Titian's Allegory of Marriage: New Approaches
This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetia...
Gespeichert in:
Format: | Elektronisch E-Book |
---|---|
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2022]
|
Schriftenreihe: | Visual and Material Culture, 1300 –1700
37 |
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FHR01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetian paintings as Giovanni Bellini’s Sacred Allegory and Giorgione’s Tempest. Throughout the years, Titian’s Allegory has engendered a range of diverse interpretations. Art historians such as Hans Tietze, Erwin Panofsky, Walter Friedlaender, and Louis Hourticq, to mention only a few, promoted various explanations. This book offers novel approaches and suggests new meanings toward a further understanding of this somewhat abstruse painting |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) |
Beschreibung: | 1 online resource (266 pages) |
ISBN: | 9789048552160 |
DOI: | 10.1515/9789048552160 |
Internformat
MARC
LEADER | 00000nmm a2200000zcb4500 | ||
---|---|---|---|
001 | BV048393690 | ||
003 | DE-604 | ||
005 | 20230228 | ||
007 | cr|uuu---uuuuu | ||
008 | 220804s2022 |||| o||u| ||||||eng d | ||
020 | |a 9789048552160 |9 978-90-485-5216-0 | ||
024 | 7 | |a 10.1515/9789048552160 |2 doi | |
035 | |a (ZDB-23-DGG)9789048552160 | ||
035 | |a (OCoLC)1339080565 | ||
035 | |a (DE-599)BVBBV048393690 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-898 | ||
082 | 0 | |a 759.5 |2 23//eng/20220718eng | |
245 | 1 | 0 | |a Titian's Allegory of Marriage |b New Approaches |c ed. by Daniel Unger |
264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a 1 online resource (266 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Visual and Material Culture, 1300 –1700 |v 37 | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) | ||
520 | |a This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetian paintings as Giovanni Bellini’s Sacred Allegory and Giorgione’s Tempest. Throughout the years, Titian’s Allegory has engendered a range of diverse interpretations. Art historians such as Hans Tietze, Erwin Panofsky, Walter Friedlaender, and Louis Hourticq, to mention only a few, promoted various explanations. This book offers novel approaches and suggests new meanings toward a further understanding of this somewhat abstruse painting | ||
546 | |a In English | ||
650 | 4 | |a Art and Material Culture | |
650 | 4 | |a Early Modern Studies | |
650 | 4 | |a European history: Renaissance | |
650 | 4 | |a History of art | |
650 | 4 | |a History, Art History, and Archaeology | |
650 | 4 | |a Italian | |
650 | 4 | |a Paintings and painting | |
650 | 4 | |a Renaissance style | |
650 | 7 | |a ART / Criticism |2 bisacsh | |
700 | 1 | |a Benninga, Sara |e Sonstige |4 oth | |
700 | 1 | |a Joannides, Paul |e Sonstige |4 oth | |
700 | 1 | |a Kodera, Sergius |e Sonstige |4 oth | |
700 | 1 | |a Kravitz-Lurie, Esthy |e Sonstige |4 oth | |
700 | 1 | |a Lehman, Geoff |e Sonstige |4 oth | |
700 | 1 | |a Pardo, Mary |e Sonstige |4 oth | |
700 | 1 | |a Rees, Valery |e Sonstige |4 oth | |
700 | 1 | |a Unger, Daniel M. |e Sonstige |4 oth | |
700 | 1 | |a Unger, Daniel |e Sonstige |4 oth | |
700 | 1 | |a Watts, Karen |e Sonstige |4 oth | |
856 | 4 | 0 | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DAD |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-033772391 | ||
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FHR01 |p ZDB-23-DAD |q ZDB-23-DAD22 |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9789048552160?locatt=mode:legacy |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804184289299922947 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
building | Verbundindex |
bvnumber | BV048393690 |
collection | ZDB-23-DAD ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9789048552160 (OCoLC)1339080565 (DE-599)BVBBV048393690 |
dewey-full | 759.5 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.5 |
dewey-search | 759.5 |
dewey-sort | 3759.5 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1515/9789048552160 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03985nmm a2200697zcb4500</leader><controlfield tag="001">BV048393690</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230228 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220804s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048552160</subfield><subfield code="9">978-90-485-5216-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048552160</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9789048552160</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1339080565</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048393690</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-898</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">759.5</subfield><subfield code="2">23//eng/20220718eng</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Titian's Allegory of Marriage</subfield><subfield code="b">New Approaches</subfield><subfield code="c">ed. by Daniel Unger</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (266 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Visual and Material Culture, 1300 –1700</subfield><subfield code="v">37</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetian paintings as Giovanni Bellini’s Sacred Allegory and Giorgione’s Tempest. Throughout the years, Titian’s Allegory has engendered a range of diverse interpretations. Art historians such as Hans Tietze, Erwin Panofsky, Walter Friedlaender, and Louis Hourticq, to mention only a few, promoted various explanations. This book offers novel approaches and suggests new meanings toward a further understanding of this somewhat abstruse painting</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and Material Culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Early