Teresa Berganza sings Mozart, Rossini and De Falla:
A diva without being diva-like, a musician before being a singer, Teresa Berganza in Mozart and Rossini, her two loves. As an accomplished musician and a great singer, Teresa Berganza started studying the piano, the organ, harmony and composition in Madrid. But at eighteen she decided to become a si...
Gespeichert in:
| Weitere Verfasser: | , , , , , |
|---|---|
| Format: | Elektronisch Video |
| Sprache: | Italian Spanish |
| Veröffentlicht: |
[Place of publication not identified]
Idéale Audience
[1967]
Img Artists [1967] |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | A diva without being diva-like, a musician before being a singer, Teresa Berganza in Mozart and Rossini, her two loves. As an accomplished musician and a great singer, Teresa Berganza started studying the piano, the organ, harmony and composition in Madrid. But at eighteen she decided to become a singer. Trained by Lola Rodriguez Aragòn, a student of Elisabeth Schumann, Teresa Berganza has two loves, Mozart and Rossini, who provide her with her favourite roles during her whole career. It is with Mozart that she performs on stage for the first time in Così fan Tutte (Dorabella) at the Aix en Provence Festival in 1957 and the lyrical world acclaims her. Two years later, Britain also falls under the charm of her Cherubino in the Marriage of Figaro at Glyndebourne and Covent Garden. Then the Cenerentola by Rossini is her consecration under the direction of Claudio Abbadon, with whom she also records Rosine in the Barber of Seville. Recorded in Paris in 1964 with the National Orchestra of the RTF conducted by Eugen Jochum, before an audience which, since Aix, is at her feet, Teresa Berganza portrays with youthful vigour Cinderella and Cherubino, these two adolescents whose singing expresses the passage into adulthood. Simplicity and natural ease, all the things that make up the qualities of Berganza's exceptional career are already there in her luminous presence. With a Spanish heart, faithful to her country and to her family, she is able to render larger than life the Spain invented by Bizet in Carmen, a role which she saves from all its clichés. But to the sombreros and mantillas she often prefers the recital in which she reveals without artifice her love for popular song and the zarzuela. In 1964, upon her return to the Festival of Aix en Provence accompanied by her husband, Felix Lavilla, she sings marvellous folk songs ranging from the Basque tradition embodied by Jesùs Guridi to that of Catalonia mixed with a little West Indian culture represented by Xavier Monsalvatge and the soft serenades of Ferran Obradors. When Teresa Berganza auditioned in 1957 in Aix she had been refused everywhere else. But Gabriel Dussurget intuitively felt she had a Mozartian temperament. Dorabella, then Cherubino, Teresa Berganza will also be Zerline in Don Giovanni, immortalised on screen by Joseph Losey. To this gallery, she adds one of the most beautiful Mozartian mezzos, Sextus in The Clemency of Titus which she records with Karl Böhm and from which she interprets here the moving Parto, in 1967 at the Salle Pleyel accompanied by Serge Baudo. |
| Beschreibung: | 1 Online-Ressource (1 video file (53 min.)) sound, color |
Internformat
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| 245 | 1 | 0 | |a Teresa Berganza sings Mozart, Rossini and De Falla |c Philippe Truffault, director ; Idéale Audience, IMG Artists |
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| 505 | 8 | |a Le nozze di Figaro. Voi che sapete / Mozart -- La cenerentola. Nacqui all'affanno / Rossini -- Canciones negras. Punto de habanera / Montsalvatge -- Canciones clasicas españolas. Aquel sombrero de monte / Obradors -- Canciones negras. Chévere ; Canción de cuna para dormir a un negrito ; Canto negro / Montsalvatge -- Canciones castellanas. Mañanita de San Juan ; Llámale con el pañuelo / Guridi -- Canciones clasicas españolas. Con amores, la mi madre ; Coplas de Curro Dulce / Obradors -- Clemenza di Tito, K. 621. Parto, parto / Mozart -- Siete canciones populares españolas / De Falla | |
