Coproduction: collaboration in music production
"Coproduction is dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
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| Schriftenreihe: | Perspectives on music production
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Coproduction is dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios. It does so by examining multiple disciplines from social science and coproduction in mental health, to philosophy and mathematics. At its extremes (which is the extreme middle and not the blunt 'cutting edge') the authors attempt to produce every song in their development of an all-encompassing pop music concept, peculiarly called 'Toast Theory'. In attempting to unite the pragmatic collaborative patterns of Vera John-Steiner with philosophical postmodernist concepts of connection, Coproduction has something to offer readers interested in the traditional workings of teams of producers, as well as those seeking to understand the wider philosophy of collaboration in music production"-- |
| Beschreibung: | "A Focal Press Book" -- from cover |
| Beschreibung: | xx, 224 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780815362555 9780815362531 |
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Datensatz im Suchindex
| _version_ | 1804184303113863168 |
|---|---|
| adam_text | Contents List of Figures List of Tables List of Examples List of Contributors Preface Acknowledgements Credits How to Read This Book: Design and Structure 1 x xi xii xiii xiv xv xvi xvii A Typology of Collaborative Practices in Music Production 1 ROBERT WILSMORE PART ONE 13 Type 1. Group Coproduction: Collaboration Between Individuals 2 Producing Together 15 ROBERT WILSMORE 3 Creativity and the Production Habitus 31 CHRISTOPHER JOHNSON 4 The Production Habitus of Smoke Rainbows - Music Minds Matter (Abbey Road Case Study No.l) 45 CHRISTOPHER JOHNSON 5 Lauren Christy and The Matrix Production Team: Coproduction in Familial Mode (the Three-headed Monster and the Butterfly Collector) 60 ROBERT WILSMORE 6 Hierarchical Production and Complementarity, Before, During, and After PWL: An Interview with Phil Harding CHRISTOPHER JOHNSON AND ROBERT WILSMORE 70
viii Contents 7 Group Genius, Scenius, the Invisible, and the Oblique: Eno, Lanois, and Communities of Creativity 87 ROBERT WILSMORE 8 Grace Jones, Spontaneity, and Collaboration in the Moment: An Interview with Bruce Woolley 92 CHRISTOPHER JOHNSON AND ROBERT WILSMORE 9 Small Things of Value: Marginalia, Mental Health, and Coproduction (Abbey Road Case Study No.2, Part 1) 98 ROBERT WILSMORE 10 Something of Value: Coproducing with Converge, a University-Based Educational Programme for Adults with Mental Health Difficulties (Abbey Road Case Study No.2, Part 2) 104 RUTH LAMBLEY PART TWO Type 2. Internal Coproduction: The Self as Many 117 11 The Artistic Self and the Cycle of Production 119 CHRISTOPHER JOHNSON 12 ‘Silver Glass’: Re-production 133 CHRISTOPHER JOHNSON 13 Play One We Know! A Pub Singer’s Struggle to Retain His Integrity Whilst Remaining Entertaining 144 CHRISTOPHER JOHNSON PART THREE Type 3. Coproduction Without Consent: Denial or Unknowing Collaboration 14 The Song of a Thousand Songs: Popular Music as Distributed Collaboration (Toast Theory, Part 1) 157 159 ROBERT WILSMORE 15 Removing Non-sonic Signifiers from Endings (Toast Theory, Part 2) 168 ROBERT WILSMORE 16 The Ancient Art of Remixing ROBERT WILSMORE 176
Contents ix PART FOUR Type 4. Deproduction: The Collective Disappearance of Production 183 17 On Writing Every Song 185 ROBERT WILSMORE AND PHILLIP BRADY 18 The Mathematics of Writing Every Tune 190 PHILLIP BRADY AND ROBERT WILSMORE 19 Deproduction 200 ROBERT WILSMORE Glossary of Terms References Index 205 207 217
|
| adam_txt |
Contents List of Figures List of Tables List of Examples List of Contributors Preface Acknowledgements Credits How to Read This Book: Design and Structure 1 x xi xii xiii xiv xv xvi xvii A Typology of Collaborative Practices in Music Production 1 ROBERT WILSMORE PART ONE 13 Type 1. Group Coproduction: Collaboration Between Individuals 2 Producing Together 15 ROBERT WILSMORE 3 Creativity and the Production Habitus 31 CHRISTOPHER JOHNSON 4 The Production Habitus of Smoke Rainbows - Music Minds Matter (Abbey Road Case Study No.l) 45 CHRISTOPHER JOHNSON 5 Lauren Christy and The Matrix Production Team: Coproduction in Familial Mode (the Three-headed Monster and the Butterfly Collector) 60 ROBERT WILSMORE 6 Hierarchical Production and Complementarity, Before, During, and After PWL: An Interview with Phil Harding CHRISTOPHER JOHNSON AND ROBERT WILSMORE 70
