Claudio Abbado conducts Beethoven, Symphony no. 6
Claudio Abbado conducts Beethoven, Symphony no. 6:

The feeling of nature or the Sixth Symphony The piece was greeted with little enthusiasm on the evening of December 22, 1808 in Vienna, when the Symphony No. 6 in F Major also called the Pastoral Symphony, Op. 68 was premiered at the same time as the Fifth Symphony. The title Pastoral was given by t...

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Weitere Verfasser: Beethoven, Ludwig van 1770-1827
Format: Elektronisch Video
Sprache:English
Veröffentlicht: [Place of publication not identified] EuroArts Music International [2001]
Schlagworte:
Symphonies
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Zusammenfassung:The feeling of nature or the Sixth Symphony The piece was greeted with little enthusiasm on the evening of December 22, 1808 in Vienna, when the Symphony No. 6 in F Major also called the Pastoral Symphony, Op. 68 was premiered at the same time as the Fifth Symphony. The title Pastoral was given by the composer himself on the programme: Pastoral Symphony: "the expression of the feeling rather than a painting." The score later bore the inscription, "Pastoral Symphony or Memory of Life in the Country." The sound of gurgling water or of birdsong translates the feeling of nature rather than portraying nature itself. Even though one can only agree with Bruno Walter when he says that "a conductor who does not love nature, streams and birds cannot conduct The Pastoral Symphony." The Pastoral Symphony is to Beethoven what Le Lac is to Lamartine. "With Beethoven, you never stop learning.".. ...
states Claudio Abbado who has constantly reworked the symphonies of the master from Bonn (1770-1827). Although he was the director of the Scala in Milan for fifteen years, which earned him a reputation as an outstanding opera conductor, he has also been familiar with the German and Viennese repertoires since he studied with Hans Swarowsky in Vienna. In the Austrian capital, another essential experience for him was singing in choruses, which meant rehearsals with the great conductors of the time, Bruno Walter, George Szell and Herbert von Karajan. He made his debut as a conductor at the Scala of Milan at the age of twenty-seven, on the occasion of the tri-centennial of Alessandro Scarlatti. He then won First Prize at the Mitropoulos Competition in New York, was invited by Karajan to conduct in Salzburg; he then made his conducting debut with the Philharmonic Orchestra of Vienna and Mahler's Symphony No. 2.
With the same orchestra he recorded from 1985 to 1988 his first complete Beethoven symphonies. But his relations with the Viennese formation experienced ups and downs, contrary to those he developed with the Berlin Philharmonic Orchestra in 1966. Thirty years later, in 1989, he succeeded Karajan at the head of the prestigious formation, a position he held until 2002. With the musicians from Berlin he made a second recording of the complete Beethoven symphonies (Deutsche Grammophon, 2000) then performed them at the National Academy of Santa Cecilia in Rome from January 5th to February 15th 2001. It is this memorable series, performed before an enthusiastic audience that was filmed in Rome, except for the Ninth Symphony filmed in Berlin. This monument in the history of Western music to which Claudio Abbado is so attached, was composed by Beethoven in less than a quarter of a century, from 1799 to 1823. A monument which covers the greater part of the composer's life --
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