Adam Laloum plays Schumann, Debussy, Schubert and Brahms: recital at the Verbier Festival 2010
For his first performance at the Verbier Festival, Adam Laloum performs two piano masterpieces from the Romantic repertoire. At 23, this is the young pianist's first appearance at the Verbier Festival. Echoes from times past, in 2009 Adam Laloum received the Clara Haskil award in a small nearby...
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| Sprache: | English |
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Idéale Audience
[2010]
Museec [2010] Arte France [2010] |
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| Zusammenfassung: | For his first performance at the Verbier Festival, Adam Laloum performs two piano masterpieces from the Romantic repertoire. At 23, this is the young pianist's first appearance at the Verbier Festival. Echoes from times past, in 2009 Adam Laloum received the Clara Haskil award in a small nearby town called Vevey in the Valais. With this achievement, he follows in the footsteps of his professor Evgeni Koroliov who received the award 1977. It is in this town that the Romanian pianist spent the last eighteen years of his life. Schumann's Davidsbündlertänze are built as a series of short portraits. In them the listener discovers Schumann as the founder of the magazine Neue Zeitschrift für Musik, in which "David's Companions"--The same that appear in the work! -- intervene in order to chastise old musical canons and galvanize young Schubert, Chopin and Berlioz & In composing this patchwork of eighteen factitious dances, Schumann rebukes traditional musical composition and chooses to alternate moments of sarcasm, poetry, humor and lyricism & This inevitably leads us to Schumann the poet. As an indication for the interpretation of several dances, Schumann wrote "Mit Humor"; "Humor" ambiguous in German, it refers to both "moody" as well as "humor." To perform this work, one needs to be funambulist in order to walk the tight rope over the numerous landscapes. Adam Laloum accomplishes this perilous journey with remarkable maturity, offering a precise, clear, sensitive and noble rendition of each episode. By never excessively speeding up his game and always scrupulously following the partition, he brings every nuance to life with grace and elegance and displays all of the characteristic emotions of Schumann's music. Schubert's Sonata in G, D 984 was Sviatoslav Richter's favorite piece. This very long work (culminating 40 minutes total even though Richter managed to stretch to 50 minutes!) is often described as being a "contemplative" piece just like the D 960. Schubert uses a simple musical pattern. After the initial exposition, Schubert continuously reuses several themes which he declines during constantly renewed variations so much so that the listener is first brought to discover them then to recognize them and finally to remember all along the piece. This composition is of a bright darkness, full of restraint and softness and bundled with nostalgic emotions. A secret greatness emanates from this composition. Finally it is not without reason that Adam Laloum chose to conclude his recital with a Brahms intermezzo (Intermezzo No. 2, op. 117) which is another very personal composition conveying a deep sense of nostalgia |
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| 520 | 3 | |a For his first performance at the Verbier Festival, Adam Laloum performs two piano masterpieces from the Romantic repertoire. At 23, this is the young pianist's first appearance at the Verbier Festival. Echoes from times past, in 2009 Adam Laloum received the Clara Haskil award in a small nearby town called Vevey in the Valais. With this achievement, he follows in the footsteps of his professor Evgeni Koroliov who received the award 1977. It is in this town that the Romanian pianist spent the last eighteen years of his life. Schumann's Davidsbündlertänze are built as a series of short portraits. In them the listener discovers Schumann as the founder of the magazine Neue Zeitschrift für Musik, in which "David's Companions"--The same that appear in the work! -- | |
