La bayadère:
For the very first time in its history, medici.tv associates with one of the world's most prestigious companies, the Ballet of the State Academic Bolshoi Theatre of Russia, for a new scenic version of Marius Petipa's La Bayadère, revised by Yuri Grigorovich. It is one of the greatest balle...
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| Format: | Elektronisch Video |
| Sprache: | English |
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[Place of publication not identified]
Bel Air Media -- The State Academic Bolshoi Theatre of Russia
[2013]
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| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | For the very first time in its history, medici.tv associates with one of the world's most prestigious companies, the Ballet of the State Academic Bolshoi Theatre of Russia, for a new scenic version of Marius Petipa's La Bayadère, revised by Yuri Grigorovich. It is one of the greatest ballets of the repertoire. Its choreography gathers a huge amount of dancers, including at least five highly virtuoso soloists. Premiered in 1877 at the State Academic Bolshoi Theatre of Russia, La Bayadère was choreographed by Marius Petipa on a score by Leon Minkus. It was revised a few times -- by Petipa himself, and then by other choreographers. A milestone of the Russian repertoire, the ballet stayed unknown in Western countries -- until Rudolf Nureev created his 1992 choreography for the Paris Opera House. medici.tv now broadcasts this new scenic version by Yuri Grigorovich. The story of La Bayadère is made up of tragic elements. In India, Solor (Vladislav Lantratov) and Nikiya (Svetlana Zakharova), the temple maiden, love each other purely. But their feelings are thwarted by the High Brahmin (Andrey Sitnikov), in love with Nikiya, and the daughter of the rajah (Alexey Loparevich) Gamzatti (Maria Alexandrova), consumed with love for Solor. Because of these very complicated relationships between the four people, La Bayadère becomes the settings for such various feelings as love, scorn, jealousy, treason and hatred. With a rare violence, the choreographer lets his persecuted bayadère die on stage, a victim of her powerful enemies, who was too noble to take advantage of the circumstances. Solor and Nikiya only meet at The Kingdom of the Shades, in an opiated vision of Solor. According to tales and legends, this is where lovers reconcile among the supreme opulence and order of the shades of other bayadères. Thus, the third act is a majestic white act in which love triumphs over vile feelings in an immaculate dream, as opposed to the gold and the shimmering colors of the two other acts |
| Beschreibung: | 1 Online-Ressource (1 video file (2 hr., 14 min., 55 sec.)) sound, color |
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| 518 | |a Bolshoi Theatre, Moscow, Russia: | ||
| 520 | 3 | |a For the very first time in its history, medici.tv associates with one of the world's most prestigious companies, the Ballet of the State Academic Bolshoi Theatre of Russia, for a new scenic version of Marius Petipa's La Bayadère, revised by Yuri Grigorovich. It is one of the greatest ballets of the repertoire. Its choreography gathers a huge amount of dancers, including at least five highly virtuoso soloists. Premiered in 1877 at the State Academic Bolshoi Theatre of Russia, La Bayadère was choreographed by Marius Petipa on a score by Leon Minkus. It was revised a few times -- by Petipa himself, and then by other choreographers. A milestone of the Russian repertoire, the ballet stayed unknown in Western countries -- | |
| 520 | 3 | |a until Rudolf Nureev created his 1992 choreography for the Paris Opera House. medici.tv now broadcasts this new scenic version by Yuri Grigorovich. The story of La Bayadère is made up of tragic elements. In India, Solor (Vladislav Lantratov) and Nikiya (Svetlana Zakharova), the temple maiden, love each other purely. But their feelings are thwarted by the High Brahmin (Andrey Sitnikov), in love with Nikiya, and the daughter of the rajah (Alexey Loparevich) Gamzatti (Maria Alexandrova), consumed with love for Solor. Because of these very complicated relationships between the four people, La Bayadère becomes the settings for such various feelings as love, scorn, jealousy, treason and hatred. With a rare violence, the choreographer lets his persecuted bayadère die on stage, a victim of her powerful enemies, who was too noble to take advantage of the circumstances. Solor and Nikiya only meet at The Kingdom of the Shades, in an opiated vision of Solor. | |
| 520 | 3 | |a According to tales and legends, this is where lovers reconcile among the supreme opulence and order of the shades of other bayadères. Thus, the third act is a majestic white act in which love triumphs over vile feelings in an immaculate dream, as opposed to the gold and the shimmering colors of the two other acts | |
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| id | DE-604.BV048407690 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:28Z |
| indexdate | 2024-07-10T09:37:17Z |
| institution | BVB |