| 511 | 0 | |a Teresa Berganza, mezzo-soprano ; Gerald Moore, Felix Laville, piano ; Orchestre de l'ORTF ; Eugen Jochum, Serge Baudo, conductors | |
| 520 | 3 | |a A diva without being diva-like, a musician before being a singer, Teresa Berganza in Mozart and Rossini, her two loves. As an accomplished musician and a great singer, Teresa Berganza started studying the piano, the organ, harmony and composition in Madrid. But at eighteen she decided to become a singer. Trained by Lola Rodriguez Aragòn, a student of Elisabeth Schumann, Teresa Berganza has two loves, Mozart and Rossini, who provide her with her favourite roles during her whole career. It is with Mozart that she performs on stage for the first time in Così fan Tutte (Dorabella) at the Aix en Provence Festival in 1957 and the lyrical world acclaims her. Two years later, Britain also falls under the charm of her Cherubino in the Marriage of Figaro at Glyndebourne and Covent Garden. Then the Cenerentola by Rossini is her consecration under the direction of Claudio Abbadon, with whom she also records Rosine in the Barber of Seville. | |
| 520 | 3 | |a Recorded in Paris in 1964 with the National Orchestra of the RTF conducted by Eugen Jochum, before an audience which, since Aix, is at her feet, Teresa Berganza portrays with youthful vigour Cinderella and Cherubino, these two adolescents whose singing expresses the passage into adulthood. Simplicity and natural ease, all the things that make up the qualities of Berganza's exceptional career are already there in her luminous presence. With a Spanish heart, faithful to her country and to her family, she is able to render larger than life the Spain invented by Bizet in Carmen, a role which she saves from all its clichés. But to the sombreros and mantillas she often prefers the recital in which she reveals without artifice her love for popular song and the zarzuela. | |
| 520 | 3 | |a In 1964, upon her return to the Festival of Aix en Provence accompanied by her husband, Felix Lavilla, she sings marvellous folk songs ranging from the Basque tradition embodied by Jesùs Guridi to that of Catalonia mixed with a little West Indian culture represented by Xavier Monsalvatge and the soft serenades of Ferran Obradors. When Teresa Berganza auditioned in 1957 in Aix she had been refused everywhere else. But Gabriel Dussurget intuitively felt she had a Mozartian temperament. Dorabella, then Cherubino, Teresa Berganza will also be Zerline in Don Giovanni, immortalised on screen by Joseph Losey. To this gallery, she adds one of the most beautiful Mozartian mezzos, Sextus in The Clemency of Titus which she records with Karl Böhm and from which she interprets here the moving Parto, in 1967 at the Salle Pleyel accompanied by Serge Baudo. | |
| 546 | |a Sung in Italian and Spanish | ||
| 650 | 4 | |a Opéras | |
| 650 | 4 | |a Chansons (Voix moyenne) acc. de piano | |
| 650 | 4 | |a Chansons (Voix moyenne) acc. d'orchestre | |
| 650 | 7 | |a Operas |2 Excerpts | |
| 650 | 4 | |a Songs (Medium voice) with orchestra | |
| 650 | 4 | |a Songs (Medium voice) with piano | |
| 650 | 4 | |a Operas |v Excerpts | |
| 650 | 4 | |a Songs (Medium voice) with piano | |
| 650 | 4 | |a Songs (Medium voice) with orchestra | |
| 653 | 6 | |a Webcast | |
| 653 | 6 | |a Internet videos | |
| 653 | 6 | |a Internet videos | |
| 653 | 6 | |a Vidéos sur Internet | |
| 700 | 1 | |a Truffault, Philippe |e Sonstige |4 oth | |
| 700 | 1 | |a Berganza, Teresa |e Sonstige |4 oth | |
