Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome:
This article explores the two fresco cycles devoted to Saint Francesca Romana (Francesca Bussa de’ Leoni 1384-1440) in the monastery of Tor de’ Specchi in Rome, founded in 1433. The two cycles, created by different painters twenty years apart, are situated in two adjoining spaces of the monastery. T...
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| Format: | Artikel |
| Sprache: | English |
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2021
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| Zusammenfassung: | This article explores the two fresco cycles devoted to Saint Francesca Romana (Francesca Bussa de’ Leoni 1384-1440) in the monastery of Tor de’ Specchi in Rome, founded in 1433. The two cycles, created by different painters twenty years apart, are situated in two adjoining spaces of the monastery. The first, attributed to Antoniazzo Romano, was frescoed in 1468 in a space used for prayer and mass (the Oratorio) and represents her charitable actions, miracles, and celestial visions. The second cycle dated to 1485, in terra verde technique, is situated in the ancient refectory and depicts Francesca Romana’s encounter with demonic creatures. Intriguingly, although Francesca was not canonized until 1608, she is presented as a saint in both cycles. We analyze the two parietal decorations in relation to their sources, the Tractato delli visioni di santa Francesca Romana and Tractato delle bactaglie. These two texts were written in Roman vulgar by Francesca’s confessor, Giovanni Mattiotti, in 1447 to record her divine visions and battles with evil. By focusing on selected scenes from both the cycles, we ascertain how closely the images adhere to Mattiotti’s written accounts or, instead, the autonomy of the images. The aim is to grasp how images and words work together in dialogue and how, thanks to this interaction, the different polarities inherent to holiness can be rendered visual. Indeed, whereas the colorful scenes show aspects of holiness linked to a vivifying dimension - Francesca is welcomed into the heavenly realm in the presence of Christ and the Virgin - the terra verde images depict a noxious dimension characterized by light deprivation, indoor spaces, and opposition to the Devil’s torments. Ultimately, by investigating visual forms, material aspects, and narrative strategies, we unearth how Francesca’s sainthood status has been translated and codified. |
| Beschreibung: | Illustrationen |
| ISSN: | 1846-8551 |
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| 520 | 8 | |a This article explores the two fresco cycles devoted to Saint Francesca Romana (Francesca Bussa de’ Leoni 1384-1440) in the monastery of Tor de’ Specchi in Rome, founded in 1433. The two cycles, created by different painters twenty years apart, are situated in two adjoining spaces of the monastery. The first, attributed to Antoniazzo Romano, was frescoed in 1468 in a space used for prayer and mass (the Oratorio) and represents her charitable actions, miracles, and celestial visions. The second cycle dated to 1485, in terra verde technique, is situated in the ancient refectory and depicts Francesca Romana’s encounter with demonic creatures. Intriguingly, although Francesca was not canonized until 1608, she is presented as a saint in both cycles. We analyze the two parietal decorations in relation to their sources, the Tractato delli visioni di santa Francesca Romana and Tractato delle bactaglie. These two texts were written in Roman vulgar by Francesca’s confessor, Giovanni Mattiotti, in 1447 to record her divine visions and battles with evil. By focusing on selected scenes from both the cycles, we ascertain how closely the images adhere to Mattiotti’s written accounts or, instead, the autonomy of the images. The aim is to grasp how images and words work together in dialogue and how, thanks to this interaction, the different polarities inherent to holiness can be rendered visual. Indeed, whereas the colorful scenes show aspects of holiness linked to a vivifying dimension - Francesca is welcomed into the heavenly realm in the presence of Christ and the Virgin - the terra verde images depict a noxious dimension characterized by light deprivation, indoor spaces, and opposition to the Devil’s torments. Ultimately, by investigating visual forms, material aspects, and narrative strategies, we unearth how Francesca’s sainthood status has been translated and codified. | |
