Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051:
Nikolaus Harnoncourt and Bach, those two names who fit perfectly together meet again here for the complete Brandenburg Concerto. "Bach made a gift of the manuscript of these concertos to the Margrave of Brandenburg, and in this manuscript this concerto is the last and that is why it is called t...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch Video |
| Sprache: | English |
| Veröffentlicht: |
[Place of publication not identified]
Unitel
[1982]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Nikolaus Harnoncourt and Bach, those two names who fit perfectly together meet again here for the complete Brandenburg Concerto. "Bach made a gift of the manuscript of these concertos to the Margrave of Brandenburg, and in this manuscript this concerto is the last and that is why it is called the Sixth Brandenburg Concerto. But it could also have been the first of these concertos, which Bach had all written in Cöthen. Among musicologists, it is considered as the most traditional, but I am not at all of this opinion. What is sensational in this piece is its use of instruments, since the only solo strings used in the Baroque era were essentially the extroverted violins of Italy or the introverted gambas of France and England. That Bach wrote a concerto for two solo violas, the proletarian among the instruments, the one who never gets to play a solo -- that was a social revolution among the instruments." (Nikolaus Harnoncourt) Bach's Brandenburg Concertos, named after their dedicatee the Margrave Christian Ludwig von Brandenburg, have been part of Nikolaus Harnoncourt's permanent repertoire ever since he founded his Concentus musicus ensemble. The ensemble has recorded them and played them on their tours throughout the world. The impulse which led Harnoncourt to establish the Concentus musicus in 1953 was his dissatisfaction with the traditional way of interpreting early music. The uncommon and sometimes radically different style of the Concentus musicus, as well as its exclusive use of historical instruments, secured the ensemble its international reputation. Harnoncourt introduces the concerto with a moving and fascinating analysis of the piece. Interesting musical examples, which Harnoncourt inserts in a humorous and relaxed manner, make this introduction an informative and entertaining guide to this masterpiece of music. The production was filmed in the historical Baroque monastery library in Wiblingen, Germany |
| Beschreibung: | 1 Online-Ressource (1 video file (19 min.)) sound, color |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048407597 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220816m19821982 |||| o||u| ||||||eng d | ||
| 035 | |a (ZDB-1-MTV)ocn956369539 | ||
| 035 | |a (OCoLC)956369539 | ||
| 035 | |a (DE-599)BVBBV048407597 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |c Unitel ; Klaus Lindemann, director |
| 246 | 1 | 3 | |a Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| 246 | 1 | 0 | |a Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| 264 | 1 | |a [Place of publication not identified] |b Unitel |c [1982] | |
| 264 | 4 | |c ©1982 | |
| 300 | |a 1 Online-Ressource (1 video file (19 min.)) |b sound, color | ||
| 336 | |b tdi |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 511 | 0 | |a Concentus Musicus Wien ; Nikolaus Harnoncourt, conductor | |
| 520 | 3 | |a Nikolaus Harnoncourt and Bach, those two names who fit perfectly together meet again here for the complete Brandenburg Concerto. "Bach made a gift of the manuscript of these concertos to the Margrave of Brandenburg, and in this manuscript this concerto is the last and that is why it is called the Sixth Brandenburg Concerto. But it could also have been the first of these concertos, which Bach had all written in Cöthen. Among musicologists, it is considered as the most traditional, but I am not at all of this opinion. What is sensational in this piece is its use of instruments, since the only solo strings used in the Baroque era were essentially the extroverted violins of Italy or the introverted gambas of France and England. That Bach wrote a concerto for two solo violas, the proletarian among the instruments, the one who never gets to play a solo -- that was a social revolution among the instruments." (Nikolaus Harnoncourt) Bach's Brandenburg Concertos, named after their dedicatee the Margrave Christian Ludwig von Brandenburg, have been part of Nikolaus Harnoncourt's permanent repertoire ever since he founded his Concentus musicus ensemble. The ensemble has recorded them and played them on their tours throughout the world. The impulse which led Harnoncourt to establish the Concentus musicus in 1953 was his dissatisfaction with the traditional way of interpreting early music. The uncommon and sometimes radically different style of the Concentus musicus, as well as its exclusive use of historical instruments, secured the ensemble its international reputation. Harnoncourt introduces the concerto with a moving and fascinating analysis of the piece. Interesting musical examples, which Harnoncourt inserts in a humorous and relaxed manner, make this introduction an informative and entertaining guide to this masterpiece of music. The production was filmed in the historical Baroque monastery library in Wiblingen, Germany | |
| 546 | |a In German | ||
| 650 | 7 | |a Concerti grossi |2 Analysis, appreciation | |
| 650 | 4 | |a Concerti grossi |x Analysis, appreciation | |
| 653 | 1 | |a Bach, Johann Sebastian / 1685-1750 / Brandenburgische Konzerte / Nr. 6 | |
| 653 | 1 | |a Harnoncourt, Nikolaus / Interviews | |
| 653 | 1 | |a Harnoncourt, Nikolaus | |
| 653 | 1 | |a Brandenburgische Konzerte (Bach, Johann Sebastian) | |
| 653 | 6 | |a Webcast | |
| 653 | 6 | |a Internet videos | |
| 653 | 6 | |a Interviews | |
| 653 | 6 | |a Internet videos | |
| 653 | 6 | |a Vidéos sur Internet | |
| 700 | 1 | |a Lindemann, Klaus |e Sonstige |4 oth | |
