Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms: Liebeslieder Walzer
An exceptional historical recording of Brahms' Liebeslieder, Op. 52. Within the history of the Lied, Brahms's Liebeslieder, Op. 52 hold a special place. Moving away from the traditional music group made of a soloist accompanied by an instrument (most of the time the piano), Brahms composes...
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| Weitere Verfasser: | |
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| Format: | Elektronisch Video |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
BR
[1983]
RM Arts [1983] |
| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | An exceptional historical recording of Brahms' Liebeslieder, Op. 52. Within the history of the Lied, Brahms's Liebeslieder, Op. 52 hold a special place. Moving away from the traditional music group made of a soloist accompanied by an instrument (most of the time the piano), Brahms composes a cycle for four voices and a four-hand piano. Brahms introduces thus a polyphonic pattern, combines soloist and choral episodes in a genre usually oriented towards the expression of an individual subject. Thanks to the waltz rhythm especially used throughout the cycle, Brahms gives a popular tone to his composition. However, beneath this apparent simplicity, the music expresses very deep and subtle feelings; a reason among many others which explain why the cycle of the Liebeslieder is still in the audience's mind one of the most popular work composed by Brahms |
| Beschreibung: | 1 Online-Ressource (1 video file (24 min., 25 sec.)) sound, color |
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| 505 | 8 | |a Rede, Mädchen, allzu liebes. Im Ländler-Tempo -- Am Gesteine rauscht die Flut -- O die Frauen -- Wie des Abends schöne Röthe -- Die grüne Hopfenranke -- Ein kleiner, hübscher Vogel nahm. Grazioso -- Wohl schön bewandt -- Wenn so lind dein Augen mir -- Am Donaustrande -- Nein, est ist nicht auszukommen -- Schlosser auf, und mache Schlösser -- Vögelein durchrauscht die Luft -- Sieh, wie ist die Walle klar -- Nachtigall, sie singt so schön -- Ein dunkeler Schacht ist Liebe. Lebhaft -- Nicht wandle, mein Licht. Mit Ausdruck -- Es bebet das Gesträuche. Lebhaft | |
| 511 | 0 | |a Edith Mathis, soprano ; Brigitte Fassbaender, mezzo-soprano ; Peter Schreier, tenor ; Barry McDaniel, bass ; Karl Engel, Heinz Medjimorec, piano | |
| 520 | 3 | |a An exceptional historical recording of Brahms' Liebeslieder, Op. 52. Within the history of the Lied, Brahms's Liebeslieder, Op. 52 hold a special place. Moving away from the traditional music group made of a soloist accompanied by an instrument (most of the time the piano), Brahms composes a cycle for four voices and a four-hand piano. Brahms introduces thus a polyphonic pattern, combines soloist and choral episodes in a genre usually oriented towards the expression of an individual subject. Thanks to the waltz rhythm especially used throughout the cycle, Brahms gives a popular tone to his composition. However, beneath this apparent simplicity, the music expresses very deep and subtle feelings; a reason among many others which explain why the cycle of the Liebeslieder is still in the audience's mind one of the most popular work composed by Brahms | |
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Datensatz im Suchindex
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| author2 | Brahms, Johannes 1833-1897 |
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| bvnumber | BV048407814 |
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| contents | Rede, Mädchen, allzu liebes. Im Ländler-Tempo -- Am Gesteine rauscht die Flut -- O die Frauen -- Wie des Abends schöne Röthe -- Die grüne Hopfenranke -- Ein kleiner, hübscher Vogel nahm. Grazioso -- Wohl schön bewandt -- Wenn so lind dein Augen mir -- Am Donaustrande -- Nein, est ist nicht auszukommen -- Schlosser auf, und mache Schlösser -- Vögelein durchrauscht die Luft -- Sieh, wie ist die Walle klar -- Nachtigall, sie singt so schön -- Ein dunkeler Schacht ist Liebe. Lebhaft -- Nicht wandle, mein Licht. Mit Ausdruck -- Es bebet das Gesträuche. Lebhaft |
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| id | DE-604.BV048407814 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:28Z |
| indexdate | 2024-07-10T09:37:18Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786289 |
| oclc_num | 956369852 |
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| physical | 1 Online-Ressource (1 video file (24 min., 25 sec.)) sound, color |
| psigel | ZDB-1-MTV |