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| spelling | La bayadère Bel Air Media ; The State Academic Bolshoi Theatre of Russia ; Léon Minkus, music ; Marius Petipa, choreography ; Yuri Grigorovich, new scenic version ; Vincent Bataillon, director [Place of publication not identified] Bel Air Media -- The State Academic Bolshoi Theatre of Russia [2013] ©2013 1 Online-Ressource (1 video file (2 hr., 14 min., 55 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Svetlana Zakharova (Nikiya) ; Vladislav Lantratov (Solor) ; Maria Alexandrova (Gamzatti, his daughter) ; Alexey Loparevich (Dugmanta, Rajah) ; Andrey Sitnikov (The High Brahmin) ; Corps de Ballet of the State Academic Bolshoi Theatre of Russia ; Orchestra of the State Academic Bolshoi Theatre of Russia ; Pavel Sorokin, conductor Bolshoi Theatre, Moscow, Russia: For the very first time in its history, medici.tv associates with one of the world's most prestigious companies, the Ballet of the State Academic Bolshoi Theatre of Russia, for a new scenic version of Marius Petipa's La Bayadère, revised by Yuri Grigorovich. It is one of the greatest ballets of the repertoire. Its choreography gathers a huge amount of dancers, including at least five highly virtuoso soloists. Premiered in 1877 at the State Academic Bolshoi Theatre of Russia, La Bayadère was choreographed by Marius Petipa on a score by Leon Minkus. It was revised a few times -- by Petipa himself, and then by other choreographers. A milestone of the Russian repertoire, the ballet stayed unknown in Western countries -- until Rudolf Nureev created his 1992 choreography for the Paris Opera House. medici.tv now broadcasts this new scenic version by Yuri Grigorovich. The story of La Bayadère is made up of tragic elements. In India, Solor (Vladislav Lantratov) and Nikiya (Svetlana Zakharova), the temple maiden, love each other purely. But their feelings are thwarted by the High Brahmin (Andrey Sitnikov), in love with Nikiya, and the daughter of the rajah (Alexey Loparevich) Gamzatti (Maria Alexandrova), consumed with love for Solor. Because of these very complicated relationships between the four people, La Bayadère becomes the settings for such various feelings as love, scorn, jealousy, treason and hatred. With a rare violence, the choreographer lets his persecuted bayadère die on stage, a victim of her powerful enemies, who was too noble to take advantage of the circumstances. Solor and Nikiya only meet at The Kingdom of the Shades, in an opiated vision of Solor. According to tales and legends, this is where lovers reconcile among the supreme opulence and order of the shades of other bayadères. Thus, the third act is a majestic white act in which love triumphs over vile feelings in an immaculate dream, as opposed to the gold and the shimmering colors of the two other acts Ballets Dancers Man-woman relationships Temples Temples India Golconda Drama Dancers India Golconda Drama Man-woman relationships India Golconda Drama India / Golconda Drama Internet videos Petipa, Marius 1818-1910 Sonstige oth Grigorovich, I͡Uriĭ Nikolaevich 1927- Sonstige oth Bataillon, Vincent Sonstige oth Sorokin, Pavel Sonstige oth Zakharova, Svetlana 1979- Sonstige oth Lantratov, Vladislav Sonstige oth Aleksandrova, Marii͡a 1978- Sonstige oth Loparevich, Alekseĭ Sonstige oth Sitnikov, Andreĭ Sonstige oth Minkus, L. 1826-1917 Bayadère Bolʹshoĭ teatr Rossii Balet Sonstige oth Bolʹshoĭ teatr Rossii Orkestr Sonstige oth Bel Air Media (Firm) Sonstige oth Bolʹshoĭ teatr Rossii Sonstige oth Container of (work) Bayadère (Choreographic work : Grigorovich after Petipa, M) https://edu.medici.tv/en/ballets/la-bayadere-bolshoi-moscow-yuri-grigorovich-marius-petipa Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | La bayadère Ballets Dancers Man-woman relationships Temples Temples India Golconda Drama Dancers India Golconda Drama Man-woman relationships India Golconda Drama |
| title | La bayadère |
| title_alt | Bayadère Bayadère (Choreographic work : Grigorovich after Petipa, M) |
| title_auth | La bayadère |
| title_exact_search | La bayadère |
| title_exact_search_txtP | La bayadère |
| title_full | La bayadère Bel Air Media ; The State Academic Bolshoi Theatre of Russia ; Léon Minkus, music ; Marius Petipa, choreography ; Yuri Grigorovich, new scenic version ; Vincent Bataillon, director |
| title_fullStr | La bayadère Bel Air Media ; The State Academic Bolshoi Theatre of Russia ; Léon Minkus, music ; Marius Petipa, choreography ; Yuri Grigorovich, new scenic version ; Vincent Bataillon, director |
| title_full_unstemmed | La bayadère Bel Air Media ; The State Academic Bolshoi Theatre of Russia ; Léon Minkus, music ; Marius Petipa, choreography ; Yuri Grigorovich, new scenic version ; Vincent Bataillon, director |
| title_short | La bayadère |
| title_sort | la bayadere |
| topic | Ballets Dancers Man-woman relationships Temples Temples India Golconda Drama Dancers India Golconda Drama Man-woman relationships India Golconda Drama |
| topic_facet | Ballets Dancers Man-woman relationships Temples Temples India Golconda Drama Dancers India Golconda Drama Man-woman relationships India Golconda Drama |
| url | https://edu.medici.tv/en/ballets/la-bayadere-bolshoi-moscow-yuri-grigorovich-marius-petipa |
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