The merry widow: operette
Pleasure for the sake of pleasure. The Merry Widow blends skillfully the elements that made the success of the genre of the operetta: lightheartedness, cheekiness, slapsticks of every kind; elements brought to the fore with brio by the remarkable production of Helmut Lohner, and the stunning Dagmar...
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| Format: | Elektronisch Video |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
[publisher not identified]
[2004]
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Pleasure for the sake of pleasure. The Merry Widow blends skillfully the elements that made the success of the genre of the operetta: lightheartedness, cheekiness, slapsticks of every kind; elements brought to the fore with brio by the remarkable production of Helmut Lohner, and the stunning Dagmar Schellenberger in the role of Hanna Glawari. Against the French Grand Opera ridden with deadly serious plots and pompous bombast, the operetta emerged as an anti-intellectual genre mocking the academic codes set forth by the Meyerbeer-Scribe couple. In this respect, no one defines better the operetta than the witty Saint-Saëns: "the operetta is an opera-comique's daughter that went bad, but this kind of girls are usually not deprived of charm." And indeed, The Merry Widow, created in Vienna in 1905, was performed more than 20,000 times over the four following years! A hint of nostalgia arises in watching Lehar's masterwork. Swirling waltz, dizzying celebrations remind us of the final splendor of the 19th century, of the Belle Époque's exuberance |
| Beschreibung: | 1 Online-Ressource (1 video file (2 hr., 15 min., 7 sec.)) sound, color |
Internformat
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| 511 | 0 | |a Dagmar Schellenberger (Hanna Glawari) ; Rodney Gilfrey (Graf Danilo) ; Ute Gfrerer (Valencienne) ; Rudolf A. Hartmann (Baron Mirko Zeta) ; Piotr Beczala (Camille de Rosillon) ; Herbert Prikopa (Njegus) ; Zurich Opera Chorus ; Zurich Opera House Orchestra ; Franz Welser-Möst, conductor | |
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| 520 | 3 | |a Pleasure for the sake of pleasure. The Merry Widow blends skillfully the elements that made the success of the genre of the operetta: lightheartedness, cheekiness, slapsticks of every kind; elements brought to the fore with brio by the remarkable production of Helmut Lohner, and the stunning Dagmar Schellenberger in the role of Hanna Glawari. Against the French Grand Opera ridden with deadly serious plots and pompous bombast, the operetta emerged as an anti-intellectual genre mocking the academic codes set forth by the Meyerbeer-Scribe couple. In this respect, no one defines better the operetta than the witty Saint-Saëns: "the operetta is an opera-comique's daughter that went bad, but this kind of girls are usually not deprived of charm." And indeed, The Merry Widow, created in Vienna in 1905, was performed more than 20,000 times over the four following years! A hint of nostalgia arises in watching Lehar's masterwork. Swirling waltz, dizzying celebrations remind us of the final splendor of the 19th century, of the Belle Époque's exuberance | |
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:28Z |
| indexdate | 2024-07-10T09:37:18Z |
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| publishDate | 2004 |
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| publisher | [publisher not identified] |
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| spelling | The merry widow operette Lehár ; Helmut Lohner, stage director ; Anton Reitzenstein, director [Place of publication not identified] [publisher not identified] [2004] ©2004 1 Online-Ressource (1 video file (2 hr., 15 min., 7 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Dagmar Schellenberger (Hanna Glawari) ; Rodney Gilfrey (Graf Danilo) ; Ute Gfrerer (Valencienne) ; Rudolf A. Hartmann (Baron Mirko Zeta) ; Piotr Beczala (Camille de Rosillon) ; Herbert Prikopa (Njegus) ; Zurich Opera Chorus ; Zurich Opera House Orchestra ; Franz Welser-Möst, conductor Zürich Opera House, Zurich, Switzerland: Pleasure for the sake of pleasure. The Merry Widow blends skillfully the elements that made the success of the genre of the operetta: lightheartedness, cheekiness, slapsticks of every kind; elements brought to the fore with brio by the remarkable production of Helmut Lohner, and the stunning Dagmar Schellenberger in the role of Hanna Glawari. Against the French Grand Opera ridden with deadly serious plots and pompous bombast, the operetta emerged as an anti-intellectual genre mocking the academic codes set forth by the Meyerbeer-Scribe couple. In this respect, no one defines better the operetta than the witty Saint-Saëns: "the operetta is an opera-comique's daughter that went bad, but this kind of girls are usually not deprived of charm." And indeed, The Merry Widow, created in Vienna in 1905, was performed more than 20,000 times over the four following years! A hint of nostalgia arises in watching Lehar's masterwork. Swirling waltz, dizzying celebrations remind us of the final splendor of the 19th century, of the Belle Époque's exuberance Sung in German Operas Widows Widows Drama Drama Internet videos Lohner, Helmut Sonstige oth Reitzenstein, Anton Sonstige oth Schellenberger, Dagmar 1958- Sonstige oth Gilfry, Rodney Sonstige oth Gfrerer, Ute Sonstige oth Hartmann, Rudolf 1937 January 19- Sonstige oth Beczala, Piotr Sonstige oth Prikopa, Herbert 1935- Sonstige oth Welser-Möst, Franz Sonstige oth Lehár, Franz 1870-1948 Lustige Witwe Opernhaus Zürich Sonstige oth https://edu.medici.tv/en/operas/die-lustige-witwe-franz-welser-most-helmut-lohner-opernhaus-zurich Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | The merry widow operette Operas Widows Widows Drama |
| title | The merry widow operette |
| title_alt | Lustige Witwe |
| title_auth | The merry widow operette |
| title_exact_search | The merry widow operette |
| title_exact_search_txtP | The merry widow operette |
| title_full | The merry widow operette Lehár ; Helmut Lohner, stage director ; Anton Reitzenstein, director |
| title_fullStr | The merry widow operette Lehár ; Helmut Lohner, stage director ; Anton Reitzenstein, director |
| title_full_unstemmed | The merry widow operette Lehár ; Helmut Lohner, stage director ; Anton Reitzenstein, director |
| title_short | The merry widow |
| title_sort | the merry widow operette |
| title_sub | operette |
| topic | Operas Widows Widows Drama |
| topic_facet | Operas Widows Widows Drama |
| url | https://edu.medici.tv/en/operas/die-lustige-witwe-franz-welser-most-helmut-lohner-opernhaus-zurich |
| work_keys_str_mv | AT lohnerhelmut themerrywidowoperette AT reitzensteinanton themerrywidowoperette AT schellenbergerdagmar themerrywidowoperette AT gilfryrodney themerrywidowoperette AT gfrererute themerrywidowoperette AT hartmannrudolf themerrywidowoperette AT beczalapiotr themerrywidowoperette AT prikopaherbert themerrywidowoperette AT welsermostfranz themerrywidowoperette AT leharfranz themerrywidowoperette AT opernhauszurich themerrywidowoperette |