Barenboim on Beethoven 7: the fourth piano concerto II: a film by Christopher Nupen
The remarkable Fourth Piano Concerto concludes with Daniel Barenboim alongside Sir Adrian Boult and the New Philharmonia Orchestra. The second movement, often considered to parallel the Orpheus myth (though Beethoven himself did not draw the comparison), evokes a stirring dialogue between "the...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Elektronisch Video |
Sprache: | English |
Veröffentlicht: |
[London, England]
Allegro Films
2020
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Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | The remarkable Fourth Piano Concerto concludes with Daniel Barenboim alongside Sir Adrian Boult and the New Philharmonia Orchestra. The second movement, often considered to parallel the Orpheus myth (though Beethoven himself did not draw the comparison), evokes a stirring dialogue between "the opposite extremes of Beethoven": what Barenboim calls "a dramatic, energetic, almost bestial orchestra" and the "angelic, naïve statements of the piano." Barenboim praises the architecture of the concerto and shows us how the "relation of the detail to the whole ... contains the greatest possible beauty." A transition of "perfect symmetry" leads into the final movement, a highly rhythmic Rondo that begins in C major before finding its way back to the G major tonic--a rare key for Beethoven, often associated with "lightness and grace" according to Lewis Lockwood, and one he never used for a symphony or a late piano sonata |
Beschreibung: | Originally produced as a television program for Granada Television International |
Beschreibung: | 1 Online-Ressource (1 video file (24 min., 42 sec.)) sound, color |
Produktionsangaben: | Cinematography, David Findlay, Ian Wilson ; editor, Peter Heelas |
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520 | 3 | |a The remarkable Fourth Piano Concerto concludes with Daniel Barenboim alongside Sir Adrian Boult and the New Philharmonia Orchestra. The second movement, often considered to parallel the Orpheus myth (though Beethoven himself did not draw the comparison), evokes a stirring dialogue between "the opposite extremes of Beethoven": what Barenboim calls "a dramatic, energetic, almost bestial orchestra" and the "angelic, naïve statements of the piano." Barenboim praises the architecture of the concerto and shows us how the "relation of the detail to the whole ... contains the greatest possible beauty." A transition of "perfect symmetry" leads into the final movement, a highly rhythmic Rondo that begins in C major before finding its way back to the G major tonic--a rare key for Beethoven, often associated with "lightness and grace" according to Lewis Lockwood, and one he never used for a symphony or a late piano sonata | |
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700 | 1 | |a Barenboim, Daniel |d 1942- |e Sonstige |4 oth | |
700 | 1 | |a Boult, Adrian |d 1889-1983 |e Sonstige |4 oth | |
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Datensatz im Suchindex
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author2 | Beethoven, Ludwig van 1770-1827 Beethoven, Ludwig van 1770-1827 |
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contents | Piano Concerto No. 4 in G Major, Op. 58 |
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id | DE-604.BV048408949 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:24:33Z |
indexdate | 2024-07-10T09:37:23Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033787424 |
oclc_num | 1190903239 |
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owner | DE-12 |
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physical | 1 Online-Ressource (1 video file (24 min., 42 sec.)) sound, color |
psigel | ZDB-1-MTV |
publishDate | 2020 |
publishDateSearch | 1970 |
publishDateSort | 1970 |
publisher | Allegro Films |
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spelling | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen written by Daniel Barenboim, Christopher Nupen ; producer, Douglas Terry ; directed by Christopher Nupen ; Allegro Films Barenboim on Beethoven Fourth piano concerto, 2nd & 3rd movements [London, England] Allegro Films 2020 1 Online-Ressource (1 video file (24 min., 42 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Originally produced as a television program for Granada Television International Piano Concerto No. 4 in G Major, Op. 58 Ludwig van Beethoven Cinematography, David Findlay, Ian Wilson ; editor, Peter Heelas Daniel Barenboim, lecturer, pianist ; New Philharmonia Orchestra ; Sir Adrian Boult, conductor The remarkable Fourth Piano Concerto concludes with Daniel Barenboim alongside Sir Adrian Boult and the New Philharmonia Orchestra. The second movement, often considered to parallel the Orpheus myth (though Beethoven himself did not draw the comparison), evokes a stirring dialogue between "the opposite extremes of Beethoven": what Barenboim calls "a dramatic, energetic, almost bestial orchestra" and the "angelic, naïve statements of the piano." Barenboim praises the architecture of the concerto and shows us how the "relation of the detail to the whole ... contains the greatest possible beauty." A transition of "perfect symmetry" leads into the final movement, a highly rhythmic Rondo that begins in C major before finding its way back to the G major tonic--a rare key for Beethoven, often associated with "lightness and grace" according to Lewis Lockwood, and one he never used for a symphony or a late piano sonata Concertos (Piano) Excerpts Concerto Beethoven, Ludwig van / 1770-1827 / Concertos / piano, orchestra / no. 4, op. 58 / G major Concertos (Beethoven, Ludwig van) Lectures Filmed performances Excerpts Cultural television programs Concertos Internet videos Nupen, Christopher Sonstige oth Terry, Douglas (Producer) Sonstige oth Barenboim, Daniel 1942- Sonstige oth Boult, Adrian 1889-1983 Sonstige oth Beethoven, Ludwig van 1770-1827 Concertos piano, orchestra no. 4, op. 58 G major Andante con moto Beethoven, Ludwig van 1770-1827 Concertos piano, orchestra no. 4, op. 58 G major Rondo New Philharmonia Orchestra Sonstige oth Granada Television International Sonstige oth Allegro Films (London, England) Sonstige oth https://edu.medici.tv/en/documentaries/episode-7-fourth-piano-concerto-2nd-3rd-movements Verlag URL des Erstveröffentlichers Volltext digital rdatr video file rdaft |
spellingShingle | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen Piano Concerto No. 4 in G Major, Op. 58 Concertos (Piano) Excerpts Concerto |
title | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen |
title_alt | Barenboim on Beethoven Fourth piano concerto, 2nd & 3rd movements Piano Concerto No. 4 in G Major, Op. 58 Concertos |
title_auth | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen |
title_exact_search | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen |
title_exact_search_txtP | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen |
title_full | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen written by Daniel Barenboim, Christopher Nupen ; producer, Douglas Terry ; directed by Christopher Nupen ; Allegro Films |
title_fullStr | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen written by Daniel Barenboim, Christopher Nupen ; producer, Douglas Terry ; directed by Christopher Nupen ; Allegro Films |
title_full_unstemmed | Barenboim on Beethoven 7: the fourth piano concerto II a film by Christopher Nupen written by Daniel Barenboim, Christopher Nupen ; producer, Douglas Terry ; directed by Christopher Nupen ; Allegro Films |
title_short | Barenboim on Beethoven 7: the fourth piano concerto II |
title_sort | barenboim on beethoven 7 the fourth piano concerto ii a film by christopher nupen |
title_sub | a film by Christopher Nupen |
topic | Concertos (Piano) Excerpts Concerto |
topic_facet | Concertos (Piano) Concerto Concertos (Piano) Excerpts |
url | https://edu.medici.tv/en/documentaries/episode-7-fourth-piano-concerto-2nd-3rd-movements |
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