| publishDate | 1983 |
| publishDateSearch | 1983 |
| publishDateSort | 1983 |
| publisher | BR RM Arts |
| record_format | marc |
| spelling | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer Johannes Schaaf, director ; BR/RM Arts Liebeslieder Walzer [Place of publication not identified] BR [1983] RM Arts [1983] ©1983 1 Online-Ressource (1 video file (24 min., 25 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Rede, Mädchen, allzu liebes. Im Ländler-Tempo -- Am Gesteine rauscht die Flut -- O die Frauen -- Wie des Abends schöne Röthe -- Die grüne Hopfenranke -- Ein kleiner, hübscher Vogel nahm. Grazioso -- Wohl schön bewandt -- Wenn so lind dein Augen mir -- Am Donaustrande -- Nein, est ist nicht auszukommen -- Schlosser auf, und mache Schlösser -- Vögelein durchrauscht die Luft -- Sieh, wie ist die Walle klar -- Nachtigall, sie singt so schön -- Ein dunkeler Schacht ist Liebe. Lebhaft -- Nicht wandle, mein Licht. Mit Ausdruck -- Es bebet das Gesträuche. Lebhaft Edith Mathis, soprano ; Brigitte Fassbaender, mezzo-soprano ; Peter Schreier, tenor ; Barry McDaniel, bass ; Karl Engel, Heinz Medjimorec, piano An exceptional historical recording of Brahms' Liebeslieder, Op. 52. Within the history of the Lied, Brahms's Liebeslieder, Op. 52 hold a special place. Moving away from the traditional music group made of a soloist accompanied by an instrument (most of the time the piano), Brahms composes a cycle for four voices and a four-hand piano. Brahms introduces thus a polyphonic pattern, combines soloist and choral episodes in a genre usually oriented towards the expression of an individual subject. Thanks to the waltz rhythm especially used throughout the cycle, Brahms gives a popular tone to his composition. However, beneath this apparent simplicity, the music expresses very deep and subtle feelings; a reason among many others which explain why the cycle of the Liebeslieder is still in the audience's mind one of the most popular work composed by Brahms Sung in German Vocal quartets with piano Vocal quartets with piano, 4 hands Waltzes Internet videos Schaaf, Johannes 1933- Sonstige oth Mathis, Edith Sonstige oth Fassbaender, Brigitte Sonstige oth Schreier, Peter Sonstige oth McDaniel, Barry Sonstige oth Engel, Karl 1923-2006 Sonstige oth Medjimorec, Heinz Sonstige oth Brahms, Johannes 1833-1897 Liebeslieder singers (4), piano, 4 hands Bayerischer Rundfunk Sonstige oth RM Arts (Firm) Sonstige oth https://edu.medici.tv/en/concerts/edith-mathis-brigitte-fassbaender-peter-schreier-barry-mc-daniel-brahms-liebeslieder Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer Rede, Mädchen, allzu liebes. Im Ländler-Tempo -- Am Gesteine rauscht die Flut -- O die Frauen -- Wie des Abends schöne Röthe -- Die grüne Hopfenranke -- Ein kleiner, hübscher Vogel nahm. Grazioso -- Wohl schön bewandt -- Wenn so lind dein Augen mir -- Am Donaustrande -- Nein, est ist nicht auszukommen -- Schlosser auf, und mache Schlösser -- Vögelein durchrauscht die Luft -- Sieh, wie ist die Walle klar -- Nachtigall, sie singt so schön -- Ein dunkeler Schacht ist Liebe. Lebhaft -- Nicht wandle, mein Licht. Mit Ausdruck -- Es bebet das Gesträuche. Lebhaft Vocal quartets with piano Vocal quartets with piano, 4 hands Waltzes |
| title | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer |
| title_alt | Liebeslieder Walzer Liebeslieder |
| title_auth | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer |
| title_exact_search | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer |
| title_exact_search_txtP | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer |
| title_full | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer Johannes Schaaf, director ; BR/RM Arts |
| title_fullStr | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer Johannes Schaaf, director ; BR/RM Arts |
| title_full_unstemmed | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms Liebeslieder Walzer Johannes Schaaf, director ; BR/RM Arts |
| title_short | Edith Mathis, Brigitte Fassbaender, Peter Schreier and Barry McDaniel sing Brahms |
| title_sort | edith mathis brigitte fassbaender peter schreier and barry mcdaniel sing brahms liebeslieder walzer |
| title_sub | Liebeslieder Walzer |
| topic | Vocal quartets with piano Vocal quartets with piano, 4 hands Waltzes |
| topic_facet | Vocal quartets with piano Vocal quartets with piano, 4 hands Waltzes |
| url | https://edu.medici.tv/en/concerts/edith-mathis-brigitte-fassbaender-peter-schreier-barry-mc-daniel-brahms-liebeslieder |
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