A day of real madness, or Le nozze Di Figaro:
Opera buffa in four acts (1786), Music by Wolfgang Amadeus Mozart, Libretto by Lorenzo da Ponte after Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais Mozart's famous opera is here given a modern interpretation while staying faithful to the original score and libretto, which proves...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Elektronisch Video |
| Sprache: | French Italian German |
| Veröffentlicht: |
[Place of publication not identified]
LGM
[2006]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Opera buffa in four acts (1786), Music by Wolfgang Amadeus Mozart, Libretto by Lorenzo da Ponte after Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais Mozart's famous opera is here given a modern interpretation while staying faithful to the original score and libretto, which proves the timeless nature of this story, originally written for theater by Beaumarchais. The action takes place in the wedding office of a city hall. Actors are dressed in modern costumes and use our everyday life accessories: Susanna listens to her walkman during Cherubino's aria and Count Almaviva uses his recliner as a seduction tool! The most striking element of this staging is perhaps the "recitativist," a concept invented Christoph Marthaler to transmit the importance of Da Ponte's texts. Recitatives are not played on harpsichord but on an electronic keyboard that is on the stage and alternates from the classical sound of the harpsichord to the harmonica, accordion or even sound effects |
| Beschreibung: | 1 Online-Ressource (1 video file (59 min., 43 sec.)) sound, color |
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| 511 | 0 | |a Peter Mattei (the Count), Burkhard Ulrich (Don Basilio), Lorenzo Regazzo (Figaro), Christiane Oelze (the Countess), Heidi Grant Murphy (Susanna), Christine Schäfer (Cherubino), Helene Schneiderman (Marcellina), Roland Bracht (Don Bartolo), Cassandre Berthon (Barbarina), Frédéric Caton (Antonio) ; Paris Opera Orchestra ; Opéra national de Paris Choir ; Sylvain Cambreling, commentator, conductor | |
| 520 | 3 | |a Opera buffa in four acts (1786), Music by Wolfgang Amadeus Mozart, Libretto by Lorenzo da Ponte after Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais Mozart's famous opera is here given a modern interpretation while staying faithful to the original score and libretto, which proves the timeless nature of this story, originally written for theater by Beaumarchais. The action takes place in the wedding office of a city hall. Actors are dressed in modern costumes and use our everyday life accessories: Susanna listens to her walkman during Cherubino's aria and Count Almaviva uses his recliner as a seduction tool! The most striking element of this staging is perhaps the "recitativist," a concept invented Christoph Marthaler to transmit the importance of Da Ponte's texts. Recitatives are not played on harpsichord but on an electronic keyboard that is on the stage and alternates from the classical sound of the harpsichord to the harmonica, accordion or even sound effects | |
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| id | DE-604.BV048407559 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:24:27Z |
| indexdate | 2024-07-10T09:37:17Z |
| institution | BVB |
| language | French Italian German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786034 |
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| physical | 1 Online-Ressource (1 video file (59 min., 43 sec.)) sound, color |
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| publishDate | 2006 |
| publishDateSearch | 2006 |
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| publisher | LGM |
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| spelling | A day of real madness, or Le nozze Di Figaro LGM ; Christoph Marthaler, stage director ; Reiner E. Moritz, director [Place of publication not identified] LGM [2006] ©2006 1 Online-Ressource (1 video file (59 min., 43 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Peter Mattei (the Count), Burkhard Ulrich (Don Basilio), Lorenzo Regazzo (Figaro), Christiane Oelze (the Countess), Heidi Grant Murphy (Susanna), Christine Schäfer (Cherubino), Helene Schneiderman (Marcellina), Roland Bracht (Don Bartolo), Cassandre Berthon (Barbarina), Frédéric Caton (Antonio) ; Paris Opera Orchestra ; Opéra national de Paris Choir ; Sylvain Cambreling, commentator, conductor Opera buffa in four acts (1786), Music by Wolfgang Amadeus Mozart, Libretto by Lorenzo da Ponte after Le Mariage de Figaro by Pierre-Augustin Caron de Beaumarchais Mozart's famous opera is here given a modern interpretation while staying faithful to the original score and libretto, which proves the timeless nature of this story, originally written for theater by Beaumarchais. The action takes place in the wedding office of a city hall. Actors are dressed in modern costumes and use our everyday life accessories: Susanna listens to her walkman during Cherubino's aria and Count Almaviva uses his recliner as a seduction tool! The most striking element of this staging is perhaps the "recitativist," a concept invented Christoph Marthaler to transmit the importance of Da Ponte's texts. Recitatives are not played on harpsichord but on an electronic keyboard that is on the stage and alternates from the classical sound of the harpsichord to the harmonica, accordion or even sound effects In French, Italian and German; English subtitles Opera Production and direction Mozart, Wolfgang Amadeus / 1756-1791 / Nozze di Figaro Nozze di Figaro (Mozart, Wolfgang Amadeus) Internet videos Moritz, Reiner E. 1938- Sonstige oth Marthaler, Christoph 1951- Sonstige oth Mattei, Peter 1965- Sonstige oth Ulrich, Burkhard 1968- Sonstige oth Regazzo, Lorenzo Sonstige oth Oelze, Christiane Sonstige oth Grant Murphy, Heidi Sonstige oth Schäfer, Christine 1965- Sonstige oth Schneiderman, Helene 1956- Sonstige oth Bracht, Roland Sonstige oth Berthon, Cassandre Sonstige oth Caton, Frédéric Sonstige oth Cambreling, Sylvain Sonstige oth Mozart, Wolfgang Amadeus 1756-1791 Nozze di Figaro Selections LGM (Firm) Sonstige oth https://edu.medici.tv/en/documentaries/a-day-of-real-madness-or-le-nozze-di-figaro Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | A day of real madness, or Le nozze Di Figaro Opera Production and direction |
| title | A day of real madness, or Le nozze Di Figaro |
| title_alt | Nozze di Figaro |
| title_auth | A day of real madness, or Le nozze Di Figaro |
| title_exact_search | A day of real madness, or Le nozze Di Figaro |
| title_exact_search_txtP | A day of real madness, or Le nozze Di Figaro |
| title_full | A day of real madness, or Le nozze Di Figaro LGM ; Christoph Marthaler, stage director ; Reiner E. Moritz, director |
| title_fullStr | A day of real madness, or Le nozze Di Figaro LGM ; Christoph Marthaler, stage director ; Reiner E. Moritz, director |
| title_full_unstemmed | A day of real madness, or Le nozze Di Figaro LGM ; Christoph Marthaler, stage director ; Reiner E. Moritz, director |
| title_short | A day of real madness, or Le nozze Di Figaro |
| title_sort | a day of real madness or le nozze di figaro |
| topic | Opera Production and direction |
| topic_facet | Opera Opera Production and direction |
| url | https://edu.medici.tv/en/documentaries/a-day-of-real-madness-or-le-nozze-di-figaro |
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