Lully's Le bourgeois gentilhomme: Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot
In 1669, Louis XIV received Suleiman Aga, an emissary of Ottoman Sultan Mehmed IV, with the grandiose welcome befitting an ambassador. But all the dazzling ceremonies left Aga (who may have played a key role in introducing Parisian society to coffee) indifferent. The following year--whether inspired...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Elektronisch Video |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
ARTE France - AMIRAL LDA - ALPHA Productions
2005
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | In 1669, Louis XIV received Suleiman Aga, an emissary of Ottoman Sultan Mehmed IV, with the grandiose welcome befitting an ambassador. But all the dazzling ceremonies left Aga (who may have played a key role in introducing Parisian society to coffee) indifferent. The following year--whether inspired, offended, or playing on the popularity of all things Turkish--the Sun King commissioned a spectacle of "turqueries" combining theatre, dance and music. Unlike the Wagnerian Gesamtkunstwerk centuries later, Le bourgeois gentilhomme is not a weighty philosophical statement, but a comédie-ballet crafted by a legendary team--play by Molière, music by Lully--to entertain the court and the king. The comedy draws a satirical parallel between the emerging bourgeoisie (epitomized by a snobby, naive nouveau riche by the name of Monsieur Jourdain--played by Molière himself in 1670!) and the Turkish visitor Suleiman, ignorant of the honorable protocols that left him so cold. The ambitious Jourdain despises his daughter's suitor Cléonte, a fellow bourgeois--played by Lully in 1670!--so, preying upon Jourdain's ambitious, sycophantic nature, he successfully passes himself off as the son of a Turkish sultan to win his favor. This delightful time capsule restages the work as it was seen and heard the day of its premiere: scored with instruments from Lully's era, pronounced with 17th-century inflection, and lit only by (over five hundred!) candles. The amusing, lively production feels like a spontaneous and intelligent dialogue, in verse and in prose, between the forms of art it celebrates and puts on display |
| Beschreibung: | 1 Online-Ressource (1 video file (3 hr., 30 min., 24 sec.)) sound, color |
| Produktionsangaben: | Mathilde Benmoussa, Make-up artist ; Alain Blanchot, Costume designer ; Benjamin Lazar, stage director ; Adeline Caron, set designer ; Christophe Naillet, Lighting designer ; Cécile Roussat, Stage director (Intermèdes and ballets) |
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| 520 | 3 | |a In 1669, Louis XIV received Suleiman Aga, an emissary of Ottoman Sultan Mehmed IV, with the grandiose welcome befitting an ambassador. But all the dazzling ceremonies left Aga (who may have played a key role in introducing Parisian society to coffee) indifferent. The following year--whether inspired, offended, or playing on the popularity of all things Turkish--the Sun King commissioned a spectacle of "turqueries" combining theatre, dance and music. Unlike the Wagnerian Gesamtkunstwerk centuries later, Le bourgeois gentilhomme is not a weighty philosophical statement, but a comédie-ballet crafted by a legendary team--play by Molière, music by Lully--to entertain the court and the king. The comedy draws a satirical parallel between the emerging bourgeoisie (epitomized by a snobby, naive nouveau riche by the name of Monsieur Jourdain--played by Molière himself in 1670!) and the Turkish visitor Suleiman, ignorant of the honorable protocols that left him so cold. The ambitious Jourdain despises his daughter's suitor Cléonte, a fellow bourgeois--played by Lully in 1670!--so, preying upon Jourdain's ambitious, sycophantic nature, he successfully passes himself off as the son of a Turkish sultan to win his favor. This delightful time capsule restages the work as it was seen and heard the day of its premiere: scored with instruments from Lully's era, pronounced with 17th-century inflection, and lit only by (over five hundred!) candles. The amusing, lively production feels like a spontaneous and intelligent dialogue, in verse and in prose, between the forms of art it celebrates and puts on display | |
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Datensatz im Suchindex
| _version_ | 1804184316135079936 |
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| author2 | Lully, Jean-Baptiste 1632-1687 |
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| id | DE-604.BV048409115 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:34Z |