| 520 | 3 | |a intervene in order to chastise old musical canons and galvanize young Schubert, Chopin and Berlioz & In composing this patchwork of eighteen factitious dances, Schumann rebukes traditional musical composition and chooses to alternate moments of sarcasm, poetry, humor and lyricism & This inevitably leads us to Schumann the poet. As an indication for the interpretation of several dances, Schumann wrote "Mit Humor"; "Humor" ambiguous in German, it refers to both "moody" as well as "humor." To perform this work, one needs to be funambulist in order to walk the tight rope over the numerous landscapes. Adam Laloum accomplishes this perilous journey with remarkable maturity, offering a precise, clear, sensitive and noble rendition of each episode. By never excessively speeding up his game and always scrupulously following the partition, he brings every nuance to life with grace and elegance and displays all of the characteristic emotions of Schumann's music. | |
| 520 | 3 | |a Schubert's Sonata in G, D 984 was Sviatoslav Richter's favorite piece. This very long work (culminating 40 minutes total even though Richter managed to stretch to 50 minutes!) is often described as being a "contemplative" piece just like the D 960. Schubert uses a simple musical pattern. After the initial exposition, Schubert continuously reuses several themes which he declines during constantly renewed variations so much so that the listener is first brought to discover them then to recognize them and finally to remember all along the piece. This composition is of a bright darkness, full of restraint and softness and bundled with nostalgic emotions. A secret greatness emanates from this composition. Finally it is not without reason that Adam Laloum chose to conclude his recital with a Brahms intermezzo (Intermezzo No. 2, op. 117) which is another very personal composition conveying a deep sense of nostalgia | |
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| 700 | 1 | 2 | |a Brahms, Johannes |d 1833-1897 |t Intermezzi |m piano |n op. 117 |n Nr. 2 |
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| author2 | Schumann, Robert 1810-1856 Debussy, Claude 1862-1918 Debussy, Claude 1862-1918 Schubert, Franz 1797-1828 Brahms, Johannes 1833-1897 |
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| author_additional | Robert Schumann -- Claude Debussy -- Franz Schubert -- Johannes Brahms |
| author_facet | Schumann, Robert 1810-1856 Debussy, Claude 1862-1918 Debussy, Claude 1862-1918 Schubert, Franz 1797-1828 Brahms, Johannes 1833-1897 |
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| contents | Davidsbündlertänze, Op. 6 Preludes, book II. La terrasse des audiences du clair de lune Général Lavine, eccentric Piano sonata in G major, D. 894 Intermezzo no. 2 in B-flat major, op. 117, no. 2 |
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| index_date | 2024-07-03T20:24:26Z |
| indexdate | 2024-07-10T09:37:15Z |
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| spelling | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 Idéale Audience, Museec, Arte France ; Pierre-Martin Juban, director Schumann, Debussy, Schubert and Brahms Recital at the Verbier Festival 2010 [Place of publication not identified] Idéale Audience [2010] Museec [2010] Arte France [2010] ©2010 1 Online-Ressource (1 video file (1 hr., 27 min., 41 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Davidsbündlertänze, Op. 6 Robert Schumann -- Preludes, book II. La terrasse des audiences du clair de lune Général Lavine, eccentric Claude Debussy -- Piano sonata in G major, D. 894 Franz Schubert -- Intermezzo no. 2 in B-flat major, op. 117, no. 2 Johannes Brahms Adam Laloum, piano Verbier Festival, Verbier, Switzerland: For his first performance at the Verbier Festival, Adam Laloum performs two piano masterpieces from the Romantic repertoire. At 23, this is the young pianist's first appearance at the Verbier Festival. Echoes from times past, in 2009 Adam Laloum received the Clara Haskil award in a small nearby town called Vevey in the Valais. With this achievement, he follows in the footsteps of his professor Evgeni Koroliov who received the award 1977. It is in this town that the Romanian pianist spent the last eighteen years of his life. Schumann's Davidsbündlertänze are built as a series of short portraits. In them the listener discovers Schumann as the founder of the magazine Neue Zeitschrift für Musik, in which "David's Companions"--The same that appear in the work! -- intervene in order to chastise old musical canons and galvanize young