| 700 | 1 | |a Harnoncourt, Nikolaus |e Sonstige |4 oth | |
| 700 | 1 | 2 | |a Bach, Johann Sebastian |d 1685-1750 |t Brandenburgische Konzerte |n Nr. 6 |k Selections |
| 710 | 2 | |a Unitel Classica (Firm) |e Sonstige |4 oth | |
| 710 | 2 | |a Concentus Musicus Wien |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://edu.medici.tv/en/documentaries/introduction-brandenburg-concerto-6-nikolaus-harnoncourt |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-1-MTV | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033786071 | ||
| 344 | |a digital |2 rdatr | ||
| 347 | |a video file | ||
| 966 | e | |u http://musik.proxy.fid-lizenzen.de/fid/medici-tv/edu.medici.tv/en/documentaries/introduction-brandenburg-concerto-6-nikolaus-harnoncourt |l BSB01 |p ZDB-1-MTV |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184308832796672 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Bach, Johann Sebastian 1685-1750 |
| author2_role | |
| author2_variant | j s b js jsb |
| author_facet | Bach, Johann Sebastian 1685-1750 |
| author_sort | Bach, Johann Sebastian 1685-1750 |
| building | Verbundindex |
| bvnumber | BV048407597 |
| collection | ZDB-1-MTV |
| ctrlnum | (ZDB-1-MTV)ocn956369539 (OCoLC)956369539 (DE-599)BVBBV048407597 |
| format | Electronic Video |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04296nmm a2200577 c 4500</leader><controlfield tag="001">BV048407597</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220816m19821982 |||| o||u| ||||||eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-MTV)ocn956369539</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)956369539</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048407597</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051</subfield><subfield code="c">Unitel ; Klaus Lindemann, director</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Place of publication not identified]</subfield><subfield code="b">Unitel</subfield><subfield code="c">[1982]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1982</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (1 video file (19 min.))</subfield><subfield code="b">sound, color</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="511" ind1="0" ind2=" "><subfield code="a">Concentus Musicus Wien ; Nikolaus Harnoncourt, conductor</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Nikolaus Harnoncourt and Bach, those two names who fit perfectly together meet again here for the complete Brandenburg Concerto. "Bach made a gift of the manuscript of these concertos to the Margrave of Brandenburg, and in this manuscript this concerto is the last and that is why it is called the Sixth Brandenburg Concerto. But it could also have been the first of these concertos, which Bach had all written in Cöthen. Among musicologists, it is considered as the most traditional, but I am not at all of this opinion. What is sensational in this piece is its use of instruments, since the only solo strings used in the Baroque era were essentially the extroverted violins of Italy or the introverted gambas of France and England. That Bach wrote a concerto for two solo violas, the proletarian among the instruments, the one who never gets to play a solo -- that was a social revolution among the instruments." (Nikolaus Harnoncourt) Bach's Brandenburg Concertos, named after their dedicatee the Margrave Christian Ludwig von Brandenburg, have been part of Nikolaus Harnoncourt's permanent repertoire ever since he founded his Concentus musicus ensemble. The ensemble has recorded them and played them on their tours throughout the world. The impulse which led Harnoncourt to establish the Concentus musicus in 1953 was his dissatisfaction with the traditional way of interpreting early music. The uncommon and sometimes radically different style of the Concentus musicus, as well as its exclusive use of historical instruments, secured the ensemble its international reputation. Harnoncourt introduces the concerto with a moving and fascinating analysis of the piece. Interesting musical examples, which Harnoncourt inserts in a humorous and relaxed manner, make this introduction an informative and entertaining guide to this masterpiece of music. The production was filmed in the historical Baroque monastery library in Wiblingen, Germany</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In German</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Concerti grossi</subfield><subfield code="2">Analysis, appreciation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Concerti grossi</subfield><subfield code="x">Analysis, appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Bach, Johann Sebastian / 1685-1750 / Brandenburgische Konzerte / Nr. 6</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Harnoncourt, Nikolaus / Interviews</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Harnoncourt, Nikolaus</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Brandenburgische Konzerte (Bach, Johann Sebastian)</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Webcast</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Internet videos</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Interviews</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Internet videos</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Vidéos sur Internet</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lindemann, Klaus</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harnoncourt, Nikolaus</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2="2"><subfield code="a">Bach, Johann Sebastian</subfield><subfield code="d">1685-1750</subfield><subfield code="t">Brandenburgische Konzerte</subfield><subfield code="n">Nr. 6</subfield><subfield code="k">Selections</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Unitel Classica (Firm)</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Concentus Musicus Wien</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://edu.medici.tv/en/documentaries/introduction-brandenburg-concerto-6-nikolaus-harnoncourt</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-MTV</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033786071</subfield></datafield><datafield tag="344" ind1=" " ind2=" "><subfield code="a">digital</subfield><subfield code="2">rdatr</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">video file</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://musik.proxy.fid-lizenzen.de/fid/medici-tv/edu.medici.tv/en/documentaries/introduction-brandenburg-concerto-6-nikolaus-harnoncourt</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-MTV</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048407597 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:27Z |
