History and active thought: the Belgrade surrealist circle's transforming praxis
This essay examines the "transforming praxis" of the Belgrade Surrealist Circle and their belief in "activating history" through a mutually corrective interaction of thought and matter. This aesthetic-political practice, the essay argues, gets articulated as a historical mandate,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2022
|
| Schlagworte: | |
| Zusammenfassung: | This essay examines the "transforming praxis" of the Belgrade Surrealist Circle and their belief in "activating history" through a mutually corrective interaction of thought and matter. This aesthetic-political practice, the essay argues, gets articulated as a historical mandate, and it does so in two ways: as a performative address to the site-moment-specific historical conditions in the early and mid-twentieth century and as a way to conceptualize and respond to the problem of active thinking and acting in history more generally. Drawing on Koča Popović and Marko Ristić’s surrealist philosophical treatise Outline for a Phenomenology of the Irrational (1931), the essay places the Circle’s negotiation of the legacy of Hegel’s thought on history in their various artworks, poems, novels, photographs and essayistic prose in the context of political past, present, and the future of their practice. Discussing the circumstances and effects of one of the most influential art-practices in the region of Yugoslavia enables the author to pose more capacious questions about the operation of art and history: How does material history turn itself into continuously active forms/represented objects? What implications may the Belgrade surrealists’ mandate for active thought have for our understanding of modernism and history? And what mode of interpretation may fit such visions of historically-politically engaged art? |
| Beschreibung: | 2 Illustrationen |
| ISBN: | 978-1-350-20296-2 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048401227 | ||
| 003 | DE-604 | ||
| 005 | 20230317 | ||
| 007 | t | ||
| 008 | 220810s2022 a||| |||| 00||| eng d | ||
| 035 | |a (OCoLC)1344249768 | ||
| 035 | |a (DE-599)BVBBV048401227 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Bahun, Sanja |e Verfasser |0 (DE-588)1051615216 |4 aut | |
| 245 | 1 | 0 | |a History and active thought |b the Belgrade surrealist circle's transforming praxis |c Sanja Bahun |
| 264 | 1 | |c 2022 | |
| 300 | |b 2 Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a This essay examines the "transforming praxis" of the Belgrade Surrealist Circle and their belief in "activating history" through a mutually corrective interaction of thought and matter. This aesthetic-political practice, the essay argues, gets articulated as a historical mandate, and it does so in two ways: as a performative address to the site-moment-specific historical conditions in the early and mid-twentieth century and as a way to conceptualize and respond to the problem of active thinking and acting in history more generally. Drawing on Koča Popović and Marko Ristić’s surrealist philosophical treatise Outline for a Phenomenology of the Irrational (1931), the essay places the Circle’s negotiation of the legacy of Hegel’s thought on history in their various artworks, poems, novels, photographs and essayistic prose in the context of political past, present, and the future of their practice. Discussing the circumstances and effects of one of the most influential art-practices in the region of Yugoslavia enables the author to pose more capacious questions about the operation of art and history: How does material history turn itself into continuously active forms/represented objects? What implications may the Belgrade surrealists’ mandate for active thought have for our understanding of modernism and history? And what mode of interpretation may fit such visions of historically-politically engaged art? | |
| 600 | 1 | 7 | |a Ristić, Marko |d 1902-1984 |0 (DE-588)120339587 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Popović, Koča |d 1908-1992 |0 (DE-588)124965709 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Surrealismus |0 (DE-588)4058665-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Belgrad |0 (DE-588)4005411-1 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Belgrad |0 (DE-588)4005411-1 |D g |
| 689 | 0 | 1 | |a Surrealismus |0 (DE-588)4058665-0 |D s |
| 689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Popović, Koča |d 1908-1992 |0 (DE-588)124965709 |D p |
| 689 | 1 | 1 | |a Ristić, Marko |d 1902-1984 |0 (DE-588)120339587 |D p |
| 689 | 1 | |5 DE-604 | |
| 773 | 1 | 8 | |g pages:215-233 |
