Techne theory: a new language for art
"Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2019
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | https://doi.org/10.5040/9781350101371?locatt=label:secondary_bloomsburyCollections |
| Zusammenfassung: | "Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means."--Bloomsbury Publishing Acknowledgements -- Part One: Fundamentals Chapter 1: Introduction: The Techne Standpoint -- Chapter 2: Art and Evolution -- Chapter 3: The Artist's Touch -- Part Two: Origins in Greek Philosophy Chapter 4: How Plato (Despite Himself) Invented Techne Theory -- Chapter 5: From Aristotle to Extended Mind -- Part Three: Where Do Poems Come From? Chapter 6: A Romantic View: Seamus Heaney -- Chapter 7: Excursus on the Nature of Language -- Chapter 8: An Anti-Romantic View: Paul Valéry -- Part Four: Studies in Modernist Techne Chapter 9: T. J. Clark's Picasso -- Chapter 10: What's Radical About Radical Painting? -- Chapter 11: The Techne of Kafka's Metamorphosis -- Part Five: Techne Metatheory Chapter 12: Universal Design Space and the Lines of Force -- Bibliography -- Index |
| Beschreibung: | Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (x, 199 Seiten) |
| ISBN: | 9781350101371 9781472592910 9781472592927 |
| DOI: | 10.5040/9781350101371 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048393759 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220804s2019 xxk|||| o||u| ||||||eng d | ||
| 020 | |a 9781350101371 |c online |9 978-1-350-10137-1 | ||
| 020 | |a 9781472592910 |c electronic book |9 978-1-4725-9291-0 | ||
| 020 | |a 9781472592927 |c pdf |9 978-1-4725-9292-7 | ||
| 024 | 7 | |a 10.5040/9781350101371 |2 doi | |
| 035 | |a (OCoLC)1339070087 | ||
| 035 | |a (DE-599)KEP051232545 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB |a xxu |c XD-US | ||
| 049 | |a DE-11 | ||
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a 08.41 |2 bkl | ||
| 084 | |a 20.06 |2 bkl | ||
| 100 | 1 | |a Staten, Henry |d 1946- |e Verfasser |0 (DE-588)1075659604 |4 aut | |
| 245 | 1 | 0 | |a Techne theory |b a new language for art |c Henry Staten |
| 250 | |a First edition | ||
| 264 | 1 | |a London ; New York |b Bloomsbury Academic |c 2019 | |
| 264 | 4 | |a London |b Bloomsbury Publishing |c 2019 | |
| 300 | |a 1 Online-Ressource (x, 199 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a "Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means."--Bloomsbury Publishing | |
| 520 | 3 | |a Acknowledgements -- Part One: Fundamentals Chapter 1: Introduction: The Techne Standpoint -- Chapter 2: Art and Evolution -- Chapter 3: The Artist's Touch -- Part Two: Origins in Greek Philosophy Chapter 4: How Plato (Despite Himself) Invented Techne Theory -- Chapter 5: From Aristotle to Extended Mind -- Part Three: Where Do Poems Come From? Chapter 6: A Romantic View: Seamus Heaney -- Chapter 7: Excursus on the Nature of Language -- Chapter 8: An Anti-Romantic View: Paul Valéry -- Part Four: Studies in Modernist Techne Chapter 9: T. J. Clark's Picasso -- Chapter 10: What's Radical About Radical Painting? -- Chapter 11: The Techne of Kafka's Metamorphosis -- Part Five: Techne Metatheory Chapter 12: Universal Design Space and the Lines of Force -- Bibliography -- Index | |
| 533 | |d 2019 |7 |2019|||||||||| | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Literaturproduktion |0 (DE-588)4167882-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a technē |0 (DE-588)4059202-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstproduktion |0 (DE-588)4166043-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Creative ability / Philosophy | |
| 653 | 0 | |a Art / Philosophy | |
| 689 | 0 | 0 | |a Kunstproduktion |0 (DE-588)4166043-2 |D s |
| 689 | 0 | 1 | |a Literaturproduktion |0 (DE-588)4167882-5 |D s |
| 689 | 0 | 2 | |a technē |0 (DE-588)4059202-9 |D s |
| 689 | 0 | 3 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-4725-9289-7 |
| 856 | 4 | 0 | |m X:BLOOM |u https://doi.org/10.5040/9781350101371?locatt=label:secondary_bloomsburyCollections |x Resolving-System |
| 912 | |a ZDB-162-BCC |a ZDB-162-PHY | ||
| 940 | 1 | |q gbd_1 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033772466 | ||
Datensatz im Suchindex
| _version_ | 1804184289328234496 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Staten, Henry 1946- |
| author_GND | (DE-588)1075659604 |
| author_facet | Staten, Henry 1946- |
| author_role | aut |
| author_sort | Staten, Henry 1946- |
| author_variant | h s hs |
| building | Verbundindex |
| bvnumber | BV048393759 |
| classification_rvk | CC 6900 |
| collection | ZDB-162-BCC ZDB-162-PHY |
| ctrlnum | (OCoLC)1339070087 (DE-599)KEP051232545 |
| discipline | Philosophie |
| discipline_str_mv | Philosophie |
| doi_str_mv | 10.5040/9781350101371 |
| edition | First edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04199nmm a2200625zc 4500</leader><controlfield tag="001">BV048393759</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220804s2019 xxk|||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350101371</subfield><subfield code="c">online</subfield><subfield code="9">978-1-350-10137-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472592910</subfield><subfield code="c">electronic book</subfield><subfield code="9">978-1-4725-9291-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472592927</subfield><subfield code="c">pdf</subfield><subfield code="9">978-1-4725-9292-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781350101371</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1339070087</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP051232545</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">08.41</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.06</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Staten, Henry</subfield><subfield code="d">1946-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1075659604</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Techne theory</subfield><subfield code="b">a new language for art</subfield><subfield code="c">Henry Staten</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="a">London</subfield><subfield code="b">Bloomsbury Publishing</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 199 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means."