Private music lessons:
In this masterclass, Kenneth Gilbert renews acquaintance with a former student who has since become an established performer, Olivier Baumont. There follows a fascinating dialogue focusing on both the harpsichord and the organ, two instruments which the Canadian artist plays with the same skill. Two...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch Video |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
La Sept Arte
[1990]
Radio France [1990] Com'unimage [1990] |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | In this masterclass, Kenneth Gilbert renews acquaintance with a former student who has since become an established performer, Olivier Baumont. There follows a fascinating dialogue focusing on both the harpsichord and the organ, two instruments which the Canadian artist plays with the same skill. Two men, Kenneth Gilbert, in his prime, slow of speech and sure of himself, and Olivier Baumont, a younger artist, tousled and profound, are sitting at a period harpsichord discussing Couperin, Bach, and Froberger. The master gives his point of view in a soft, steady voice. It is in his character to say things from an objective distance: his approach is at once encyclopaedic and practical. He is as familiar with the nuances of language as with those of music. And so a large part of this "lesson" focuses on a remarkable notion, difficult to pin down: good taste, the bon goût repeatedly mentioned in the commentaries of Couperin. How should we interpret something that already eluded his contemporaries? How can we, with our knowledge of today, however exhaustive it may be, find that golden mean which the most refined composers of the "Grand siècle", men like Couperin, Marais, D'Anglebert, fixed as their ultimate goal? The answer lies in the subtle details of interpretation: the speed of a trill, the turn of a phrase, a particular ornament. The beauty of this film is to make us sense the relativity of things. Wisely, its subject implies that we must be prudent in taking what history had bequeathed us. Modestly, je acknowledges: "There is no Kenneth Gilbert School ... But maybe there is an attitude that consists in seeking a personal interaction with the works, of course within the bounds of style, of good taste." What a contrast with the rigid image that has too often been associated with the pioneers of the Baroque revival of the 1980s! Private music lessons: twelve hugely influential programmes broadcast by French television between 1987 and 1991. The guiding principle for Olivier Bernager and François Manceaux was to capture the art of the leading performers of our time, live in concert but also and above all in a teaching environment |
| Beschreibung: | 1 Online-Ressource (1 video file (56 min., 19 sec.)) sound, color |
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| 520 | 3 | |a In this masterclass, Kenneth Gilbert renews acquaintance with a former student who has since become an established performer, Olivier Baumont. There follows a fascinating dialogue focusing on both the harpsichord and the organ, two instruments which the Canadian artist plays with the same skill. Two men, Kenneth Gilbert, in his prime, slow of speech and sure of himself, and Olivier Baumont, a younger artist, tousled and profound, are sitting at a period harpsichord discussing Couperin, Bach, and Froberger. The master gives his point of view in a soft, steady voice. It is in his character to say things from an objective distance: his approach is at once encyclopaedic and practical. He is as familiar with the nuances of language as with those of music. And so a large part of this "lesson" focuses on a remarkable notion, difficult to pin down: good taste, the bon goût repeatedly mentioned in the commentaries of Couperin. | |
| 520 | 3 | |a How should we interpret something that already eluded his contemporaries? How can we, with our knowledge of today, however exhaustive it may be, find that golden mean which the most refined composers of the "Grand siècle", men like Couperin, Marais, D'Anglebert, fixed as their ultimate goal? The answer lies in the subtle details of interpretation: the speed of a trill, the turn of a phrase, a particular ornament. The beauty of this film is to make us sense the relativity of things. Wisely, its subject implies that we must be prudent in taking what history had bequeathed us. Modestly, je acknowledges: "There is no Kenneth Gilbert School ... | |
| 520 | 3 | |a But maybe there is an attitude that consists in seeking a personal interaction with the works, of course within the bounds of style, of good taste." What a contrast with the rigid image that has too often been associated with the pioneers of the Baroque revival of the 1980s! Private music lessons: twelve hugely influential programmes broadcast by French television between 1987 and 1991. The guiding principle for Olivier Bernager and François Manceaux was to capture the art of the leading performers of our time, live in concert but also and above all in a teaching environment | |
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Datensatz im Suchindex
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| author2 | Bach, Johann Sebastian 1685-1750 Bach, Johann Sebastian 1685-1750 Couperin, François 1668-1733 Couperin, François 1668-1733 Couperin, François 1668-1733 Froberger, Johann Jacob 1616-1667 |
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| contents | Italian concerto in F major, BWV 971 Partita no. 4 in D major, BWV 828 La visionnaire Les ombres errantes Passacaglia Fantaisie |
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| id | DE-604.BV048408078 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:29Z |