| 700 | 1 | |a Moore, Gerald |d 1899-1987 |e Sonstige |4 oth | |
| 700 | 1 | |a Lavilla, Félix |e Sonstige |4 oth | |
| 700 | 1 | |a Jochum, Eugen |e Sonstige |4 oth | |
| 700 | 1 | |a Baudo, Serge |d 1927- |e Sonstige |4 oth | |
| 700 | 1 | 2 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Nozze di Figaro |p Voi, che sapete |
| 700 | 1 | 2 | |a Rossini, Gioacchino |d 1792-1868 |t Cenerentola |p Nacqui all'affanno |
| 700 | 1 | 2 | |a Montsalvatge, Xavier |d 1912-2002 |t Canciones negras |p Punto de habanera |
| 700 | 1 | 2 | |a Obradors, Fernando J. |t Aquel sombrero de monte |
| 700 | 1 | 2 | |a Montsalvatge, Xavier |d 1912-2002 |t Canciones negras |p Chévere |
| 700 | 1 | 2 | |a Montsalvatge, Xavier |d 1912-2002 |t Canciones negras |p Canción de cuna para dormir a un negrito |
| 700 | 1 | 2 | |a Montsalvatge, Xavier |d 1912-2002 |t Canciones negras |p Canto negro |
| 700 | 1 | 2 | |a Guridi, Jesús |d 1886-1961 |t Canciones castellanas |p Mañanita de San Juan |
| 700 | 1 | 2 | |a Guridi, Jesús |d 1886-1961 |t Canciones castellanas |p Llámale con el pañuelo |
| 700 | 1 | 2 | |a Obradors, Fernando J. |t Con amores, la mi madre |
| 700 | 1 | 2 | |a Obradors, Fernando J. |t Coplas de curro dulce |
| 700 | 1 | 2 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |t Clemenza di Tito |p Parto, ma tu ben mio |
| 700 | 1 | 2 | |a Falla, Manuel de |d 1876-1946 |t Canciones populares españolas |
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| 710 | 2 | |a Idéale Audience International |e Sonstige |4 oth | |
| 710 | 2 | |a IMG Artists (Firm) |e Sonstige |4 oth | |
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Datensatz im Suchindex
| _version_ | 1804184310272491520 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Mozart, Wolfgang Amadeus 1756-1791 Rossini, Gioacchino 1792-1868 Montsalvatge, Xavier 1912-2002 Obradors, Fernando J. Montsalvatge, Xavier 1912-2002 Montsalvatge, Xavier 1912-2002 Montsalvatge, Xavier 1912-2002 Guridi, Jesús 1886-1961 Guridi, Jesús 1886-1961 Obradors, Fernando J. Obradors, Fernando J. Mozart, Wolfgang Amadeus 1756-1791 Falla, Manuel de 1876-1946 |
| author2_role | |
| author2_variant | w a m wa wam g r gr x m xm f j o fj fjo x m xm x m xm x m xm j g jg j g jg f j o fj fjo f j o fj fjo w a m wa wam m d f md mdf |
| author_facet | Mozart, Wolfgang Amadeus 1756-1791 Rossini, Gioacchino 1792-1868 Montsalvatge, Xavier 1912-2002 Obradors, Fernando J. Montsalvatge, Xavier 1912-2002 Montsalvatge, Xavier 1912-2002 Montsalvatge, Xavier 1912-2002 Guridi, Jesús 1886-1961 Guridi, Jesús 1886-1961 Obradors, Fernando J. Obradors, Fernando J. Mozart, Wolfgang Amadeus 1756-1791 Falla, Manuel de 1876-1946 |
| author_sort | Mozart, Wolfgang Amadeus 1756-1791 |
| building | Verbundindex |
| bvnumber | BV048407941 |
| collection | ZDB-1-MTV |
| contents | Le nozze di Figaro. Voi che sapete / Mozart -- La cenerentola. Nacqui all'affanno / Rossini -- Canciones negras. Punto de habanera / Montsalvatge -- Canciones clasicas españolas. Aquel sombrero de monte / Obradors -- Canciones negras. Chévere ; Canción de cuna para dormir a un negrito ; Canto negro / Montsalvatge -- Canciones castellanas. Mañanita de San Juan ; Llámale con el pañuelo / Guridi -- Canciones clasicas españolas. Con amores, la mi madre ; Coplas de Curro Dulce / Obradors -- Clemenza di Tito, K. 621. Parto, parto / Mozart -- Siete canciones populares españolas / De Falla |
| ctrlnum | (ZDB-1-MTV)ocn956370034 (OCoLC)956370034 (DE-599)BVBBV048407941 |
| format | Electronic Video |
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| id | DE-604.BV048407941 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:29Z |
| indexdate | 2024-07-10T09:37:18Z |
| institution | BVB |
| language | Italian Spanish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786416 |