| 773 | 0 | 8 | |t Historical modernisms / Jean-Michel Rabaté and Angeliki Spiropoulou |d London ; New York ; Oxford ; New Delhi ; Sydney, 2022 |g Seite 215-233 |k Historicizing modernism |w (DE-604)BV048401180 |z 978-1-350-20296-2 |
| 940 | 1 | |n oeaufsaetze | |
| 940 | 1 | |q oeaufsaetze_KUBA2 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033779775 | ||
| 941 | |s 215-233 | ||
Datensatz im Suchindex
| _version_ | 1804184299299143680 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV048401180 |
| author | Bahun, Sanja |
| author_GND | (DE-588)1051615216 |
| author_facet | Bahun, Sanja |
| author_role | aut |
| author_sort | Bahun, Sanja |
| author_variant | s b sb |
| building | Verbundindex |
| bvnumber | BV048401227 |
| ctrlnum | (OCoLC)1344249768 (DE-599)BVBBV048401227 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03129naa a2200457 c 4500</leader><controlfield tag="001">BV048401227</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230317 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220810s2022 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344249768</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048401227</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bahun, Sanja</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1051615216</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">History and active thought</subfield><subfield code="b">the Belgrade surrealist circle's transforming praxis</subfield><subfield code="c">Sanja Bahun</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">2 Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This essay examines the "transforming praxis" of the Belgrade Surrealist Circle and their belief in "activating history" through a mutually corrective interaction of thought and matter. This aesthetic-political practice, the essay argues, gets articulated as a historical mandate, and it does so in two ways: as a performative address to the site-moment-specific historical conditions in the early and mid-twentieth century and as a way to conceptualize and respond to the problem of active thinking and acting in history more generally. Drawing on Koča Popović and Marko Ristić’s surrealist philosophical treatise Outline for a Phenomenology of the Irrational (1931), the essay places the Circle’s negotiation of the legacy of Hegel’s thought on history in their various artworks, poems, novels, photographs and essayistic prose in the context of political past, present, and the future of their practice. Discussing the circumstances and effects of one of the most influential art-practices in the region of Yugoslavia enables the author to pose more capacious questions about the operation of art and history: How does material history turn itself into continuously active forms/represented objects? What implications may the Belgrade surrealists’ mandate for active thought have for our understanding of modernism and history? And what mode of interpretation may fit such visions of historically-politically engaged art?</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Ristić, Marko</subfield><subfield code="d">1902-1984</subfield><subfield code="0">(DE-588)120339587</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Popović, Koča</subfield><subfield code="d">1908-1992</subfield><subfield code="0">(DE-588)124965709</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Surrealismus</subfield><subfield code="0">(DE-588)4058665-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Belgrad</subfield><subfield code="0">(DE-588)4005411-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Belgrad</subfield><subfield code="0">(DE-588)4005411-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Surrealismus</subfield><subfield code="0">(DE-588)4058665-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Popović, Koča</subfield><subfield code="d">1908-1992</subfield><subfield code="0">(DE-588)124965709</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Ristić, Marko</subfield><subfield code="d">1902-1984</subfield><subfield code="0">(DE-588)120339587</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:215-233</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Historical modernisms / Jean-Michel Rabaté and Angeliki Spiropoulou</subfield><subfield code="d">London ; New York ; Oxford ; New Delhi ; Sydney, 2022</subfield><subfield code="g">Seite 215-233</subfield><subfield code="k">Historicizing modernism</subfield><subfield code="w">(DE-604)BV048401180</subfield><subfield code="z">978-1-350-20296-2</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oeaufsaetze</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">oeaufsaetze_KUBA2</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033779775</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">215-233</subfield></datafield></record></collection> |