Modern Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">European history: Renaissance</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">History of art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">History, Art History, and Archaeology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Italian</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Paintings and painting</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Renaissance style</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Benninga, Sara</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Joannides, Paul</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kodera, Sergius</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kravitz-Lurie, Esthy</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lehman, Geoff</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pardo, Mary</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rees, Valery</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Unger, Daniel M.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Unger, Daniel</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Watts, Karen</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DAD</subfield><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033772391</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FHR01</subfield><subfield code="p">ZDB-23-DAD</subfield><subfield code="q">ZDB-23-DAD22</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048552160?locatt=mode:legacy</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048393690 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:21:11Z |
indexdate | 2024-07-10T09:36:55Z |
institution | BVB |
isbn | 9789048552160 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033772391 |
oclc_num | 1339080565 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-898 DE-BY-UBR |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-898 DE-BY-UBR |
physical | 1 online resource (266 pages) |
psigel | ZDB-23-DAD ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DAD ZDB-23-DAD22 ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Amsterdam University Press |
record_format | marc |
series2 | Visual and Material Culture, 1300 –1700 |
spelling | Titian's Allegory of Marriage New Approaches ed. by Daniel Unger Amsterdam Amsterdam University Press [2022] © 2022 1 online resource (266 pages) txt rdacontent c rdamedia cr rdacarrier Visual and Material Culture, 1300 –1700 37 Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) This book offers nine new approaches toward a single work of art, Titian’s Allegory of Marriage or Allegory of Alfonso d’Avalos, dated to 1530/5. In earlier references, the painting was named simply Allegory, alluding to its enigmatic nature. The work follows in a tradition of such ambiguous Venetian paintings as Giovanni Bellini’s Sacred Allegory and Giorgione’s Tempest. Throughout the years, Titian’s Allegory has engendered a range of diverse interpretations. Art historians such as Hans Tietze, Erwin Panofsky, Walter Friedlaender, and Louis Hourticq, to mention only a few, promoted various explanations. This book offers novel approaches and suggests new meanings toward a further understanding of this somewhat abstruse painting In English Art and Material Culture Early Modern Studies European history: Renaissance History of art History, Art History, and Archaeology Italian Paintings and painting Renaissance style ART / Criticism bisacsh Benninga, Sara Sonstige oth Joannides, Paul Sonstige oth Kodera, Sergius Sonstige oth Kravitz-Lurie, Esthy Sonstige oth Lehman, Geoff Sonstige oth Pardo, Mary Sonstige oth Rees, Valery Sonstige oth Unger, Daniel M. Sonstige oth Unger, Daniel Sonstige oth Watts, Karen Sonstige oth https://doi.org/10.1515/9789048552160?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Titian's Allegory of Marriage New Approaches Art and Material Culture Early Modern Studies European history: Renaissance History of art History, Art History, and Archaeology Italian Paintings and painting Renaissance style ART / Criticism bisacsh |
title | Titian's Allegory of Marriage New Approaches |
title_auth | Titian's Allegory of Marriage New Approaches |
title_exact_search | Titian's Allegory of Marriage New Approaches |
title_exact_search_txtP | Titian's Allegory of Marriage New Approaches |
title_full | Titian's Allegory of Marriage New Approaches ed. by Daniel Unger |
title_fullStr | Titian's Allegory of Marriage New Approaches ed. by Daniel Unger |
title_full_unstemmed | Titian's Allegory of Marriage New Approaches ed. by Daniel Unger |
title_short | Titian's Allegory of Marriage |
title_sort | titian s allegory of marriage new approaches |
title_sub | New Approaches |
topic | Art and Material Culture Early Modern Studies European history: Renaissance History of art History, Art History, and Archaeology Italian Paintings and painting Renaissance style ART / Criticism bisacsh |
topic_facet | Art and Material Culture Early Modern Studies European history: Renaissance History of art History, Art History, and Archaeology Italian Paintings and painting Renaissance style ART / Criticism |
url | https://doi.org/10.1515/9789048552160?locatt=mode:legacy |
work_keys_str_mv | AT benningasara titiansallegoryofmarriagenewapproaches AT joannidespaul titiansallegoryofmarriagenewapproaches AT koderasergius titiansallegoryofmarriagenewapproaches AT kravitzlurieesthy titiansallegoryofmarriagenewapproaches AT lehmangeoff titiansallegoryofmarriagenewapproaches AT pardomary titiansallegoryofmarriagenewapproaches AT reesvalery titiansallegoryofmarriagenewapproaches AT ungerdanielm titiansallegoryofmarriagenewapproaches AT ungerdaniel titiansallegoryofmarriagenewapproaches AT wattskaren titiansallegoryofmarriagenewapproaches |