--Bloomsbury Publishing</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Acknowledgements -- Part One: Fundamentals Chapter 1: Introduction: The Techne Standpoint -- Chapter 2: Art and Evolution -- Chapter 3: The Artist's Touch -- Part Two: Origins in Greek Philosophy Chapter 4: How Plato (Despite Himself) Invented Techne Theory -- Chapter 5: From Aristotle to Extended Mind -- Part Three: Where Do Poems Come From? Chapter 6: A Romantic View: Seamus Heaney -- Chapter 7: Excursus on the Nature of Language -- Chapter 8: An Anti-Romantic View: Paul Valéry -- Part Four: Studies in Modernist Techne Chapter 9: T. J. Clark's Picasso -- Chapter 10: What's Radical About Radical Painting? -- Chapter 11: The Techne of Kafka's Metamorphosis -- Part Five: Techne Metatheory Chapter 12: Universal Design Space and the Lines of Force -- Bibliography -- Index</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="d">2019</subfield><subfield code="7">|2019||||||||||</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literaturproduktion</subfield><subfield code="0">(DE-588)4167882-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">technē</subfield><subfield code="0">(DE-588)4059202-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstproduktion</subfield><subfield code="0">(DE-588)4166043-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Creative ability / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Philosophy</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunstproduktion</subfield><subfield code="0">(DE-588)4166043-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literaturproduktion</subfield><subfield code="0">(DE-588)4167882-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">technē</subfield><subfield code="0">(DE-588)4059202-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-4725-9289-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="m">X:BLOOM</subfield><subfield code="u">https://doi.org/10.5040/9781350101371?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Resolving-System</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BCC</subfield><subfield code="a">ZDB-162-PHY</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033772466</subfield></datafield></record></collection> |
| id | DE-604.BV048393759 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:21:11Z |
| indexdate | 2024-07-10T09:36:55Z |
| institution | BVB |
| isbn | 9781350101371 9781472592910 9781472592927 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033772466 |
| oclc_num | 1339070087 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 1 Online-Ressource (x, 199 Seiten) |
| psigel | ZDB-162-BCC ZDB-162-PHY gbd_1 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Staten, Henry 1946- Verfasser (DE-588)1075659604 aut Techne theory a new language for art Henry Staten First edition London ; New York Bloomsbury Academic 2019 London Bloomsbury Publishing 2019 1 Online-Ressource (x, 199 Seiten) txt rdacontent c rdamedia cr rdacarrier Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Includes bibliographical references and index "Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what 'form' really means."--Bloomsbury Publishing Acknowledgements -- Part One: Fundamentals Chapter 1: Introduction: The Techne Standpoint -- Chapter 2: Art and Evolution -- Chapter 3: The Artist's Touch -- Part Two: Origins in Greek Philosophy Chapter 4: How Plato (Despite Himself) Invented Techne Theory -- Chapter 5: From Aristotle to Extended Mind -- Part Three: Where Do Poems Come From? Chapter 6: A Romantic View: Seamus Heaney -- Chapter 7: Excursus on the Nature of Language -- Chapter 8: An Anti-Romantic View: Paul Valéry -- Part Four: Studies in Modernist Techne Chapter 9: T. J. Clark's Picasso -- Chapter 10: What's Radical About Radical Painting? -- Chapter 11: The Techne of Kafka's Metamorphosis -- Part Five: Techne Metatheory Chapter 12: Universal Design Space and the Lines of Force -- Bibliography -- Index 2019 |2019|||||||||| Geschichte gnd rswk-swf Literaturproduktion (DE-588)4167882-5 gnd rswk-swf technē (DE-588)4059202-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Creative ability / Philosophy Art / Philosophy Kunstproduktion (DE-588)4166043-2 s Literaturproduktion (DE-588)4167882-5 s technē (DE-588)4059202-9 s Ästhetik (DE-588)4000626-8 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4725-9289-7 X:BLOOM https://doi.org/10.5040/9781350101371?locatt=label:secondary_bloomsburyCollections Resolving-System |
| spellingShingle | Staten, Henry 1946- Techne theory a new language for art Literaturproduktion (DE-588)4167882-5 gnd technē (DE-588)4059202-9 gnd Ästhetik (DE-588)4000626-8 gnd Kunstproduktion (DE-588)4166043-2 gnd |
| subject_GND | (DE-588)4167882-5 (DE-588)4059202-9 (DE-588)4000626-8 (DE-588)4166043-2 |
| title | Techne theory a new language for art |
| title_auth | Techne theory a new language for art |
| title_exact_search | Techne theory a new language for art |
| title_exact_search_txtP | Techne theory a new language for art |
| title_full | Techne theory a new language for art Henry Staten |
| title_fullStr | Techne theory a new language for art Henry Staten |
| title_full_unstemmed | Techne theory a new language for art Henry Staten |
| title_short | Techne theory |
| title_sort | techne theory a new language for art |
| title_sub | a new language for art |
| topic | Literaturproduktion (DE-588)4167882-5 gnd technē (DE-588)4059202-9 gnd Ästhetik (DE-588)4000626-8 gnd Kunstproduktion (DE-588)4166043-2 gnd |
| topic_facet | Literaturproduktion technē Ästhetik Kunstproduktion |
| url | https://doi.org/10.5040/9781350101371?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT statenhenry technetheoryanewlanguageforart |