Film Narratology:
Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) |
| Beschreibung: | 1 online resource (248 pages) |
| ISBN: | 9781442665576 |
| DOI: | 10.3138/9781442665576 |
Internformat
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| 520 | |a Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars | ||
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Datensatz im Suchindex
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| author | Verstraten, Peter |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/6 |
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| dewey-tens | 790 - Recreational and performing arts |
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| doi_str_mv | 10.3138/9781442665576 |
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| index_date | 2024-07-03T20:21:06Z |
| indexdate | 2024-07-10T09:36:50Z |
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| isbn | 9781442665576 |
| language | English |
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| spelling | Verstraten, Peter Verfasser aut Film Narratology Peter Verstraten Toronto University of Toronto Press [2022] © 2009 1 online resource (248 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars In English PERFORMING ARTS / Film & Video / Screenwriting bisacsh Motion pictures History Motion pictures Narration (Rhetoric) Van der Lecq, Stefan Sonstige oth https://doi.org/10.3138/9781442665576 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Verstraten, Peter Film Narratology PERFORMING ARTS / Film & Video / Screenwriting bisacsh Motion pictures History Motion pictures Narration (Rhetoric) |
| title | Film Narratology |
| title_auth | Film Narratology |
| title_exact_search | Film Narratology |
| title_exact_search_txtP | Film Narratology |
| title_full | Film Narratology Peter Verstraten |
| title_fullStr | Film Narratology Peter Verstraten |
| title_full_unstemmed | Film Narratology Peter Verstraten |
| title_short | Film Narratology |
| title_sort | film narratology |
| topic | PERFORMING ARTS / Film & Video / Screenwriting bisacsh Motion pictures History Motion pictures Narration (Rhetoric) |
| topic_facet | PERFORMING ARTS / Film & Video / Screenwriting Motion pictures History Motion pictures Narration (Rhetoric) |
| url | https://doi.org/10.3138/9781442665576 |
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