British Muslim Women in the Cultural and Creative Industries:
Presents an intimate portrait of how Muslim women are transforming media, culture and the arts in contemporary BritainSets out an innovative agenda for the importance of faith and religion within the cultural and creative industries and the lives of workersReveals how creative work in fashion, digit...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Edinburgh
Edinburgh University Press
[2022]
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Online-Zugang: | DE-12 DE-12 DE-898 DE-473 URL des Erstveröffentlichers URL des Erstveröffentlichers |
Zusammenfassung: | Presents an intimate portrait of how Muslim women are transforming media, culture and the arts in contemporary BritainSets out an innovative agenda for the importance of faith and religion within the cultural and creative industries and the lives of workersReveals how creative work in fashion, digital media and visual arts fosters spaces of identity, belonging and exclusionUncovers real-life examples of experiences of Islamophobia, sexism and racism that Muslim women face at workReflects on how Muslim faith and gender intersect and are transformed by ethnicity, ‘race’ and racialisation, class and geography in working livesDraws on 46 interviews including with Qaisra Shahraz, MBE, fiction author and festival producer; Deeyah Khan, award-winning film and magazine producer; and Zarah Hussain, visual artist and winner of Lumen Prize 2017 People’s Choice Award‘[Sister’s Hour is] a platform to show the diversity, to show the awesomeness, to show the variety, just to show the beauty of Muslim women.’ – Nadia Hussain, presenter on British Muslim TV’s Sister’s Hour‘I didn't even think about going in to a career of creativity, it didn't even make sense to me. I was like "no, of course not". Dreamland. No way. … That's how it was throughout all of high school. I was like "of course, that would be ridiculous to be an artist. What?!"’ – ‘Mona’, illustrator‘Some families are dealing with the experience of growing up in the diaspora, which tends to make them look for the financial security of their children as a priority. So they might be fine with a daughter studying engineering or dentistry, but if she expressed a wish to go to art college instead then they’d discourage that strongly.’ – Deeyah Khan, film and magazine producer, two times Emmy Award Winner, Two times Peabody Award Winner, and BAFTA Award Winner.‘There's certain things I did at art college which weren't right, Islamically weren't right, like life drawing for example. You know, drawing nude men, that wasn't right really. But at that time, it was like, ‘well I'm doing it, I'm at art college, fine’. Whereas in hindsight now, I shouldn't really have done that.’ – ‘Fatimah’, Fine and Textile artist‘I think it's difficult for people of colour, I think it's difficult for women probably compared for men, and I think it's difficult for working class people. It is an elite world and some of it is about who your contacts are, who your connections are, who you know. |
Beschreibung: | 1 Online-Ressource (xvii, 332 Seiten) Illustrationen |
ISBN: | 9781474459341 |
DOI: | 10.1515/9781474459341 |
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520 | |a just to show the beauty of Muslim women.’ – Nadia Hussain, presenter on British Muslim TV’s Sister’s Hour‘I didn't even think about going in to a career of creativity, it didn't even make sense to me. I was like "no, of course not". Dreamland. No way. … That's how it was throughout all of high school. I was like "of course, that would be ridiculous to be an artist. What?!"’ – ‘Mona’, illustrator‘Some families are dealing with the experience of growing up in the diaspora, which tends to make them look for the financial security of their children as a priority. | ||
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Datensatz im Suchindex
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author | Warren, Saskia |
author_GND | (DE-588)1269223259 (DE-588)139693378 |
author_facet | Warren, Saskia |
author_role | aut |
author_sort | Warren, Saskia |
author_variant | s w sw |
building | Verbundindex |
bvnumber | BV048391925 |
classification_rvk | MS 8000 AP 19300 AP 14000 BE 8623 |
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dewey-hundreds | 300 - Social sciences |
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dewey-tens | 330 - Economics |
discipline | Allgemeines Soziologie Wirtschaftswissenschaften Theologie / Religionswissenschaften |
discipline_str_mv | Allgemeines Soziologie Wirtschaftswissenschaften Theologie / Religionswissenschaften |
doi_str_mv | 10.1515/9781474459341 |
format | Electronic eBook |
