ 182 Every Moving Light 187 8 How to believe in God in such an unjust world? 190 Poverty and faith in God: A different reading 190 Jon Sobrino SJ: When suffering wakes up knowledge 196 Between you and I: No salvation without the poor 201 Jerusalem: Salvation in the Poor 205 9 Is original sin an outdated doctrine? 209 When new life is so heartbreakingly beautiful, why do Christians talk about sin? 209 Sebastian Moore: Taking human experience seriously 212 We all change names: The original blessing of (God’s and our) goodness 218 Song Unfolding (for Julian) 225 10 Who’s going to go to Heaven? 229 What will happen to those we love who are not Christians? 229 Karl Rahner, SJ: Our ‘last’ systematic theologian? 233 Standing in the gap as theology becomes Church teaching 241 Meet My Friend 247 11 What is it with Christianity and martyrdom? 251 What can one life achieve in such a messed-up world? 251 Dietrich Bonhoeffer: When thought costs a life 254 One Life: Faith in the public square of the Body of Christ 265 Strange Life 269 ix
x CONTENTS 12 Is celibacy ever a good idea? 274 Why would Christianity bless an option to not love? 274 Teresa of Avila: From friend of God to doctor of the Church 280 You complete me: When love demands the consecration of one’s whole being 288 I Think I Might 291 13 Where on earth is God? 296 Where on earth can God be found? 296 Denis Edwards: A natural theologian 300 Where are you and where am I? Finding God in the world 306 Meet You in the Middle of the Air 314 14 Is how we name God important? 320 Between past, present and future: ‘What is your name’? 320 Elizabeth A. Johnson, CSJ: On a quest for the living God 323 She who is 330 God by Any Other Name 335 15 How can we know if God is trustworthy? 339 How do the ‘reasons of the heart’ fit into faith seeking understanding? 339 Pierangelo Sequeri: Theologizing ‘from the centre of the soul to one’s fingertips’ 343 Show me your face: God as utterly trustworthy 349 Lament: In the Pouring Rain 354 16 What role does sexuality have in Christian faith? 358 Does Christian faith frustrate or empower romance and human sexuality? 358 Rosemary Luling Haughton: A fully lived life (1927-) 361 Come move in me: God is passionate 371 Can I Have This Dance? 378
CONTENTS Coda: An invitation to autoethnography: Being an Irish theologian 383 Down Under 386 Bibliography 389 Name Index 417 Subject Index 425 xi |
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| index_date | 2024-07-03T20:25:41Z |
| indexdate | 2024-07-10T09:37:32Z |
| institution | BVB |
| isbn | 9780567695604 9780567695611 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033791957 |
| oclc_num | 1346086066 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xviii, 435 Seiten |
| psigel | BSB_NED_20221012 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury T&T Clark |
| record_format | marc |
| spelling | Heaney, Maeve Louise 1967- Verfasser (DE-588)1135308543 aut Suspended God music and a theology of doubt Maeve Louise Heaney London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury T&T Clark 2022 xviii, 435 Seiten txt rdacontent n rdamedia nc rdacarrier Introduction: an apologetics of theological thinking -- Part I. The theological dimension of Christian songwriting. Truth matters and living in the incomplete -- The hidden story of music in theology -- Unsung sources: theology in the public square of music-making -- From theory to interiority: when is song-writing theological? -- Part II. musicking theology: a theopoetical weaving of Christian thinkers through music. Can the arts contribute to our knowledge of truth? -- Is Scripture a world for women? -- Is beauty superfluous to human life and Christian faith? -- How to believe in God in such an unjust world? -- Is original sin an outdated doctrine? -- Who's going to go to Heaven? -- What is it with Christianity and martyrdom? -- Is celibacy ever a good idea? -- Where on earth is God -- Is how we name God important? -- How can we know if God is trustworthy? -- What role does sexuality have in Christian faith? -- Coda: an invitation to autoethnography: being an Irish theologian "Heaney traces the hidden history of music's presence in Christian thought, including its often unrecognized influence on key figures such as von Balthasar, Barth and Bonhoeffer. She uses Lonergan's theological framework to explore musical composition as a theological act, showing why, when and how music is a useful symbolic form. The book introduces eleven ground-breaking theologians, and each chapter offers an entry point into the thought of the theologian being presented through an original piece of music. Heaney argues that music is a universally important means of making sense of life with which theology needs to engage as a means of expression and of development. Musical composition is presented as an appropriate and even necessary form of doing theology in its quest to engage with the past, mediate truth to the present and tradition it into the future"-- Geschichte 1900- gnd rswk-swf Zweifel (DE-588)4124501-5 gnd rswk-swf Theologie (DE-588)4059758-1 gnd rswk-swf Glaube (DE-588)4071867-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Theology Faith Thought and thinking / Religious aspects / Christianity Music, Influence of Théologie Foi Musique / Influence theology faith Musik (DE-588)4040802-4 s Theologie (DE-588)4059758-1 s Glaube (DE-588)4071867-0 s Zweifel (DE-588)4124501-5 s Geschichte 1900- z DE-604 Erscheint auch als Online-Ausgabe, epdf 978-0-567-69562-8 Erscheint auch als Online-Ausgabe, epub 978-0-567-69563-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033791957&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Heaney, Maeve Louise 1967- Suspended God music and a theology of doubt Introduction: an apologetics of theological thinking -- Part I. The theological dimension of Christian songwriting. Truth matters and living in the incomplete -- The hidden story of music in theology -- Unsung sources: theology in the public square of music-making -- From theory to interiority: when is song-writing theological? -- Part II. musicking theology: a theopoetical weaving of Christian thinkers through music. Can the arts contribute to our knowledge of truth? -- Is Scripture a world for women? -- Is beauty superfluous to human life and Christian faith? -- How to believe in God in such an unjust world? -- Is original sin an outdated doctrine? -- Who's going to go to Heaven? -- What is it with Christianity and martyrdom? -- Is celibacy ever a good idea? -- Where on earth is God -- Is how we name God important? -- How can we know if God is trustworthy? -- What role does sexuality have in Christian faith? -- Coda: an invitation to autoethnography: being an Irish theologian Zweifel (DE-588)4124501-5 gnd Theologie (DE-588)4059758-1 gnd Glaube (DE-588)4071867-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4124501-5 (DE-588)4059758-1 (DE-588)4071867-0 (DE-588)4040802-4 |
| title | Suspended God music and a theology of doubt |
| title_auth | Suspended God music and a theology of doubt |
| title_exact_search | Suspended God music and a theology of doubt |
| title_exact_search_txtP | Suspended God music and a theology of doubt |
| title_full | Suspended God music and a theology of doubt Maeve Louise Heaney |
| title_fullStr | Suspended God music and a theology of doubt Maeve Louise Heaney |
| title_full_unstemmed | Suspended God music and a theology of doubt Maeve Louise Heaney |
| title_short | Suspended God |
| title_sort | suspended god music and a theology of doubt |
| title_sub | music and a theology of doubt |
| topic | Zweifel (DE-588)4124501-5 gnd Theologie (DE-588)4059758-1 gnd Glaube (DE-588)4071867-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Zweifel Theologie Glaube Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033791957&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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