Tchaikovsky ballet masterpieces:
Margot Fonteyn ranks prominent among the most venerated ballerinas of the 20th century. This programme brings her to life thanks to exceptional archive material, in which she appears with Michael Somes in the three great Tchaikovsky ballets. The selections on this programme demonstrate the key eleme...
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Format: | Elektronisch Video |
Sprache: | English |
Veröffentlicht: |
[Place of publication not identified]
BBC
[1959]
International Classical Artists Ltd [1959] |
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | Margot Fonteyn ranks prominent among the most venerated ballerinas of the 20th century. This programme brings her to life thanks to exceptional archive material, in which she appears with Michael Somes in the three great Tchaikovsky ballets. The selections on this programme demonstrate the key elements of the Fonteyn/Somes partnership, most notably in the selections from Swan Lake and Sleeping Beauty. The inspired choreography of the Act 2 pas de deux from Swan Lake is a veritable love duet as performed by these dancers. Fonteyn's Odette is all fluttering vulnerability with Somes as an ardent, caring protector. All the more jolting is Fonteyn's transformation into the alluring Odile of Act 3! She may lack the suggestive malevolence of Plisetskaya's Odile, but her cool seductiveness is light years away from her fragile Odette. Somes is perfect as her Beguiled and bewildered prey. Aurora was Fonteyn's signature role. It was in Sleeping Beauty that she and Sadler's Wells Ballet made their triumphant American debut in 1949. She was apprehensive about that appearance, writing: "I felt absolutely certain that I was not the kind of dancer New York audiences greeted the Londoners' performances excstatically. On the 1959 telecast, one still sees the exuberant youthfulness that so charmed audiences ten years earlier. Fonteyn's Act 1 entrance was always enchanting, and no less so as seen here. For the great Act 3 pas de deux her cavalier, Somes, is in total sync with her, making this the high point of the ballet. The Nutcracker was not a repertoire staple for Fonteyn, nor for most other prima ballerinas with the Sugar Plum Fairy appearing only in the second act, and there just in the grand pas de deux. But when seen with dancers like Fonteyn and Somes performing Ivanov's captivating choreography to the glorious music of Tchaikovsky, one understands why Major dancers continue to covet these roles |
Beschreibung: | 1 Online-Ressource (1 video file (1 hr., 12 min., 9 sec.)) sound, color |
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505 | 8 | 0 | |t Sleeping beauty (excerpts) |r choreography, Marius Petipa -- |t Swan lake (excerpts) |r choreography, Rudolf Nureyev, Marius Petipa, Lev Ivanov -- |t The nutcracker (excerpts) |r choreography, Lev Ivanov, Peter Wright |
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520 | 3 | |a Margot Fonteyn ranks prominent among the most venerated ballerinas of the 20th century. This programme brings her to life thanks to exceptional archive material, in which she appears with Michael Somes in the three great Tchaikovsky ballets. The selections on this programme demonstrate the key elements of the Fonteyn/Somes partnership, most notably in the selections from Swan Lake and Sleeping Beauty. The inspired choreography of the Act 2 pas de deux from Swan Lake is a veritable love duet as performed by these dancers. Fonteyn's Odette is all fluttering vulnerability with Somes as an ardent, caring protector. All the more jolting is Fonteyn's transformation into the alluring Odile of Act 3! She may lack the suggestive malevolence of Plisetskaya's Odile, but her cool seductiveness is light years away from her fragile Odette. Somes is perfect as her Beguiled and bewildered prey. Aurora was Fonteyn's signature role. It was in Sleeping Beauty that she and Sadler's Wells Ballet made their triumphant American debut in 1949. She was apprehensive about that appearance, writing: "I felt absolutely certain that I was not the kind of dancer New York audiences greeted the Londoners' performances excstatically. On the 1959 telecast, one still sees the exuberant youthfulness that so charmed audiences ten years earlier. Fonteyn's Act 1 entrance was always enchanting, and no less so as seen here. For the great Act 3 pas de deux her cavalier, Somes, is in total sync with her, making this the high point of the ballet. The Nutcracker was not a repertoire staple for Fonteyn, nor for most other prima ballerinas with the Sugar Plum Fairy appearing only in the second act, and there just in the grand pas de deux. But when seen with dancers like Fonteyn and Somes performing Ivanov's captivating choreography to the glorious music of Tchaikovsky, one understands why Major dancers continue to covet these roles | |
650 | 7 | |a Ballets |2 Excerpts | |
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653 | 6 | |a Internet videos | |
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700 | 1 | |a Petipa, Marius |d 1818-1910 |e Sonstige |4 oth | |
700 | 1 | |a Nureyev, Rudolf |d 1938-1993 |e Sonstige |4 oth | |
700 | 1 | |a Ivanov, Lev |d 1834-1901 |e Sonstige |4 oth | |
700 | 1 | |a Wright, Peter |d 1926- |e Sonstige |4 oth | |
700 | 1 | |a Somes, Michael |d 1917-1994 |e Sonstige |4 oth | |
700 | 1 | |a Fonteyn, Margot |d 1919-1991 |e Sonstige |4 oth | |
700 | 1 | 2 | |a Tchaikovsky, Peter Ilich |d 1840-1893 |t Spi͡ashchai͡a krasavit͡sa |k Selections |
700 | 1 | 2 | |a Tchaikovsky, Peter Ilich |d 1840-1893 |t Lebedinoe ozero |k Selections |