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spelling | Warren, Saskia Verfasser (DE-588)1269223259 aut British Muslim Women in the Cultural and Creative Industries Saskia Warren Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (xvii, 332 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Presents an intimate portrait of how Muslim women are transforming media, culture and the arts in contemporary BritainSets out an innovative agenda for the importance of faith and religion within the cultural and creative industries and the lives of workersReveals how creative work in fashion, digital media and visual arts fosters spaces of identity, belonging and exclusionUncovers real-life examples of experiences of Islamophobia, sexism and racism that Muslim women face at workReflects on how Muslim faith and gender intersect and are transformed by ethnicity, ‘race’ and racialisation, class and geography in working livesDraws on 46 interviews including with Qaisra Shahraz, MBE, fiction author and festival producer; Deeyah Khan, award-winning film and magazine producer; and Zarah Hussain, visual artist and winner of Lumen Prize 2017 People’s Choice Award‘[Sister’s Hour is] a platform to show the diversity, to show the awesomeness, to show the variety, just to show the beauty of Muslim women.’ – Nadia Hussain, presenter on British Muslim TV’s Sister’s Hour‘I didn't even think about going in to a career of creativity, it didn't even make sense to me. I was like "no, of course not". Dreamland. No way. … That's how it was throughout all of high school. I was like "of course, that would be ridiculous to be an artist. What?!"’ – ‘Mona’, illustrator‘Some families are dealing with the experience of growing up in the diaspora, which tends to make them look for the financial security of their children as a priority. So they might be fine with a daughter studying engineering or dentistry, but if she expressed a wish to go to art college instead then they’d discourage that strongly.’ – Deeyah Khan, film and magazine producer, two times Emmy Award Winner, Two times Peabody Award Winner, and BAFTA Award Winner.‘There's certain things I did at art college which weren't right, Islamically weren't right, like life drawing for example. You know, drawing nude men, that wasn't right really. But at that time, it was like, ‘well I'm doing it, I'm at art college, fine’. Whereas in hindsight now, I shouldn't really have done that.’ – ‘Fatimah’, Fine and Textile artist‘I think it's difficult for people of colour, I think it's difficult for women probably compared for men, and I think it's difficult for working class people. It is an elite world and some of it is about who your contacts are, who your connections are, who you know. Islamic Studies ART / General bisacsh Cultural industries Great Britain Employees Muslim women Great Britain Economic conditions Muslim women Great Britain Social life and customs Chohan, Elinor Sonstige oth Shahraz, Qaisra 1958- Sonstige (DE-588)139693378 oth Erscheint auch als Druck-Ausgabe 9781474459327 Erscheint auch als Druck-Ausgabe 9781474459310 https://doi.org/10.1515/9781474459341 Verlag URL des Erstveröffentlichers Volltext https://www.cambridge.org/core/product/identifier/9781474459341/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Warren, Saskia British Muslim Women in the Cultural and Creative Industries Islamic Studies ART / General bisacsh Cultural industries Great Britain Employees Muslim women Great Britain Economic conditions Muslim women Great Britain Social life and customs |
title | British Muslim Women in the Cultural and Creative Industries |
title_auth | British Muslim Women in the Cultural and Creative Industries |
title_exact_search | British Muslim Women in the Cultural and Creative Industries |
title_exact_search_txtP | British Muslim Women in the Cultural and Creative Industries |
title_full | British Muslim Women in the Cultural and Creative Industries Saskia Warren |
title_fullStr | British Muslim Women in the Cultural and Creative Industries Saskia Warren |
title_full_unstemmed | British Muslim Women in the Cultural and Creative Industries Saskia Warren |
title_short | British Muslim Women in the Cultural and Creative Industries |
title_sort | british muslim women in the cultural and creative industries |
topic | Islamic Studies ART / General bisacsh Cultural industries Great Britain Employees Muslim women Great Britain Economic conditions Muslim women Great Britain Social life and customs |
topic_facet | Islamic Studies ART / General Cultural industries Great Britain Employees Muslim women Great Britain Economic conditions Muslim women Great Britain Social life and customs |
url | https://doi.org/10.1515/9781474459341 https://www.cambridge.org/core/product/identifier/9781474459341/type/BOOK |
work_keys_str_mv | AT warrensaskia britishmuslimwomenintheculturalandcreativeindustries AT chohanelinor britishmuslimwomenintheculturalandcreativeindustries AT shahrazqaisra britishmuslimwomenintheculturalandcreativeindustries |