| geographic | Belgrad (DE-588)4005411-1 gnd |
| geographic_facet | Belgrad |
| id | DE-604.BV048401227 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:23:02Z |
| indexdate | 2024-07-10T09:37:08Z |
| institution | BVB |
| isbn | 978-1-350-20296-2 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033779775 |
| oclc_num | 1344249768 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 2 Illustrationen |
| psigel | oeaufsaetze_KUBA2 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Bahun, Sanja Verfasser (DE-588)1051615216 aut History and active thought the Belgrade surrealist circle's transforming praxis Sanja Bahun 2022 2 Illustrationen txt rdacontent n rdamedia nc rdacarrier This essay examines the "transforming praxis" of the Belgrade Surrealist Circle and their belief in "activating history" through a mutually corrective interaction of thought and matter. This aesthetic-political practice, the essay argues, gets articulated as a historical mandate, and it does so in two ways: as a performative address to the site-moment-specific historical conditions in the early and mid-twentieth century and as a way to conceptualize and respond to the problem of active thinking and acting in history more generally. Drawing on Koča Popović and Marko Ristić’s surrealist philosophical treatise Outline for a Phenomenology of the Irrational (1931), the essay places the Circle’s negotiation of the legacy of Hegel’s thought on history in their various artworks, poems, novels, photographs and essayistic prose in the context of political past, present, and the future of their practice. Discussing the circumstances and effects of one of the most influential art-practices in the region of Yugoslavia enables the author to pose more capacious questions about the operation of art and history: How does material history turn itself into continuously active forms/represented objects? What implications may the Belgrade surrealists’ mandate for active thought have for our understanding of modernism and history? And what mode of interpretation may fit such visions of historically-politically engaged art? Ristić, Marko 1902-1984 (DE-588)120339587 gnd rswk-swf Popović, Koča 1908-1992 (DE-588)124965709 gnd rswk-swf Surrealismus (DE-588)4058665-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Belgrad (DE-588)4005411-1 gnd rswk-swf Belgrad (DE-588)4005411-1 g Surrealismus (DE-588)4058665-0 s Ästhetik (DE-588)4000626-8 s DE-604 Popović, Koča 1908-1992 (DE-588)124965709 p Ristić, Marko 1902-1984 (DE-588)120339587 p pages:215-233 Historical modernisms / Jean-Michel Rabaté and Angeliki Spiropoulou London ; New York ; Oxford ; New Delhi ; Sydney, 2022 Seite 215-233 Historicizing modernism (DE-604)BV048401180 978-1-350-20296-2 |
| spellingShingle | Bahun, Sanja History and active thought the Belgrade surrealist circle's transforming praxis Ristić, Marko 1902-1984 (DE-588)120339587 gnd Popović, Koča 1908-1992 (DE-588)124965709 gnd Surrealismus (DE-588)4058665-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)120339587 (DE-588)124965709 (DE-588)4058665-0 (DE-588)4000626-8 (DE-588)4005411-1 |
| title | History and active thought the Belgrade surrealist circle's transforming praxis |
| title_auth | History and active thought the Belgrade surrealist circle's transforming praxis |
| title_exact_search | History and active thought the Belgrade surrealist circle's transforming praxis |
| title_exact_search_txtP | History and active thought the Belgrade surrealist circle's transforming praxis |
| title_full | History and active thought the Belgrade surrealist circle's transforming praxis Sanja Bahun |
| title_fullStr | History and active thought the Belgrade surrealist circle's transforming praxis Sanja Bahun |
| title_full_unstemmed | History and active thought the Belgrade surrealist circle's transforming praxis Sanja Bahun |
| title_short | History and active thought |
| title_sort | history and active thought the belgrade surrealist circle s transforming praxis |
| title_sub | the Belgrade surrealist circle's transforming praxis |
| topic | Ristić, Marko 1902-1984 (DE-588)120339587 gnd Popović, Koča 1908-1992 (DE-588)124965709 gnd Surrealismus (DE-588)4058665-0 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Ristić, Marko 1902-1984 Popović, Koča 1908-1992 Surrealismus Ästhetik Belgrad |
| work_keys_str_mv | AT bahunsanja historyandactivethoughtthebelgradesurrealistcirclestransformingpraxis |