| indexdate | 2024-07-10T09:37:17Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786071 |
| oclc_num | 956369539 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 video file (19 min.)) sound, color |
| psigel | ZDB-1-MTV |
| publishDate | 1982 |
| publishDateSearch | 1982 |
| publishDateSort | 1982 |
| publisher | Unitel |
| record_format | marc |
| spelling | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 Unitel ; Klaus Lindemann, director Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 [Place of publication not identified] Unitel [1982] ©1982 1 Online-Ressource (1 video file (19 min.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Concentus Musicus Wien ; Nikolaus Harnoncourt, conductor Nikolaus Harnoncourt and Bach, those two names who fit perfectly together meet again here for the complete Brandenburg Concerto. "Bach made a gift of the manuscript of these concertos to the Margrave of Brandenburg, and in this manuscript this concerto is the last and that is why it is called the Sixth Brandenburg Concerto. But it could also have been the first of these concertos, which Bach had all written in Cöthen. Among musicologists, it is considered as the most traditional, but I am not at all of this opinion. What is sensational in this piece is its use of instruments, since the only solo strings used in the Baroque era were essentially the extroverted violins of Italy or the introverted gambas of France and England. That Bach wrote a concerto for two solo violas, the proletarian among the instruments, the one who never gets to play a solo -- that was a social revolution among the instruments." (Nikolaus Harnoncourt) Bach's Brandenburg Concertos, named after their dedicatee the Margrave Christian Ludwig von Brandenburg, have been part of Nikolaus Harnoncourt's permanent repertoire ever since he founded his Concentus musicus ensemble. The ensemble has recorded them and played them on their tours throughout the world. The impulse which led Harnoncourt to establish the Concentus musicus in 1953 was his dissatisfaction with the traditional way of interpreting early music. The uncommon and sometimes radically different style of the Concentus musicus, as well as its exclusive use of historical instruments, secured the ensemble its international reputation. Harnoncourt introduces the concerto with a moving and fascinating analysis of the piece. Interesting musical examples, which Harnoncourt inserts in a humorous and relaxed manner, make this introduction an informative and entertaining guide to this masterpiece of music. The production was filmed in the historical Baroque monastery library in Wiblingen, Germany In German Concerti grossi Analysis, appreciation Bach, Johann Sebastian / 1685-1750 / Brandenburgische Konzerte / Nr. 6 Harnoncourt, Nikolaus / Interviews Harnoncourt, Nikolaus Brandenburgische Konzerte (Bach, Johann Sebastian) Webcast Internet videos Interviews Vidéos sur Internet Lindemann, Klaus Sonstige oth Harnoncourt, Nikolaus Sonstige oth Bach, Johann Sebastian 1685-1750 Brandenburgische Konzerte Nr. 6 Selections Unitel Classica (Firm) Sonstige oth Concentus Musicus Wien Sonstige oth https://edu.medici.tv/en/documentaries/introduction-brandenburg-concerto-6-nikolaus-harnoncourt Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 Concerti grossi Analysis, appreciation |
| title | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| title_alt | Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 Brandenburgische Konzerte |
| title_auth | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| title_exact_search | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| title_exact_search_txtP | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| title_full | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 Unitel ; Klaus Lindemann, director |
| title_fullStr | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 Unitel ; Klaus Lindemann, director |
| title_full_unstemmed | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 Unitel ; Klaus Lindemann, director |
| title_short | Introduction to Bach's Brandenburg concerto no. 6 in B flat major, BWV 1051 |
| title_sort | introduction to bach s brandenburg concerto no 6 in b flat major bwv 1051 |
| topic | Concerti grossi Analysis, appreciation |
| topic_facet | Concerti grossi Concerti grossi Analysis, appreciation |
| url | https://edu.medici.tv/en/documentaries/introduction-brandenburg-concerto-6-nikolaus-harnoncourt |
| work_keys_str_mv | AT lindemannklaus introductiontobachsbrandenburgconcertono6inbflatmajorbwv1051 AT harnoncourtnikolaus introductiontobachsbrandenburgconcertono6inbflatmajorbwv1051 AT bachjohannsebastian introductiontobachsbrandenburgconcertono6inbflatmajorbwv1051 AT unitelclassicafirm introductiontobachsbrandenburgconcertono6inbflatmajorbwv1051 AT concentusmusicuswien introductiontobachsbrandenburgconcertono6inbflatmajorbwv1051 AT lindemannklaus bachsbrandenburgconcertono6inbflatmajorbwv1051 AT harnoncourtnikolaus bachsbrandenburgconcertono6inbflatmajorbwv1051 AT bachjohannsebastian bachsbrandenburgconcertono6inbflatmajorbwv1051 AT unitelclassicafirm bachsbrandenburgconcertono6inbflatmajorbwv1051 AT concentusmusicuswien bachsbrandenburgconcertono6inbflatmajorbwv1051 |