Samson and Delilah:
Staged by Vlaamse Opera in Antwerp in 2009, Saint-Saëns' opera Samson et Dalila -- a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines -- is re-located in this production to the contemporary Middle East. The two directors, Israeli Omri Nizar Zuab...
Gespeichert in:
Format: | Elektronisch Video |
---|---|
Sprache: | French |
Veröffentlicht: |
[Place of publication not identified]
VRT Cultuur voor
[2009]
Canvas [2009] |
Schlagworte: | |
Online-Zugang: | BSB01 URL des Erstveröffentlichers |
Zusammenfassung: | Staged by Vlaamse Opera in Antwerp in 2009, Saint-Saëns' opera Samson et Dalila -- a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines -- is re-located in this production to the contemporary Middle East. The two directors, Israeli Omri Nizar Zuabi, explore the tensions between different nations and religions, and the complex relationship between the oppressors and the oppressed. "In our approach to this opera we tried to move away from the quasi-biblical interpretation, and to place the story in today's world to explain its political aspects better," say the two directors. "Acts of terror by a state will lead to acts of terror against a state, which in turn will lead to more terror by the state and this completes the vicious circle." Performed by the Symphony Orchestra and Choir of Vlaamse Opera Antwerp/Ghent under the baton of Czech conductor Tomáš Netopil, Samson is sung by the young German tenor Torsten Kerl and Dalila by the Russian mezzo-soprano Marianna Tarasova. The kaleidoscopic colours of the music are brought out with sensitivity and lyricism by the orchestra and singers, unfolding the dramatic story in all its tragic beauty. At the very beginning, Samson et Dalila was supposed to be an oratorio, written after the bible. It was not until his ideas were well developed that he was persuaded instead to turn the oratorio into an opera. In 1877, Franz Liszt arranged for the world premiere to be staged at Weimar, Germany. The opera was not performed in France until 1890 (in Rouen), and it finally reached the Paris Opera in 1892 only. There, it was played over five hundred times during the following thirty years |
Beschreibung: | 1 Online-Ressource (1 video file (2 hr., 1 min., 28 sec.)) sound, color |
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518 | |a Flanders Opera, Andwerp, Belgium: | ||
520 | 3 | |a Staged by Vlaamse Opera in Antwerp in 2009, Saint-Saëns' opera Samson et Dalila -- a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines -- is re-located in this production to the contemporary Middle East. The two directors, Israeli Omri Nizar Zuabi, explore the tensions between different nations and religions, and the complex relationship between the oppressors and the oppressed. "In our approach to this opera we tried to move away from the quasi-biblical interpretation, and to place the story in today's world to explain its political aspects better," say the two directors. "Acts of terror by a state will lead to acts of terror against a state, which in turn will lead to more terror by the state and this completes the vicious circle." Performed by the Symphony Orchestra and Choir of Vlaamse Opera Antwerp/Ghent under the baton of Czech conductor Tomáš Netopil, Samson is sung by the young German tenor Torsten Kerl and Dalila by the Russian mezzo-soprano Marianna Tarasova. The kaleidoscopic colours of the music are brought out with sensitivity and lyricism by the orchestra and singers, unfolding the dramatic story in all its tragic beauty. At the very beginning, Samson et Dalila was supposed to be an oratorio, written after the bible. It was not until his ideas were well developed that he was persuaded instead to turn the oratorio into an opera. In 1877, Franz Liszt arranged for the world premiere to be staged at Weimar, Germany. The opera was not performed in France until 1890 (in Rouen), and it finally reached the Paris Opera in 1892 only. There, it was played over five hundred times during the following thirty years | |
546 | |a Sung in French; English subtitles | ||
650 | 4 | |a Operas | |
650 | 4 | |a Operas | |
653 | 6 | |a Internet videos | |
653 | 6 | |a Internet videos | |
700 | 1 | |a Kerl, Torsten |e Sonstige |4 oth | |
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700 | 1 | |a Faveyts, Tijl |e Sonstige |4 oth | |
700 | 1 | |a Büttner, Thorsten |e Sonstige |4 oth | |
700 | 1 | |a Pels, Onno |e Sonstige |4 oth | |
700 | 1 | |a Van der Linden, Gijs |e Sonstige |4 oth | |