| oclc_num | 956370034 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 video file (53 min.)) sound, color |
| psigel | ZDB-1-MTV |
| publishDate | 1967 |
| publishDateSearch | 1960 |
| publishDateSort | 1960 |
| publisher | Idéale Audience Img Artists |
| record_format | marc |
| spelling | Teresa Berganza sings Mozart, Rossini and De Falla Philippe Truffault, director ; Idéale Audience, IMG Artists [Place of publication not identified] Idéale Audience [1967] Img Artists [1967] ©2001 1 Online-Ressource (1 video file (53 min.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Le nozze di Figaro. Voi che sapete / Mozart -- La cenerentola. Nacqui all'affanno / Rossini -- Canciones negras. Punto de habanera / Montsalvatge -- Canciones clasicas españolas. Aquel sombrero de monte / Obradors -- Canciones negras. Chévere ; Canción de cuna para dormir a un negrito ; Canto negro / Montsalvatge -- Canciones castellanas. Mañanita de San Juan ; Llámale con el pañuelo / Guridi -- Canciones clasicas españolas. Con amores, la mi madre ; Coplas de Curro Dulce / Obradors -- Clemenza di Tito, K. 621. Parto, parto / Mozart -- Siete canciones populares españolas / De Falla Teresa Berganza, mezzo-soprano ; Gerald Moore, Felix Laville, piano ; Orchestre de l'ORTF ; Eugen Jochum, Serge Baudo, conductors A diva without being diva-like, a musician before being a singer, Teresa Berganza in Mozart and Rossini, her two loves. As an accomplished musician and a great singer, Teresa Berganza started studying the piano, the organ, harmony and composition in Madrid. But at eighteen she decided to become a singer. Trained by Lola Rodriguez Aragòn, a student of Elisabeth Schumann, Teresa Berganza has two loves, Mozart and Rossini, who provide her with her favourite roles during her whole career. It is with Mozart that she performs on stage for the first time in Così fan Tutte (Dorabella) at the Aix en Provence Festival in 1957 and the lyrical world acclaims her. Two years later, Britain also falls under the charm of her Cherubino in the Marriage of Figaro at Glyndebourne and Covent Garden. Then the Cenerentola by Rossini is her consecration under the direction of Claudio Abbadon, with whom she also records Rosine in the Barber of Seville. Recorded in Paris in 1964 with the National Orchestra of the RTF conducted by Eugen Jochum, before an audience which, since Aix, is at her feet, Teresa Berganza portrays with youthful vigour Cinderella and Cherubino, these two adolescents whose singing expresses the passage into adulthood. Simplicity and natural ease, all the things that make up the qualities of Berganza's exceptional career are already there in her luminous presence. With a Spanish heart, faithful to her country and to her family, she is able to render larger than life the Spain invented by Bizet in Carmen, a role which she saves from all its clichés. But to the sombreros and mantillas she often prefers the recital in which she reveals without artifice her love for popular song and the zarzuela. In 1964, upon her return to the Festival of Aix en Provence accompanied by her husband, Felix Lavilla, she sings marvellous folk songs ranging from the Basque tradition embodied by Jesùs Guridi to that of Catalonia mixed with a little West Indian culture represented by Xavier Monsalvatge and the soft serenades of Ferran Obradors. When Teresa Berganza auditioned in 1957 in Aix she had been refused everywhere else. But Gabriel Dussurget intuitively felt she had a Mozartian temperament. Dorabella, then Cherubino, Teresa Berganza will also be Zerline in Don Giovanni, immortalised on screen by Joseph Losey. To this gallery, she adds one of the most beautiful Mozartian mezzos, Sextus in The Clemency of Titus which she records with Karl Böhm and from which she interprets here the moving Parto, in 1967 at the Salle Pleyel