700 | 1 | 2 | |a Tchaikovsky, Peter Ilich |d 1840-1893 |t Shchelkunchik |k Selections |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
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author2 | Tchaikovsky, Peter Ilich 1840-1893 Tchaikovsky, Peter Ilich 1840-1893 Tchaikovsky, Peter Ilich 1840-1893 |
author2_role | |
author2_variant | p i t pi pit p i t pi pit p i t pi pit |
author_additional | choreography, Marius Petipa -- choreography, Rudolf Nureyev, Marius Petipa, Lev Ivanov -- choreography, Lev Ivanov, Peter Wright |
author_facet | Tchaikovsky, Peter Ilich 1840-1893 Tchaikovsky, Peter Ilich 1840-1893 Tchaikovsky, Peter Ilich 1840-1893 |
author_sort | Tchaikovsky, Peter Ilich 1840-1893 |
building | Verbundindex |
bvnumber | BV048407211 |
collection | ZDB-1-MTV |
contents | Sleeping beauty (excerpts) Swan lake (excerpts) The nutcracker (excerpts) |
ctrlnum | (ZDB-1-MTV)ocn956368582 (OCoLC)956368582 (DE-599)BVBBV048407211 |
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id | DE-604.BV048407211 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:24:26Z |
indexdate | 2024-07-10T09:37:15Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033785686 |
oclc_num | 956368582 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 video file (1 hr., 12 min., 9 sec.)) sound, color |
psigel | ZDB-1-MTV |
publishDate | 1959 |
publishDateSearch | 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 |
publishDateSort | 2011 |
publisher | BBC International Classical Artists Ltd |
record_format | marc |
spelling | Tchaikovsky ballet masterpieces BBC, under licence to International Classical Artists Ltd [Place of publication not identified] BBC [1959] International Classical Artists Ltd [1959] ©2011 1 Online-Ressource (1 video file (1 hr., 12 min., 9 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Sleeping beauty (excerpts) choreography, Marius Petipa -- Swan lake (excerpts) choreography, Rudolf Nureyev, Marius Petipa, Lev Ivanov -- The nutcracker (excerpts) choreography, Lev Ivanov, Peter Wright Michael Somes, Margot Fonteyn, dancers Margot Fonteyn ranks prominent among the most venerated ballerinas of the 20th century. This programme brings her to life thanks to exceptional archive material, in which she appears with Michael Somes in the three great Tchaikovsky ballets. The selections on this programme demonstrate the key elements of the Fonteyn/Somes partnership, most notably in the selections from Swan Lake and Sleeping Beauty. The inspired choreography of the Act 2 pas de deux from Swan Lake is a veritable love duet as performed by these dancers. Fonteyn's Odette is all fluttering vulnerability with Somes as an ardent, caring protector. All the more jolting is Fonteyn's transformation into the alluring Odile of Act 3! She may lack the suggestive malevolence of Plisetskaya's Odile, but her cool seductiveness is light years away from her fragile Odette. Somes is perfect as her Beguiled and bewildered prey. Aurora was Fonteyn's signature role. It was in Sleeping Beauty that she and Sadler's Wells Ballet made their triumphant American debut in 1949. She was apprehensive about that appearance, writing: "I felt absolutely certain that I was not the kind of dancer New York audiences greeted the Londoners' performances excstatically. On the 1959 telecast, one still sees the exuberant youthfulness that so charmed audiences ten years earlier. Fonteyn's Act 1 entrance was always enchanting, and no less so as seen here. For the great Act 3 pas de deux her cavalier, Somes, is in total sync with her, making this the high point of the ballet. The Nutcracker was not a repertoire staple for Fonteyn, nor for most other prima ballerinas with the Sugar Plum Fairy appearing only in the second act, and there just in the grand pas de deux. But when seen with dancers like Fonteyn and Somes performing Ivanov's captivating choreography to the glorious music of Tchaikovsky, one understands why Major dancers continue to covet these roles Ballets Excerpts Internet videos Petipa, Marius 1818-1910 Sonstige oth Nureyev, Rudolf 1938-1993 Sonstige oth Ivanov, Lev 1834-1901 Sonstige oth Wright, Peter 1926- Sonstige oth Somes, Michael 1917-1994 Sonstige oth Fonteyn, Margot 1919-1991 Sonstige oth Tchaikovsky, Peter Ilich 1840-1893 Spi͡ashchai͡a krasavit͡sa Selections Tchaikovsky, Peter Ilich 1840-1893 Lebedinoe ozero Selections Tchaikovsky, Peter Ilich 1840-1893 Shchelkunchik Selections British Broadcasting Corporation Sonstige oth International Classical Artists, Ltd. Sonstige oth https://edu.medici.tv/en/ballets/tchaikovsky-ballet-masterpieces Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
spellingShingle | Tchaikovsky ballet masterpieces Sleeping beauty (excerpts) Swan lake (excerpts) The nutcracker (excerpts) Ballets Excerpts |
title | Tchaikovsky ballet masterpieces |
title_alt | Sleeping beauty (excerpts) Swan lake (excerpts) The nutcracker (excerpts) Spi͡ashchai͡a krasavit͡sa Lebedinoe ozero Shchelkunchik |
title_auth | Tchaikovsky ballet masterpieces |
title_exact_search | Tchaikovsky ballet masterpieces |
title_exact_search_txtP | Tchaikovsky ballet masterpieces |
title_full | Tchaikovsky ballet masterpieces BBC, under licence to International Classical Artists Ltd |
title_fullStr | Tchaikovsky ballet masterpieces BBC, under licence to International Classical Artists Ltd |
title_full_unstemmed | Tchaikovsky ballet masterpieces BBC, under licence to International Classical Artists Ltd |
title_short | Tchaikovsky ballet masterpieces |
title_sort | tchaikovsky ballet masterpieces |
topic | Ballets Excerpts |
topic_facet | Ballets Ballets Excerpts |
url | https://edu.medici.tv/en/ballets/tchaikovsky-ballet-masterpieces |
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