Schubert, Chopin and Berlioz & In composing this patchwork of eighteen factitious dances, Schumann rebukes traditional musical composition and chooses to alternate moments of sarcasm, poetry, humor and lyricism & This inevitably leads us to Schumann the poet. As an indication for the interpretation of several dances, Schumann wrote "Mit Humor"; "Humor" ambiguous in German, it refers to both "moody" as well as "humor." To perform this work, one needs to be funambulist in order to walk the tight rope over the numerous landscapes. Adam Laloum accomplishes this perilous journey with remarkable maturity, offering a precise, clear, sensitive and noble rendition of each episode. By never excessively speeding up his game and always scrupulously following the partition, he brings every nuance to life with grace and elegance and displays all of the characteristic emotions of Schumann's music. Schubert's Sonata in G, D 984 was Sviatoslav Richter's favorite piece. This very long work (culminating 40 minutes total even though Richter managed to stretch to 50 minutes!) is often described as being a "contemplative" piece just like the D 960. Schubert uses a simple musical pattern. After the initial exposition, Schubert continuously reuses several themes which he declines during constantly renewed variations so much so that the listener is first brought to discover them then to recognize them and finally to remember all along the piece. This composition is of a bright darkness, full of restraint and softness and bundled with nostalgic emotions. A secret greatness emanates from this composition. Finally it is not without reason that Adam Laloum chose to conclude his recital with a Brahms intermezzo (Intermezzo No. 2, op. 117) which is another very personal composition conveying a deep sense of nostalgia Piano music Sonatas (Piano) Internet videos Juban, Pierre-Martin Sonstige oth Laloum, Adam 1987- Sonstige oth Schumann, Robert 1810-1856 Davidsbündlertänze Debussy, Claude 1862-1918 Preludes piano book 2 Terrasse des audiences du clair de lune Debussy, Claude 1862-1918 Preludes piano book 2 "Général Lavine"--eccentric Schubert, Franz 1797-1828 Sonatas piano D. 894 G major Brahms, Johannes 1833-1897 Intermezzi piano op. 117 Nr. 2 Idéale Audience International Sonstige oth MUSEEC Sonstige oth ARTE France Sonstige oth Verbier Festival & Academy (2010) Sonstige oth https://edu.medici.tv/en/concerts/adam-laloum-schumann-debussy-schubert-brahms Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
| spellingShingle | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 Davidsbündlertänze, Op. 6 Preludes, book II. La terrasse des audiences du clair de lune Général Lavine, eccentric Piano sonata in G major, D. 894 Intermezzo no. 2 in B-flat major, op. 117, no. 2 Piano music Sonatas (Piano) |
| title | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 |
| title_alt | Schumann, Debussy, Schubert and Brahms Recital at the Verbier Festival 2010 Davidsbündlertänze, Op. 6 Preludes, book II. La terrasse des audiences du clair de lune Général Lavine, eccentric Piano sonata in G major, D. 894 Intermezzo no. 2 in B-flat major, op. 117, no. 2 Davidsbündlertänze Preludes Sonatas Intermezzi |
| title_auth | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 |
| title_exact_search | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 |
| title_exact_search_txtP | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 |
| title_full | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 Idéale Audience, Museec, Arte France ; Pierre-Martin Juban, director |
| title_fullStr | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 Idéale Audience, Museec, Arte France ; Pierre-Martin Juban, director |
| title_full_unstemmed | Adam Laloum plays Schumann, Debussy, Schubert and Brahms recital at the Verbier Festival 2010 Idéale Audience, Museec, Arte France ; Pierre-Martin Juban, director |
| title_short | Adam Laloum plays Schumann, Debussy, Schubert and Brahms |
| title_sort | adam laloum plays schumann debussy schubert and brahms recital at the verbier festival 2010 |
| title_sub | recital at the Verbier Festival 2010 |
| topic | Piano music Sonatas (Piano) |
| topic_facet | Piano music Sonatas (Piano) |
| url | https://edu.medici.tv/en/concerts/adam-laloum-schumann-debussy-schubert-brahms |
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