| indexdate | 2024-07-10T09:37:24Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033787590 |
| oclc_num | 1190903466 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 video file (3 hr., 30 min., 24 sec.)) sound, color |
| psigel | ZDB-1-MTV |
| publishDate | 2005 |
| publishDateSearch | 2005 |
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| publisher | ARTE France - AMIRAL LDA - ALPHA Productions |
| record_format | marc |
| spelling | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot Martin Fraudreau, director [Place of publication not identified] ARTE France - AMIRAL LDA - ALPHA Productions 2005 1 Online-Ressource (1 video file (3 hr., 30 min., 24 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Le Bourgeois gentilhomme Jean-Baptiste Lully Mathilde Benmoussa, Make-up artist ; Alain Blanchot, Costume designer ; Benjamin Lazar, stage director ; Adeline Caron, set designer ; Christophe Naillet, Lighting designer ; Cécile Roussat, Stage director (Intermèdes and ballets) In 1669, Louis XIV received Suleiman Aga, an emissary of Ottoman Sultan Mehmed IV, with the grandiose welcome befitting an ambassador. But all the dazzling ceremonies left Aga (who may have played a key role in introducing Parisian society to coffee) indifferent. The following year--whether inspired, offended, or playing on the popularity of all things Turkish--the Sun King commissioned a spectacle of "turqueries" combining theatre, dance and music. Unlike the Wagnerian Gesamtkunstwerk centuries later, Le bourgeois gentilhomme is not a weighty philosophical statement, but a comédie-ballet crafted by a legendary team--play by Molière, music by Lully--to entertain the court and the king. The comedy draws a satirical parallel between the emerging bourgeoisie (epitomized by a snobby, naive nouveau riche by the name of Monsieur Jourdain--played by Molière himself in 1670!) and the Turkish visitor Suleiman, ignorant of the honorable protocols that left him so cold. The ambitious Jourdain despises his daughter's suitor Cléonte, a fellow bourgeois--played by Lully in 1670!--so, preying upon Jourdain's ambitious, sycophantic nature, he successfully passes himself off as the son of a Turkish sultan to win his favor. This delightful time capsule restages the work as it was seen and heard the day of its premiere: scored with instruments from Lully's era, pronounced with 17th-century inflection, and lit only by (over five hundred!) candles. The amusing, lively production feels like a spontaneous and intelligent dialogue, in verse and in prose, between the forms of art it celebrates and puts on display Operas Filmed performances Internet videos Fraudreau, Martin 1948- Sonstige oth Benmoussa, Mathilde Sonstige oth Blanchot, Alain Sonstige oth Lazar, Benjamin Sonstige oth Caron, Adeline 1975- Sonstige oth Naillet, Christophe Sonstige oth Roussat, Cécile Sonstige oth Dumestre, Vincent Sonstige oth Marzorati, Arnaud Sonstige oth Lefilliâtre, Claire Sonstige oth Geslot, François-Nicolas Sonstige oth Lully, Jean-Baptiste 1632-1687 Bourgeois gentilhomme ARTE France - AMIRAL LDA - ALPHA PRODUCTIONS. Sonstige oth https://edu.medici.tv/en/operas/le-bourgeois-lully-lazar-dumestre Verlag URL des Erstveröffentlichers Volltext digital rdatr video file rdaft |
| spellingShingle | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot Le Bourgeois gentilhomme Operas |
| title | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot |
| title_alt | Le Bourgeois gentilhomme Bourgeois gentilhomme |
| title_auth | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot |
| title_exact_search | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot |
| title_exact_search_txtP | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot |
| title_full | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot Martin Fraudreau, director |
| title_fullStr | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot Martin Fraudreau, director |
| title_full_unstemmed | Lully's Le bourgeois gentilhomme Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot Martin Fraudreau, director |
| title_short | Lully's Le bourgeois gentilhomme |
| title_sort | lully s le bourgeois gentilhomme benjamin lazar stage director vincent dumestre conductor with arnaud marzorati claire lefilliatre francois nicolas geslot |
| title_sub | Benjamin Lazar (stage director), Vincent Dumestre (conductor) -- With Arnaud Marzorati, Claire Lefilliâtre, François-Nicolas Geslot |
| topic | Operas |
| topic_facet | Operas |
| url | https://edu.medici.tv/en/operas/le-bourgeois-lully-lazar-dumestre |
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