Orfeo ed Euridice:
Gluck's masterwork Orfeo ed Euridice, in an outstanding production by Harry Kupfer, sung in Italian. Euridice is dead. Her husband Orfeo is overwhelmed with grief and is longing for death. But Love intervenes and tells Orfeo that he can bring back his wife from the underworld, on the condition...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch Video |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
RM Arts & Royal Opera House
[1991]
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Gluck's masterwork Orfeo ed Euridice, in an outstanding production by Harry Kupfer, sung in Italian. Euridice is dead. Her husband Orfeo is overwhelmed with grief and is longing for death. But Love intervenes and tells Orfeo that he can bring back his wife from the underworld, on the condition that he does not turn back to see her on the their way back to the living world. Orfeo takes on the quest. Begging before the chorus of the Furies, Orfeo is eventually admitted into the underworld and meets his wife. But on their journey back, Euridice is worried by her husband's indifference: "Beloved husband, will you leave me thus? I am consumed with grief; will you not console me?" Willing to comfort his wife, Orfeo turns back. Euridice expires in her husband's arms. Premiered in 1762, Orfeo ed Euridice is a turning point in the history of opera. Freeing the plot from the conventions of the 18th century opera seria, Gluck introduces fluidity in the drama. The rigid alternation of aria and recitativo is abandonned; continity and unity are the cornerstones of Gluck's reform, and the lesson is learned by the following generation of opera composers, like Berlioz and Wagner. Besides, celebrated for its melodic invention, Orfeo ed Euridice gave to the lyric repertoire one of its most famous arias "J'ai perdu mon Eurydice" ("Che farò senza Euridice" in the Italian version) and some of the most important pieces for choir ... |
| Beschreibung: | Opera in three acts |
| Beschreibung: | 1 Online-Ressource (1 video file (1 hr., 22 min., 28 sec.)) sound, color |
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| 518 | |a Royal Opera House, Covent Garden, London, Great Britain: | ||
| 520 | 3 | |a Gluck's masterwork Orfeo ed Euridice, in an outstanding production by Harry Kupfer, sung in Italian. Euridice is dead. Her husband Orfeo is overwhelmed with grief and is longing for death. But Love intervenes and tells Orfeo that he can bring back his wife from the underworld, on the condition that he does not turn back to see her on the their way back to the living world. Orfeo takes on the quest. Begging before the chorus of the Furies, Orfeo is eventually admitted into the underworld and meets his wife. But on their journey back, Euridice is worried by her husband's indifference: "Beloved husband, will you leave me thus? I am consumed with grief; will you not console me?" Willing to comfort his wife, Orfeo turns back. Euridice expires in her husband's arms. Premiered in 1762, Orfeo ed Euridice is a turning point in the history of opera. Freeing the plot from the conventions of the 18th century opera seria, Gluck introduces fluidity in the drama. The rigid alternation of aria and recitativo is abandonned; continity and unity are the cornerstones of Gluck's reform, and the lesson is learned by the following generation of opera composers, like Berlioz and Wagner. Besides, celebrated for its melodic invention, Orfeo ed Euridice gave to the lyric repertoire one of its most famous arias "J'ai perdu mon Eurydice" ("Che farò senza Euridice" in the Italian version) and some of the most important pieces for choir ... | |
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Datensatz im Suchindex
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| id | DE-604.BV048407831 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:28Z |
| indexdate | 2024-07-10T09:37:18Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786306 |
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| physical | 1 Online-Ressource (1 video file (1 hr., 22 min., 28 sec.)) sound, color |
| psigel | ZDB-1-MTV |
| publishDate | 1991 |
| publishDateSearch | 1991 |
| publishDateSort | 1991 |
| publisher | RM Arts & Royal Opera House |
| record_format | marc |
| spelling | Orfeo ed Euridice Gluck ; Harry Kupfer, stage director ; Hans Hulscher, director ; RM Arts & Royal Opera House [Place of publication not identified] RM Arts & Royal Opera House [1991] ©1991 1 Online-Ressource (1 video file (1 hr., 22 min., 28 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Opera in three acts Jochen Kowalski (Orfeo) ; Jeremy Budd (Amor) ; Gillian Webster (Euridice) ; Jean-Pierre Blanchard (Orfeo double) ; William Edwards (Euridice double) ; The Royal Opera Chorus ; Orchestra of the Royal Opera House ; conductor, Hartmut Haenchen Royal Opera House, Covent Garden, London, Great Britain: Gluck's masterwork Orfeo ed Euridice, in an outstanding production by Harry Kupfer, sung in Italian. Euridice is dead. Her husband Orfeo is overwhelmed with grief and is longing for death. But Love intervenes and tells Orfeo that he can bring back his wife from the underworld, on the condition that he does not turn back to see her on the their way back to the living world. Orfeo takes on the quest. Begging before the chorus of the Furies, Orfeo is eventually admitted into the underworld and meets his wife. But on their journey back, Euridice is worried by her husband's indifference: "Beloved husband, will you leave me thus? I am consumed with grief; will you not console me?" Willing to comfort his wife, Orfeo turns back. Euridice expires in her husband's arms. Premiered in 1762, Orfeo ed Euridice is a turning point in the history of opera. Freeing the plot from the conventions of the 18th century opera seria, Gluck introduces fluidity in the drama. The rigid alternation of aria and recitativo is abandonned; continity and unity are the cornerstones of Gluck's reform, and the lesson is learned by the following generation of opera composers, like Berlioz and Wagner. Besides, celebrated for its melodic invention, Orfeo ed Euridice gave to the lyric repertoire one of its most famous arias "J'ai perdu mon Eurydice" ("Che farò senza Euridice" in the Italian version) and some of the most important pieces for choir ... Sung in Italian Operas Webcast Internet videos Vidéos sur Internet Kupfer, Harry Sonstige oth Hulscher, Hans Sonstige oth Kowalski, Jochen 1954- Sonstige oth Webster, Gillian 1964- Sonstige oth Budd, Jeremy Sonstige oth Blanchard, Jean-Pierre Sonstige oth Edwards, William Sonstige oth Haenchen, Hartmut Sonstige oth Gluck, Christoph Willibald Ritter von 1714-1787 Orfeo ed Euridice Royal Opera House (London, England) Sonstige oth RM Arts (Firm) Sonstige oth https://edu.medici.tv/en/operas/orfeo-ed-euridice-gluck-covent-garden-hartmut-haenchen-harry-kupfer Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | Orfeo ed Euridice Operas |
| title | Orfeo ed Euridice |
| title_alt | Orfeo ed Euridice |
| title_auth | Orfeo ed Euridice |
| title_exact_search | Orfeo ed Euridice |
| title_exact_search_txtP | Orfeo ed Euridice |
| title_full | Orfeo ed Euridice Gluck ; Harry Kupfer, stage director ; Hans Hulscher, director ; RM Arts & Royal Opera House |
| title_fullStr | Orfeo ed Euridice Gluck ; Harry Kupfer, stage director ; Hans Hulscher, director ; RM Arts & Royal Opera House |
| title_full_unstemmed | Orfeo ed Euridice Gluck ; Harry Kupfer, stage director ; Hans Hulscher, director ; RM Arts & Royal Opera House |
| title_short | Orfeo ed Euridice |
| title_sort | orfeo ed euridice |
| topic | Operas |
| topic_facet | Operas |
| url | https://edu.medici.tv/en/operas/orfeo-ed-euridice-gluck-covent-garden-hartmut-haenchen-harry-kupfer |
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