Noise as a constructive element in music: theoretical and music-analytical perspectives
"Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resi...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
|
| Schriftenreihe: | Musical cultures of the twentieth century
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society, or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume also offers contributions by music analysts"-- |
| Beschreibung: | xiv, 216 Seiten Illustrationen |
| ISBN: | 9781032200392 9781032308562 |
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| 505 | 8 | |a Introduction. The Blessings of Noise Music / Mark Delaere -- PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music / Makis Solomos -- PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music / Marina Sudo | |
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Datensatz im Suchindex
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Contents List of Figures List of Tables List of Contributors Acknowledgements vii ix xi xv 1 Introduction: The Blessings of Noise Music MARK DELAERE PARTI The Joys of Noise: Historical, Theoretical, Aesthetic and Cultural Perspectives 1 Noise Annoys, Noise is the Future: Noise in Communication and Cybernetic Theories and Popular Music Practices 17 19 MICHAEL N. GODDARD 2 Save Our Noise: When Sound Out of Place Deserves Our Protection 35 KARIN BIJSTERVELD 54 3 Tracing Farlines in Ethnomusicology BARBARA TITUS 72 4 Noise Not Music PAUL HEGARTY 5 Between Morphological Research and Social Criticism: Notes on the Aesthetics of Noise in Avant-Garde Music MAKIS SOLOMOS 86
vi Contents PART II Music-Analytical Case Studies 105 6 Analysing Non-Score-Based Music 107 SIMON EMMERSON 7 Noise in Spectral Music 125 INGRID PUSTIJANAC 8 Is There Noise in Helmut Lachenmann’s Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso 137 CHRISTIAN UTZ 9 The Mie as a Scalpel - Skinning the Voice in Henri Chopin’s Sound Poetry 158 IANNIS VAN DE SANDE 10 Noise as Ground in Improvised Music: The Case of Chris Corsano 178 DIEDERIK MARK DE CEUSTER 11 Stretching Musicality to the Extreme: Vertical Composition in Merzbow’s Noise Music 194 MARINA SUDO Index 209 |
| adam_txt |
Contents List of Figures List of Tables List of Contributors Acknowledgements vii ix xi xv 1 Introduction: The Blessings of Noise Music MARK DELAERE PARTI The Joys of Noise: Historical, Theoretical, Aesthetic and Cultural Perspectives 1 Noise Annoys, Noise is the Future: Noise in Communication and Cybernetic Theories and Popular Music Practices 17 19 MICHAEL N. GODDARD 2 Save Our Noise: When Sound Out of Place Deserves Our Protection 35 KARIN BIJSTERVELD 54 3 Tracing Farlines in Ethnomusicology BARBARA TITUS 72 4 Noise Not Music PAUL HEGARTY 5 Between Morphological Research and Social Criticism: Notes on the Aesthetics of Noise in Avant-Garde Music MAKIS SOLOMOS 86
vi Contents PART II Music-Analytical Case Studies 105 6 Analysing Non-Score-Based Music 107 SIMON EMMERSON 7 Noise in Spectral Music 125 INGRID PUSTIJANAC 8 Is There Noise in Helmut Lachenmann’s Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso 137 CHRISTIAN UTZ 9 The Mie as a Scalpel - Skinning the Voice in Henri Chopin’s Sound Poetry 158 IANNIS VAN DE SANDE 10 Noise as Ground in Improvised Music: The Case of Chris Corsano 178 DIEDERIK MARK DE CEUSTER 11 Stretching Musicality to the Extreme: Vertical Composition in Merzbow’s Noise Music 194 MARINA SUDO Index 209 |
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| contents | Introduction. The Blessings of Noise Music / Mark Delaere -- PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music / Makis Solomos -- PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music / Marina Sudo |
| ctrlnum | (OCoLC)1294399872 (DE-599)BVBBV048394784 |
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| series | Musical cultures of the twentieth century |
| series2 | Musical cultures of the twentieth century |