| indexdate | 2024-07-10T09:37:19Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786553 |
| oclc_num | 956370223 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 video file (56 min., 19 sec.)) sound, color |
| psigel | ZDB-1-MTV |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| publisher | La Sept Arte Radio France Com'unimage |
| record_format | marc |
| spelling | Private music lessons La Sept Arte, Radio France, Com'unimage ; Michel Follin, director Kenneth Gilbert, harpsichord and organ [Place of publication not identified] La Sept Arte [1990] Radio France [1990] Com'unimage [1990] ©1990 1 Online-Ressource (1 video file (56 min., 19 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Italian concerto in F major, BWV 971 Johann Sebastian Bach -- Partita no. 4 in D major, BWV 828 Johann Sebastian Bach -- La visionnaire François Couperin -- Les ombres errantes François Couperin -- Passacaglia François Couperin -- Fantaisie Johann Jakob Froberger Kenneth Gilbert, harpsichord, organ, teacher ; Olivier Baumont, harpsichord, organ, student Eglise de Chavagnes en Paillers, Chavagnes en Paillers, France: In this masterclass, Kenneth Gilbert renews acquaintance with a former student who has since become an established performer, Olivier Baumont. There follows a fascinating dialogue focusing on both the harpsichord and the organ, two instruments which the Canadian artist plays with the same skill. Two men, Kenneth Gilbert, in his prime, slow of speech and sure of himself, and Olivier Baumont, a younger artist, tousled and profound, are sitting at a period harpsichord discussing Couperin, Bach, and Froberger. The master gives his point of view in a soft, steady voice. It is in his character to say things from an objective distance: his approach is at once encyclopaedic and practical. He is as familiar with the nuances of language as with those of music. And so a large part of this "lesson" focuses on a remarkable notion, difficult to pin down: good taste, the bon goût repeatedly mentioned in the commentaries of Couperin. How should we interpret something that already eluded his contemporaries? How can we, with our knowledge of today, however exhaustive it may be, find that golden mean which the most refined composers of the "Grand siècle", men like Couperin, Marais, D'Anglebert, fixed as their ultimate goal? The answer lies in the subtle details of interpretation: the speed of a trill, the turn of a phrase, a particular ornament. The beauty of this film is to make us sense the relativity of things. Wisely, its subject implies that we must be prudent in taking what history had bequeathed us. Modestly, je acknowledges: "There is no Kenneth Gilbert School ... But maybe there is an attitude that consists in seeking a personal interaction with the works, of course within the bounds of style, of good taste." What a contrast with the rigid image that has too often been associated with the pioneers of the Baroque revival of the 1980s! Private music lessons: twelve hugely influential programmes broadcast by French television between 1987 and 1991. The guiding principle for Olivier Bernager and François Manceaux was to capture the art of the leading performers of our time, live in concert but also and above all in a teaching environment Dialogue in French Harpsichord Instruction and study Harpsichord music Suites (Harpsichord) Excerpts Internet videos Follin, Michel Sonstige oth Gilbert, Kenneth Sonstige oth Baumont, Olivier Sonstige oth Bach, Johann Sebastian 1685-1750 Italienisches Konzert Selections Bach, Johann Sebastian 1685-1750 Partitas harpsichord BWV 828 D major Selections Couperin, François 1668-1733 Pièces de clavecin 4e livre No 25 Visionaire Couperin, François 1668-1733 Pièces de clavecin 4e livre No 25 Ombres errantes Couperin, François 1668-1733 Pièces de clavecin 2e livre No 8 Passacaille Froberger, Johann Jacob 1616-1667 Libro di toccate, fantasie, canzone, allemande, courante, sarabande, gigue et altre partite Fantasia no. 2 Sept/Arte (Firm) Sonstige oth Radio-France Sonstige oth Com'unimage (Firm) Sonstige oth https://edu.medici.tv/en/masterclasses/kenneth-gilbert-enseigner-orgues-et-clavecins Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | Private music lessons Italian concerto in F major, BWV 971 Partita no. 4 in D major, BWV 828 La visionnaire Les ombres errantes Passacaglia Fantaisie Harpsichord Instruction and study Harpsichord music Suites (Harpsichord) Excerpts |
| title | Private music lessons |
| title_alt | Kenneth Gilbert, harpsichord and organ Italian concerto in F major, BWV 971 Partita no. 4 in D major, BWV 828 La visionnaire Les ombres errantes Passacaglia Fantaisie Italienisches Konzert Partitas Pièces de clavecin Libro di toccate, fantasie, canzone, allemande, courante, sarabande, gigue et altre partite |
| title_auth | Private music lessons |
| title_exact_search | Private music lessons |
| title_exact_search_txtP | Private music lessons |
| title_full | Private music lessons La Sept Arte, Radio France, Com'unimage ; Michel Follin, director |
| title_fullStr | Private music lessons La Sept Arte, Radio France, Com'unimage ; Michel Follin, director |
| title_full_unstemmed | Private music lessons La Sept Arte, Radio France, Com'unimage ; Michel Follin, director |
| title_short | Private music lessons |
| title_sort | private music lessons |
| topic | Harpsichord Instruction and study Harpsichord music Suites (Harpsichord) Excerpts |
| topic_facet | Harpsichord Harpsichord music Suites (Harpsichord) Harpsichord Instruction and study Suites (Harpsichord) Excerpts |
| url | https://edu.medici.tv/en/masterclasses/kenneth-gilbert-enseigner-orgues-et-clavecins |
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