700 | 1 | |a Netopil, Tomáš |d 1977- |e Sonstige |4 oth | |
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id | DE-604.BV048407240 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:24:26Z |
indexdate | 2024-07-10T09:37:15Z |
institution | BVB |
language | French |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033785715 |
oclc_num | 956369002 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 video file (2 hr., 1 min., 28 sec.)) sound, color |
psigel | ZDB-1-MTV |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | VRT Cultuur voor Canvas |
record_format | marc |
spelling | Samson and Delilah VRT Cultuur voor, Canvas ; Saint-Saëns ; Willy Vanduren, director ; Omri Nitzan, Amir Nizar Zuabi, stage directors [Place of publication not identified] VRT Cultuur voor [2009] Canvas [2009] ©2009 1 Online-Ressource (1 video file (2 hr., 1 min., 28 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Torsten Kerl, Marianna Tarasova, Nicola Mijalovič, Milcho Borovinov, Tijl Faveyts, Thorsten Büttner, Onno Pels, Gijs Van der Linden ; Choir of Flanders Opera ; Symphonic Orchestra of Flanders Opera ; Tomáš Netopil, conductor Flanders Opera, Andwerp, Belgium: Staged by Vlaamse Opera in Antwerp in 2009, Saint-Saëns' opera Samson et Dalila -- a story of doomed love set against the backdrop of cultural conflict between Hebrews and Philistines -- is re-located in this production to the contemporary Middle East. The two directors, Israeli Omri Nizar Zuabi, explore the tensions between different nations and religions, and the complex relationship between the oppressors and the oppressed. "In our approach to this opera we tried to move away from the quasi-biblical interpretation, and to place the story in today's world to explain its political aspects better," say the two directors. "Acts of terror by a state will lead to acts of terror against a state, which in turn will lead to more terror by the state and this completes the vicious circle." Performed by the Symphony Orchestra and Choir of Vlaamse Opera Antwerp/Ghent under the baton of Czech conductor Tomáš Netopil, Samson is sung by the young German tenor Torsten Kerl and Dalila by the Russian mezzo-soprano Marianna Tarasova. The kaleidoscopic colours of the music are brought out with sensitivity and lyricism by the orchestra and singers, unfolding the dramatic story in all its tragic beauty. At the very beginning, Samson et Dalila was supposed to be an oratorio, written after the bible. It was not until his ideas were well developed that he was persuaded instead to turn the oratorio into an opera. In 1877, Franz Liszt arranged for the world premiere to be staged at Weimar, Germany. The opera was not performed in France until 1890 (in Rouen), and it finally reached the Paris Opera in 1892 only. There, it was played over five hundred times during the following thirty years Sung in French; English subtitles Operas Internet videos Kerl, Torsten Sonstige oth Tarasova, Marianna Sonstige oth Mijailovic, Nikola Sonstige oth Borovinov, Milcho Sonstige oth Faveyts, Tijl Sonstige oth Büttner, Thorsten Sonstige oth Pels, Onno Sonstige oth Van der Linden, Gijs Sonstige oth Netopil, Tomáš 1977- Sonstige oth Vanduren, Willy Sonstige oth Nitzan, Omri Sonstige oth Zuabi, Amir Nizar Sonstige oth Vlaamse Opera Koor Sonstige oth Vlaamse Opera Symfonisch Orkest Sonstige oth Vlaamse Radio en Televisieomroep Sonstige oth Canvas (Television station : Belgium) Sonstige oth https://edu.medici.tv/en/operas/tomas-netopil-samson-et-dalila Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
spellingShingle | Samson and Delilah Operas |
title | Samson and Delilah |
title_auth | Samson and Delilah |
title_exact_search | Samson and Delilah |
title_exact_search_txtP | Samson and Delilah |
title_full | Samson and Delilah VRT Cultuur voor, Canvas ; Saint-Saëns ; Willy Vanduren, director ; Omri Nitzan, Amir Nizar Zuabi, stage directors |
title_fullStr | Samson and Delilah VRT Cultuur voor, Canvas ; Saint-Saëns ; Willy Vanduren, director ; Omri Nitzan, Amir Nizar Zuabi, stage directors |
title_full_unstemmed | Samson and Delilah VRT Cultuur voor, Canvas ; Saint-Saëns ; Willy Vanduren, director ; Omri Nitzan, Amir Nizar Zuabi, stage directors |
title_short | Samson and Delilah |
title_sort | samson and delilah |
topic | Operas |
topic_facet | Operas |
url | https://edu.medici.tv/en/operas/tomas-netopil-samson-et-dalila |
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