accompanied by Serge Baudo. Sung in Italian and Spanish Opéras Chansons (Voix moyenne) acc. de piano Chansons (Voix moyenne) acc. d'orchestre Operas Excerpts Songs (Medium voice) with orchestra Songs (Medium voice) with piano Webcast Internet videos Vidéos sur Internet Truffault, Philippe Sonstige oth Berganza, Teresa Sonstige oth Moore, Gerald 1899-1987 Sonstige oth Lavilla, Félix Sonstige oth Jochum, Eugen Sonstige oth Baudo, Serge 1927- Sonstige oth Mozart, Wolfgang Amadeus 1756-1791 Nozze di Figaro Voi, che sapete Rossini, Gioacchino 1792-1868 Cenerentola Nacqui all'affanno Montsalvatge, Xavier 1912-2002 Canciones negras Punto de habanera Obradors, Fernando J. Aquel sombrero de monte Montsalvatge, Xavier 1912-2002 Canciones negras Chévere Montsalvatge, Xavier 1912-2002 Canciones negras Canción de cuna para dormir a un negrito Montsalvatge, Xavier 1912-2002 Canciones negras Canto negro Guridi, Jesús 1886-1961 Canciones castellanas Mañanita de San Juan Guridi, Jesús 1886-1961 Canciones castellanas Llámale con el pañuelo Obradors, Fernando J. Con amores, la mi madre Obradors, Fernando J. Coplas de curro dulce Mozart, Wolfgang Amadeus 1756-1791 Clemenza di Tito Parto, ma tu ben mio Falla, Manuel de 1876-1946 Canciones populares españolas Orchestre national de l'O.R.T.F. Sonstige oth Idéale Audience International Sonstige oth IMG Artists (Firm) Sonstige oth https://edu.medici.tv/en/concerts/berganza-mozart-rossini-falla Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | Teresa Berganza sings Mozart, Rossini and De Falla Le nozze di Figaro. Voi che sapete / Mozart -- La cenerentola. Nacqui all'affanno / Rossini -- Canciones negras. Punto de habanera / Montsalvatge -- Canciones clasicas españolas. Aquel sombrero de monte / Obradors -- Canciones negras. Chévere ; Canción de cuna para dormir a un negrito ; Canto negro / Montsalvatge -- Canciones castellanas. Mañanita de San Juan ; Llámale con el pañuelo / Guridi -- Canciones clasicas españolas. Con amores, la mi madre ; Coplas de Curro Dulce / Obradors -- Clemenza di Tito, K. 621. Parto, parto / Mozart -- Siete canciones populares españolas / De Falla Opéras Chansons (Voix moyenne) acc. de piano Chansons (Voix moyenne) acc. d'orchestre Operas Excerpts Songs (Medium voice) with orchestra Songs (Medium voice) with piano |
| title | Teresa Berganza sings Mozart, Rossini and De Falla |
| title_alt | Nozze di Figaro Cenerentola Canciones negras Aquel sombrero de monte Canciones castellanas Con amores, la mi madre Coplas de curro dulce Clemenza di Tito Canciones populares españolas |
| title_auth | Teresa Berganza sings Mozart, Rossini and De Falla |
| title_exact_search | Teresa Berganza sings Mozart, Rossini and De Falla |
| title_exact_search_txtP | Teresa Berganza sings Mozart, Rossini and De Falla |
| title_full | Teresa Berganza sings Mozart, Rossini and De Falla Philippe Truffault, director ; Idéale Audience, IMG Artists |
| title_fullStr | Teresa Berganza sings Mozart, Rossini and De Falla Philippe Truffault, director ; Idéale Audience, IMG Artists |
| title_full_unstemmed | Teresa Berganza sings Mozart, Rossini and De Falla Philippe Truffault, director ; Idéale Audience, IMG Artists |
| title_short | Teresa Berganza sings Mozart, Rossini and De Falla |
| title_sort | teresa berganza sings mozart rossini and de falla |
| topic | Opéras Chansons (Voix moyenne) acc. de piano Chansons (Voix moyenne) acc. d'orchestre Operas Excerpts Songs (Medium voice) with orchestra Songs (Medium voice) with piano |
| topic_facet | Opéras Chansons (Voix moyenne) acc. de piano Chansons (Voix moyenne) acc. d'orchestre Operas Songs (Medium voice) with orchestra Songs (Medium voice) with piano Operas Excerpts |
| url | https://edu.medici.tv/en/concerts/berganza-mozart-rossini-falla |
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