viii Contents 7 Group Genius, Scenius, the Invisible, and the Oblique: Eno, Lanois, and Communities of Creativity 87 ROBERT WILSMORE 8 Grace Jones, Spontaneity, and Collaboration in the Moment: An Interview with Bruce Woolley 92 CHRISTOPHER JOHNSON AND ROBERT WILSMORE 9 Small Things of Value: Marginalia, Mental Health, and Coproduction (Abbey Road Case Study No.2, Part 1) 98 ROBERT WILSMORE 10 Something of Value: Coproducing with Converge, a University-Based Educational Programme for Adults with Mental Health Difficulties (Abbey Road Case Study No.2, Part 2) 104 RUTH LAMBLEY PART TWO Type 2. Internal Coproduction: The Self as Many 117 11 The Artistic Self and the Cycle of Production 119 CHRISTOPHER JOHNSON 12 ‘Silver Glass’: Re-production 133 CHRISTOPHER JOHNSON 13 Play One We Know! A Pub Singer’s Struggle to Retain His Integrity Whilst Remaining Entertaining 144 CHRISTOPHER JOHNSON PART THREE Type 3. Coproduction Without Consent: Denial or Unknowing Collaboration 14 The Song of a Thousand Songs: Popular Music as Distributed Collaboration (Toast Theory, Part 1) 157 159 ROBERT WILSMORE 15 Removing Non-sonic Signifiers from Endings (Toast Theory, Part 2) 168 ROBERT WILSMORE 16 The Ancient Art of Remixing ROBERT WILSMORE 176
Contents ix PART FOUR Type 4. Deproduction: The Collective Disappearance of Production 183 17 On Writing Every Song 185 ROBERT WILSMORE AND PHILLIP BRADY 18 The Mathematics of Writing Every Tune 190 PHILLIP BRADY AND ROBERT WILSMORE 19 Deproduction 200 ROBERT WILSMORE Glossary of Terms References Index 205 207 217 |
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| index_date | 2024-07-03T20:23:52Z |
| indexdate | 2024-07-10T09:37:11Z |
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| spelling | Wilsmore, Robert Verfasser (DE-588)1268236055 aut Coproduction collaboration in music production Robert Wilsmore and Christopher Johnson New York ; London Routledge, Taylor & Francis Group 2022 xx, 224 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Perspectives on music production "A Focal Press Book" -- from cover "Coproduction is dedicated specifically to the study of an emerging field in music production musicology. It explores the limits of what this field might be, from the workings of a few individuals producing music together in the studio, to vast contributions of whole societies producing popular music. Taking a wide-ranging approach to examining the field, Coproduction looks through multiple formats including essays, interviews and case studies, with analysis and commentary of coproduction experiences at Abbey Road studios. It does so by examining multiple disciplines from social science and coproduction in mental health, to philosophy and mathematics. At its extremes (which is the extreme middle and not the blunt 'cutting edge') the authors attempt to produce every song in their development of an all-encompassing pop music concept, peculiarly called 'Toast Theory'. In attempting to unite the pragmatic collaborative patterns of Vera John-Steiner with philosophical postmodernist concepts of connection, Coproduction has something to offer readers interested in the traditional workings of teams of producers, as well as those seeking to understand the wider philosophy of collaboration in music production"-- Kollaboration (DE-588)4031748-1 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Popular music / Production and direction Sound recordings / Production and direction Composition (Music) / Collaboration Popular music / Philosophy and aesthetics Composition (Musique) / Collaboration Musique populaire / Philosophie et esthétique Unterhaltungsmusik (DE-588)4061916-3 s Musikproduktion (DE-588)4235850-4 s Kollaboration (DE-588)4031748-1 s DE-604 Johnson, Christopher Sonstige (DE-588)1268236403 oth Erscheint auch als Online-Ausgabe, ebk. 978-1-351-11195-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033783382&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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