| spelling | Delaere, Mark 1958- (DE-588)113378831 edt Noise as a constructive element in music theoretical and music-analytical perspectives edited by Mark Delaere London ; New York Routledge, Taylor & Francis Group 2022 © 2022 xiv, 216 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Musical cultures of the twentieth century 9 Introduction. The Blessings of Noise Music / Mark Delaere -- PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music / Makis Solomos -- PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music / Marina Sudo "Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society, or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a 'defect', this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume also offers contributions by music analysts"-- Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Geräusch (DE-588)4129296-0 gnd rswk-swf Music / 20th century / Philosophy and aesthetics Noise music / Philosophy and aesthetics Noise (Philosophy) Musique / 20e siècle / Philosophie et esthétique Noise (Musique) / Philosophie et esthétique Bruit / Philosophie Music / Philosophy and aesthetics 1900-1999 (DE-588)4143413-4 Aufsatzsammlung gnd-content Geräusch (DE-588)4129296-0 s Musikalische Analyse (DE-588)4040814-0 s Musiktheorie (DE-588)4040876-0 s Musikästhetik (DE-588)4040808-5 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-330702-0 Musical cultures of the twentieth century 9 (DE-604)BV043647103 9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033773470&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Noise as a constructive element in music theoretical and music-analytical perspectives Musical cultures of the twentieth century Introduction. The Blessings of Noise Music / Mark Delaere -- PART I. The Joys of Noise : Historical, Theoretical, Aesthetic and Cultural Perspectives. Noise Annoys, Noise is the Future : Noise in Communication and Cybernetic Theories and Popular Music Practices / Michael N. Goddard ; Save Our Noise : When Sound Out of Place Deserves Our Protection / Karin Bijsterveld ; Tracing Earlines in Ethnomusicology / Barbara Titus ; Noise, Not Music / Paul Hegarty ; Between Morphological Research and Social Criticism : Notes on the Aesthetics of Noise in Avant-Garde Music / Makis Solomos -- PART II. Music-Analytical Case Studies. Analysing Non-Score Based Music / Simon Emmerson / Noise in Spectral Music / Ingrid Pustijanac ; Is There Noise in Helmut Lachenmann's Music? Temporal Form and Moments of Presence in the String Quartet Gran Torso / Christian Utz ; The Mic as a Scalpel : Skinning the Voice in Henri Chopin's Sound Poetry / Jannis Van de Sande ; Noise as Ground in Improvised Music : The Case of Chris Corsano / Diederik Mark de Ceuster ; Stretching Musicality to the Extreme : Vertical Composition in Merzbow's Noise Music / Marina Sudo Musikalische Analyse (DE-588)4040814-0 gnd Musikästhetik (DE-588)4040808-5 gnd Musiktheorie (DE-588)4040876-0 gnd Geräusch (DE-588)4129296-0 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4040808-5 (DE-588)4040876-0 (DE-588)4129296-0 (DE-588)4143413-4 |
| title | Noise as a constructive element in music theoretical and music-analytical perspectives |
| title_auth | Noise as a constructive element in music theoretical and music-analytical perspectives |
| title_exact_search | Noise as a constructive element in music theoretical and music-analytical perspectives |
| title_exact_search_txtP | Noise as a constructive element in music theoretical and music-analytical perspectives |
| title_full | Noise as a constructive element in music theoretical and music-analytical perspectives edited by Mark Delaere |
| title_fullStr | Noise as a constructive element in music theoretical and music-analytical perspectives edited by Mark Delaere |
| title_full_unstemmed | Noise as a constructive element in music theoretical and music-analytical perspectives edited by Mark Delaere |
| title_short | Noise as a constructive element in music |
| title_sort | noise as a constructive element in music theoretical and music analytical perspectives |
| title_sub | theoretical and music-analytical perspectives |
| topic | Musikalische Analyse (DE-588)4040814-0 gnd Musikästhetik (DE-588)4040808-5 gnd Musiktheorie (DE-588)4040876-0 gnd Geräusch (DE-588)4129296-0 gnd |
| topic_facet | Musikalische Analyse Musikästhetik Musiktheorie Geräusch Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033773470&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043647103 |
| work_keys_str_mv | AT delaeremark noiseasaconstructiveelementinmusictheoreticalandmusicanalyticalperspectives |