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| spelling | Daniele, Elisa Antonietta Verfasser aut Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome Elisa Antonietta Daniele, Pamela Gallicchio Vizualne forme i paleta svetosti Franciske Rimske u samostanu Tor de’ Specchi u Rimu 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier This article explores the two fresco cycles devoted to Saint Francesca Romana (Francesca Bussa de’ Leoni 1384-1440) in the monastery of Tor de’ Specchi in Rome, founded in 1433. The two cycles, created by different painters twenty years apart, are situated in two adjoining spaces of the monastery. The first, attributed to Antoniazzo Romano, was frescoed in 1468 in a space used for prayer and mass (the Oratorio) and represents her charitable actions, miracles, and celestial visions. The second cycle dated to 1485, in terra verde technique, is situated in the ancient refectory and depicts Francesca Romana’s encounter with demonic creatures. Intriguingly, although Francesca was not canonized until 1608, she is presented as a saint in both cycles. We analyze the two parietal decorations in relation to their sources, the Tractato delli visioni di santa Francesca Romana and Tractato delle bactaglie. These two texts were written in Roman vulgar by Francesca’s confessor, Giovanni Mattiotti, in 1447 to record her divine visions and battles with evil. By focusing on selected scenes from both the cycles, we ascertain how closely the images adhere to Mattiotti’s written accounts or, instead, the autonomy of the images. The aim is to grasp how images and words work together in dialogue and how, thanks to this interaction, the different polarities inherent to holiness can be rendered visual. Indeed, whereas the colorful scenes show aspects of holiness linked to a vivifying dimension - Francesca is welcomed into the heavenly realm in the presence of Christ and the Virgin - the terra verde images depict a noxious dimension characterized by light deprivation, indoor spaces, and opposition to the Devil’s torments. Ultimately, by investigating visual forms, material aspects, and narrative strategies, we unearth how Francesca’s sainthood status has been translated and codified. Zusammenfassung in kroatischer Sprache unter dem Titel: Vizualne forme i paleta svetosti Franciske Rimske u samostanu Tor de' Specchi u Rimu Mattiotti, Giovanni ca. um 1440 (DE-588)104314885 gnd rswk-swf Franziska von Rom 1384-1440 (DE-588)118693018 gnd rswk-swf Antoniazzo Romano 1435-1508 (DE-588)119116480 gnd rswk-swf Kloster Santissima Annunziata a Tor de'Specchi Rom (DE-588)4700087-9 gnd rswk-swf Geschichte 1460-1490 gnd rswk-swf Geschichte 1447 gnd rswk-swf Freskomalerei (DE-588)4071463-9 gnd rswk-swf Heiligenbild (DE-588)4159383-2 gnd rswk-swf Heiligenvita (DE-588)4127195-6 gnd rswk-swf Wandmalerei (DE-588)4064542-3 gnd rswk-swf Kloster Santissima Annunziata a Tor de'Specchi Rom (DE-588)4700087-9 b Antoniazzo Romano 1435-1508 (DE-588)119116480 p Freskomalerei (DE-588)4071463-9 s Wandmalerei (DE-588)4064542-3 s Franziska von Rom 1384-1440 (DE-588)118693018 p Heiligenbild (DE-588)4159383-2 s Geschichte 1460-1490 z DE-604 Mattiotti, Giovanni ca. um 1440 (DE-588)104314885 p Heiligenvita (DE-588)4127195-6 s Geschichte 1447 z Gallicchio, Pamela Verfasser aut volume:14 year:2021 pages:177-188 Ikon Rijeka, 2021 Band 14 (2021), Seite 177-188 (DE-604)BV037480230 1846-8551 (DE-600)2500582-0 |
| spellingShingle | Daniele, Elisa Antonietta Gallicchio, Pamela Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome Mattiotti, Giovanni ca. um 1440 (DE-588)104314885 gnd Franziska von Rom 1384-1440 (DE-588)118693018 gnd Antoniazzo Romano 1435-1508 (DE-588)119116480 gnd Kloster Santissima Annunziata a Tor de'Specchi Rom (DE-588)4700087-9 gnd Freskomalerei (DE-588)4071463-9 gnd Heiligenbild (DE-588)4159383-2 gnd Heiligenvita (DE-588)4127195-6 gnd Wandmalerei (DE-588)4064542-3 gnd |
| subject_GND | (DE-588)104314885 (DE-588)118693018 (DE-588)119116480 (DE-588)4700087-9 (DE-588)4071463-9 (DE-588)4159383-2 (DE-588)4127195-6 (DE-588)4064542-3 |
| title | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome |
| title_alt | Vizualne forme i paleta svetosti Franciske Rimske u samostanu Tor de’ Specchi u Rimu |
| title_auth | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome |
| title_exact_search | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome |
| title_exact_search_txtP | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome |
| title_full | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome Elisa Antonietta Daniele, Pamela Gallicchio |
| title_fullStr | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome Elisa Antonietta Daniele, Pamela Gallicchio |
| title_full_unstemmed | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome Elisa Antonietta Daniele, Pamela Gallicchio |
| title_short | Visual forms and color palette of Francesca Romana's holiness at Tor de' Specchi in Rome |
| title_sort | visual forms and color palette of francesca romana s holiness at tor de specchi in rome |
| topic | Mattiotti, Giovanni ca. um 1440 (DE-588)104314885 gnd Franziska von Rom 1384-1440 (DE-588)118693018 gnd Antoniazzo Romano 1435-1508 (DE-588)119116480 gnd Kloster Santissima Annunziata a Tor de'Specchi Rom (DE-588)4700087-9 gnd Freskomalerei (DE-588)4071463-9 gnd Heiligenbild (DE-588)4159383-2 gnd Heiligenvita (DE-588)4127195-6 gnd Wandmalerei (DE-588)4064542-3 gnd |
| topic_facet | Mattiotti, Giovanni ca. um 1440 Franziska von Rom 1384-1440 Antoniazzo Romano 1435-1508 Kloster Santissima Annunziata a Tor de'Specchi Rom Freskomalerei Heiligenbild Heiligenvita Wandmalerei |
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