The mediations of music: critical approaches after Adorno
"Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of musi...
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| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
[2023]
|
| Schriftenreihe: | Musical cultures of the twentieth century
Volume 8 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno's reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno's Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields"-- |
| Beschreibung: | xiv, 206 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780367762544 9780367762551 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents List of Figures List of Contributors Preface vii viii xii 1 Popular Culture and Post-Traditional Arts: Debates and Controversies During Adorno’s Exile in the USA 1 GIANMARIO BORIO PARTI 21 The Dynamics of Musical Mediation 2 The Logic of Judgement-less Synthesis: Theodor W. Adorno on Vermittlung and the Language of Music 23 DIETER MERSCH 3 Beyond Mediation 38 ESTEBAN BUCH 4 Media, Mediation and ‘Bildung’ in Adorno’s Current of Music 57 MICHELA GARDA PART П 73 Notation and Performance 5 ‘Every written note is the image of a beat’: Rethinking Adorno’s Critique of Notation 75 ANDREAS MEYER 6 Towards a Practice of Musical Performance Creativity DANIEL LEECH-WILKINSON 88
vi Contents 7 Exploring the Text-Performance Continuum in Music: Reflections on Immediate Mediation 104 ALESSANDRO CECCHI PART Ш Music on Screen 8 Instrumentalizing Music for the Movies: Comedy, Portability, Labor, Critique 123 125 LYDIA GOEHR 9 Composing for the Films in the Age of Digital Media 144 JAMES BUHLER PART IV Recorded Sound in Changing Environments 10 Adorno and Jazz: A Dialogue with the Philosopher from an Audiotactile Perspective 163 165 VINCENZO CAPORALETTI 11 Adorno, the Jitterbug and the Becoming Insect of Music 185 MAKIS SOLOMOS Index 199 |
| adam_txt |
Contents List of Figures List of Contributors Preface vii viii xii 1 Popular Culture and Post-Traditional Arts: Debates and Controversies During Adorno’s Exile in the USA 1 GIANMARIO BORIO PARTI 21 The Dynamics of Musical Mediation 2 The Logic of Judgement-less Synthesis: Theodor W. Adorno on Vermittlung and the Language of Music 23 DIETER MERSCH 3 Beyond Mediation 38 ESTEBAN BUCH 4 Media, Mediation and ‘Bildung’ in Adorno’s Current of Music 57 MICHELA GARDA PART П 73 Notation and Performance 5 ‘Every written note is the image of a beat’: Rethinking Adorno’s Critique of Notation 75 ANDREAS MEYER 6 Towards a Practice of Musical Performance Creativity DANIEL LEECH-WILKINSON 88
vi Contents 7 Exploring the Text-Performance Continuum in Music: Reflections on Immediate Mediation 104 ALESSANDRO CECCHI PART Ш Music on Screen 8 Instrumentalizing Music for the Movies: Comedy, Portability, Labor, Critique 123 125 LYDIA GOEHR 9 Composing for the Films in the Age of Digital Media 144 JAMES BUHLER PART IV Recorded Sound in Changing Environments 10 Adorno and Jazz: A Dialogue with the Philosopher from an Audiotactile Perspective 163 165 VINCENZO CAPORALETTI 11 Adorno, the Jitterbug and the Becoming Insect of Music 185 MAKIS SOLOMOS Index 199 |
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| spelling | Borio, Gianmario 1956- (DE-588)118040731 edt The mediations of music critical approaches after Adorno edited by Gianmario Borio London ; New York Routledge, Taylor & Francis Group [2023] xiv, 206 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Musical cultures of the twentieth century Volume 8 "Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno's reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno's Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields"-- Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Massenmedien (DE-588)4037877-9 gnd rswk-swf Mass media and music Music / Philosophy and aesthetics Adorno, Theodor W. / 1903-1969 / Criticism and interpretation Médias et musique Musique / Philosophie et esthétique Adorno, Theodor W. / 1903-1969 Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Adorno, Theodor W. 1903-1969 (DE-588)118500775 p Musik (DE-588)4040802-4 s Massenmedien (DE-588)4037877-9 s DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-316613-9 Musical cultures of the twentieth century Volume 8 (DE-604)BV043647103 8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033773295&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The mediations of music critical approaches after Adorno |
| title_auth | The mediations of music critical approaches after Adorno |
| title_exact_search | The mediations of music critical approaches after Adorno |
| title_exact_search_txtP | The mediations of music critical approaches after Adorno |
| title_full | The mediations of music critical approaches after Adorno edited by Gianmario Borio |
| title_fullStr | The mediations of music critical approaches after Adorno edited by Gianmario Borio |
| title_full_unstemmed | The mediations of music critical approaches after Adorno edited by Gianmario Borio |
| title_short | The mediations of music |
| title_sort | the mediations of music critical approaches after adorno |
| title_sub | critical approaches after Adorno |
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| topic_facet | Adorno, Theodor W. 1903-1969 Musik Massenmedien Aufsatzsammlung |
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