Uwe Scholz: Cranko's and Balanchine's heir Uwe Scholz, former ballet director in Leipzig, was hailed as one of the most brilliant choreographic minds of his generation and he was certainly one of the most important German choreographers when he died in November 2004 at the early age of 45....

Ausführliche Beschreibung

Bibliographische Detailangaben

Weitere Verfasser:	Stravinsky, Igor 1882-1971
Format:	Elektronisch Video
Sprache:	English
Veröffentlicht:	[Place of publication not identified] EuroArts music [2008]
Schlagworte:	Ballets Orchestre, Musique d' Piano, Musique de (Pianos (2)) arr Orchestral music Piano music (Pianos (2)), Arranged Webcast Internet videos Vidéos sur Internet
Online-Zugang:	BSB01 URL des Erstveröffentlichers
Zusammenfassung:	Uwe Scholz: Cranko's and Balanchine's heir Uwe Scholz, former ballet director in Leipzig, was hailed as one of the most brilliant choreographic minds of his generation and he was certainly one of the most important German choreographers when he died in November 2004 at the early age of 45. The fragile-looking man, who had enjoyed a full dance and musical education from childhood, took up his first position as a choreographer with Marcia Haydée in Stuttgart when he was 22. He saw himself as a mixture between his teacher John Cranko and the influential George Balanchine, and the well over one hundred magically beautiful and extraordinarily musical choreographies that he created for houses such as the Opera in Vienna, La Scala, Zurich and Leipzig owe much to neoclassicism. Two Rite[s] of Spring for one choreographer This recording focuses on the two interpretations of Le Sacre du Printemps that he created for "his" Leipzig Ballet, the company that he led to international fame from 1991 to his untimely death. The evening opens with a legendary solo interpretation, danced by Giovanni di Palma to Stravinsky's own adaptation for two pianos of his impressive "The Rite of Spring." Often seen as Scholz's autobiographical legacy, this choreography shows a dancer's loneliness and despair in heartbreaking images. An emotive ensemble interpretation to the original orchestral version of the same piece forms the second half of the evening. Here Kiyoko Kimura takes on the leading role among the 56 dancers on the stage. The staging proves the ensemble to be one of the best contemporary ballet companies worldwide
Beschreibung:	1 Online-Ressource (1 video file (1 hr., 14 min., 11 sec.)) sound, color